| | Barrelhouse Women, Vol. 2 (1924-1928) CD
Barrelhouse Women, Vol. 2 (1924-1928) contains an abundance of cuts from the obscure female blues singers Sodarisa Miller, Alice Pearson, Mattie Dorsey and Star Page. Miller has 15 tracks, Pearson has five, Dorsey has four and Page has two. For specialists, this is interesting material, but for anyone else, the approach of the collection is too academic to be of interest. ~ Stephen Thomas Erlewine Barrelhouse Women, Vol. 2 (1924-1928) Music Barrelhouse Women, Vol. 2 (1924-1928) Review
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Recorded between 1980 & 1990. Includes liner notes by Andy Aledort.
Epic's THE ESSENTIAL STEVIE RAY VAUGHAN AND DOUBLE TROUBLE gathers two discs' worth of the late blues guitarist's work, including many live performances and a few tracks with the Vaughan Brothers. The collection presents Vaughan's material in roughly chronological order, from the 1980 live recording "Shake for Me" to 1989's "Life by the Drop." It also touches on most of Vaughan's definitive songs and performances, including "Tightrope," "Wall of Denial," "Couldn't Stand the Weather," and "Cold Shot," and live versions of "The Sky Is Crying," "Superstition," and "Rude Mood/Hide Away." Though this album doesn't offer anything that hasn't already been released in some form ...
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Contains tracks recorded for the Aladdin label from 1952 to 1959.
The track listing of this 30-song disc is based on the 1973 double-LP Shirley & Lee compilation in United Artists' Legendary Masters series, with "I Feel Good" substituted for "Do You Mean to Hurt Me So." Spanning their 1952-59 work for Aladdin, it's comprehensive enough to serve as a best-of, particularly as it included the four songs that are by far their most famous cuts: "Let the Good Times Roll," "I'm Gone," "I Feel Good," and "Feel So Good." As the American best-of CD compilation Legendary Masters (issued first on EMI America, then on Collectables) has only 20 numbers, one might presume that this 30-track anthology has the edge. It doesn't make the Legendary Masters CD redundant, though, as Legendary Masters has seven songs that don't appear here. At any rate, Let the Good Times Roll will almost certainly be a sufficient overview of the duo's prime output for those who haven't picked up a Shirley & Lee greatest hits anthology yet. Truth to tell, for most listeners 30 Shirley & Lee songs is more than enough, as the accomplished, good-timey New Orleans R&B/rock groove gets pretty similar-sounding over the course of an hour-plus. One thing you could note is how the contrasting male-female duet style of Shirley & Lee was influential on early ska and reggae productions from Jamaica; listen to "Marry Me" for one instance in which Shirley & Lee themselves played calypso/Caribbean rhythms. It's also interesting to note that almost all of the material on this disc was self-penned, an impressive feat for teenage R&B singers of ...
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