| | Knocky Parker Complete Works Of Jelly Roll Morton CD Knocky Parker Discography of CDs
John William "Knocky" Parker on piano & harpsichord, 48 tracks, 2 CD set of all Jelly Roll's compositions (1915-1949)
Recording information: 1915-1949.
Photographer: Jelly Roll Morton. Complete Works Of Jelly Roll Morton Music Knocky Parker Complete Works Of Jelly Roll Morton Songs | 1. | Superior Rag |
| 2. | Original Jelly Roll Blues |
| 3. | Frog-I-More Rag |
| 4. | Troublesome Rag |
| 5. | Pearls, The |
| 6. | Big Fat Ham |
| 7. | Wolverine Blues |
| 8. | Mr. Jelly Lord |
| 9. | Kansas City Stomp |
| 10. | London Blues |
| 11. | Grandpa's Spells |
| 12. | Wild Man Blues |
| 13. | King Porter Stomp |
| 14. | Mamanita |
| 15. | Perfect Rag |
| 16. | 35th Street Blues |
| 17. | Milneburg Joys |
| 18. | New Orleans Blues |
| 19. | Shreveport Stomp |
| 20. | Tom Cat Blues |
| 21. | Dead Man Blues |
| 22. | Chicago Breakdown |
| 23. | Black Bottom Stomp |
| 1. | State and Madison |
| 2. | Sidewalk Blues |
| 3. | Cannon Ball Blues |
| 4. | Hyena Stomp |
| 5. | Jungle Blues |
| 6. | Freakish |
| 7. | Seattle Hunch |
| 8. | Fickle Fay Creep |
| 9. | Fat Frances |
| 10. | Crazy Chord Rag |
| 11. | Pep |
| 12. | Sweet Peter |
| 13. | Sweet Substitute |
| 14. | Fingerbreaker |
| 15. | Crave, The |
| 16. | Naked Dance, The |
| 17. | Mister Joe |
| 18. | Creepy Feeling |
| 19. | Bert Williams |
| 20. | Honky Tonk Music |
| 21. | Spanish Swat |
| 22. | Buddy Carroll's Rag |
| 23. | Miserere, Les |
| 24. | Metamorphosis |
| 25. | Tiger Rag |
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Complete Works Of Jelly Roll Morton Review
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Purchase Complete Works Of Jelly Roll Morton CD To buy, Click on price to add to cart | J J Cale Naturally CD (1971)
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| | Prinzhorn Dance School CD (2007)
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"It's good to have stop start/It's good to have a start stop." So sings Tobin Prinz on Prinzhorn Dance School's self-titled debut album, and it could very well be the band's manifesto. The duo's music is stripped to the barest, most distinctive elements -- Prinz's raspy sneer and Suzi Horn's girlish yelp; guitar and basslines that usually act as witty punctuation, but sometimes, without warning, pull and bend like taffy; and bashed drums that seem to comment on songs rather than just hold down the beat -- and on all of these songs, Prinz and Horn play cat-and-mouse with rhythm and melody to minimalist, absurdist effect. At times, listening to Prinzhorn Dance School becomes a game of waiting for the other shoe (or beat) to drop; the band does as much with awkward silences and pregnant pauses as they do with the actual music they make. Space, communication, and the lack of both are some of Prinzhorn Dance School's major preoccupations, particularly on the fantastic single "You Are the Space Invader": it begins with a taunting bassline that sounds like it's wagging its finger at you, Prinz and Horn lament Hampshire's air pollution, then a massive, claustrophobia-inducing one-note guitar solo levels the song. The duo plays with miscommunication on "Lawyer's Water Jug," a duet of disinformation where Prinz's deadpan non sequiturs are made even more disorienting by Horn's cheeky retorts, and they revel in shifting perspectives on "Realer, Pretender," which seems to follow a logical stream of thought nailed down by a four-on-the-floor beat, then falls down a rabbit hole populated by hobgoblins. Repetition is another Prinzhorn Dance School obsession, and the one that makes the band polarizing. While "Crash, Crash, Crash" and "I Do Not Like Change" (which could be another PDS manifesto) come close to monotony, for most of the album the band's purposely limited sounds don't get in the way of them telling a story in their own fragmentary style. "Up! Up! Up!" ...
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