Fiddlin John Carson Complete Recorded Works, Vol. 6 CD

Complete Recorded Works, Vol. 6 Music

Category	Rock/Pop Albums, Folk CDs, Blues, Soundtrack Collections, Blues Traditional, String Band, Country, Bluegrass
Label	Document
Orig Year	1998
All Time Sales Rank	225542
CD Universe Part number	1021751
Discs	1
Release Date	Apr 01, 1998
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Johnny Parth
Personnel	Fiddlin' John Carson - vocals, fiddle Rosa Lee "Moonshine Kate" Carson - vocals, guitar, banjo
Additional Info	Import

Fiddlin John Carson Complete Recorded Works, Vol. 6 Songs

	1.	Who Bit the Wart off Grandma's Nose
	2.	Kate's Snuff Box
	3.	Sunny Tennessee
	4.	Whatcha Gonna Do When Your Licker Gives Out?
	5.	Last Old Dollar Is Gone, The
	6.	Texas Blues
	7.	Raggedy Riley
	8.	Raccoon and the Possum, The
	9.	Hen and the Rooster
	10.	Goin' Where the Climatre Suits My Clothes
	11.	Dominicker Duck, The
	12.	Silver Threads Among the Gold
	13.	On the Banks of Old Tennessee
	14.	You Gotta Let My Dog Alone
	15.	John in the Army
	16.	Old Grey Horse Ain't What He Used to Be, The
	17.	After the Ball
	18.	My Home in Dixie-Land
	19.	Old Ship Is Sailing for the Promised Land, The
	20.	At the Cross
	21.	Take the Train to Charlotte
	22.	Little More Sugar in the Coffee
	23.	Didn't He Ramble

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George Thorogood & The Destroyers: George Thorogood (vocals, guitar); Hank Carter (saxophone, keyboards, background vocals); Bill Blough (bass); Jeff Simon (drums). The CD booklet for HAIRCUT features an original eight page cartoon by Peter Bagge. This is one of the most consistently bluesy of Thorogood's '90s albums, with fewer of the overt goofs and '60s garage-band and punk influences that drove the purists crazy. Instead, it's a big-sounding, mostly serious set, in which Thorogood covers the usual suspects--John Lee Hooker ...

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Well, let's be honest here. Noel Redding's position in rock history is cemented by virtue of having been the bass player for the Jimi Hendrix Experience. But the fact is that he was not actually a bass player, but a converted guitar player who was hired, at least in part, because Jimi liked his hair! By the time of Electric Ladyland, Redding was feeling creatively frustrated in the group, which basically led to the breakup of the Experience. He did, however, get two of his songs recorded by the Experience: "She's So Fine" on Axis: Bold As Love and "Little Miss Strange" on Electric Ladyland. Both are pleasant enough little tunes, but they do pale in comparison to Hendrix's songwriting abilities. Redding's later bands, Fat Mattress and the Noel Redding Band, were commercial duds with little to recommend them. So The Experience Sessions has been offered up by Experience Hendrix to fill out Noel's legacy. Unfortunately, there isn't really much to fill out. When you take out the live version of "Red House" by the Experience and the two cuts each of "She's So Fine" and "Little Miss Strange" (the album version and an alternate for both), you're left with only seven tracks, and two of those are alternates of the same tune. That's not much of a legacy. "There Ain't Nothing Wrong" has been available for years in bootleg circles, the difference here being cleaner sound and a vocal track that had never been heard because Noel cut the vocals for it in 1988! The best tunes here are nice psychedelic pop ditties much like "Little Miss Strange": "Walking Through the Garden," "Dream," and "Little, Little Girl," all of which demonstrate the fact that Noel Redding was not a particularly gifted lyricist. There are some nice touches, like the phased vocals on "Little, Little Girl" or Jimi's bass playing on "Dream," but they aren't especially remarkable. "How Can I Live" sounds unfinished, lacking a bass track, and "Noel's Tune" is a pretty loose jam, redeemed only by Jimi's soloing. The alternate version doesn't even have Hendrix, and suffers in comparison. The alternate take of "She's So Fine" is quite interesting stripped of both the lead and backing vocals, but the alternate of "Little Miss Strange" is rendered pretty uninteresting by removing all the stuff Jimi added, primarily the guitar leads. The live version of "Red House" from 1968 is nice, featuring Noel on rhythm guitar instead of bass, but again, does little to enhance Redding's legacy. Basically, any interest here -- outside of Noel Redding's family members -- is in these little-known performances of Jimi Hendrix, who plays guitar and/or bass on eight of the 12 tracks and percussion on one more. There are no major revelations, and it's pretty apparent that Noel Redding is not the great unsung hero of rock who was overshadowed by his flamboyant bandmate. He was an adequate bass player who was in the right place at the right time. He'd have been better off accepting that rather than carping about not getting his due and trying to denigrate Hendrix posthumously out of bitterness (which he did repeatedly). If you're a Hendrix freak, there are just a couple tasty items here. If you're hoping to discover ...