| | Freddie Mercury Great Pretender CD Freddie Mercury Discography of CDs
(3 Customer Reviews)
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From all appearances, The Great Pretender would seem to be a collection of tracks from Freddie Mercury's Mr. Bad Guy album with various additional rarities. And that it is, but what is not made clear from looking at the track listing is that almost every song on this compilation has been remixed, sometimes quite drastically, from the original version. Thankfully, the music is still strong and in some cases arguably has been improved by the remixes. However, the fact that the tracks have been altered, obviously without the authority of the late Freddie Mercury, will put off some fans. The two pieces that Mercury recorded for the Time musical ("Time" and "In My Defense") have not been altered too much, and these hard-to-find ballads and the cover of "The Great Pretender" are the major selling points of the album, given the fine, dramatic performances given by Mercury. The material from Mr. Bad Guy has been altered far more, however, with added techno beats and heavier guitars. In fact, on these tracks there's very little remaining of the original music. However, the changes are still interesting musically, and enough people liked the raved-up version of "Living on My Own" that it hit number one on the U.K. singles chart. With added heavy guitars, "Mr. Bad Guy," "Love Kills," and "My Love Is Dangerous" are far more ominous than their original versions. All in all, for Queen fans the music here deserves a listen, even if it isn't in the versions Mercury originally intended. [The Freddie Mercury Album, released one week earlier in the U.K., is basically the same album except for the substitution of "Barcelona" for "My Love Is Dangerous."] ~ Geoff Orens
This is a compilation of solo material released by Freddie Mercury. Some of the tracks have been radically remixed.
Producers: Freddie Mercury, Mike Moran, David Richards, Dave Clark, Giorgio Moroder.
Freddie Mercury Great Pretender Songs | 1. | Great Pretender, The | |
| 2. | Foolin' Around | $0.99 | |
| 3. | Time | $0.99 | |
| 4. | Your Kind of Lover | $0.99 | |
| 5. | Exercises in Free Love | |
| 6. | In My Defence | $0.99 | |
| 7. | Mr. Bad Guy | $0.99 | |
| 8. | Let's Turn It On | $0.99 | |
| 9. | Living on My Own | $0.99 | |
| 10. | My Love Is Dangerous | $0.99 | |
| 11. | Love Kills  | $0.99 | |
| Great Pretender Music Review Purchase Great Pretender CD To buy, Click on price to add to cart | Freddie Mercury Barcelona CD (1988)
Great Pretender album
$11.99 This is a collection of Spanish and American songs by Queen's lead singer Freddie Mercury and opera singer Montserrat Caballe.
With Barcelona, Queen singer Freddie Mercury realized his long-lived dream of performing with an opera singer; in this case, Montserrat Caballe. While it's certainly a treat for ...
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$14.95 SOLO contains albums MR. BAD GUY and BARCELONA, as well as a bonus CD of hits and ...
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| | Miles Davis In Person At The Blackhawk: Complete CDs (2003) Remastered; Box Set
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$31.45 "Walkin'" is taken at the kind of jaunty tempo that distinguished the Wynton Kelly-Paul Chambers-Jimmy Cobb rhythm axis. Paul Chambers' buoyant, effortless beat, his sure sense of harmony and swing, and his resounding brand of melodic bass (dig his little bowed break at the conclusion of "Walkin'") are the glue which hold these performances together. On "Walkin'" he and Jimmy Cobb lock up the groove as if swinging were the same as breathing, allowing Kelly to engage the trumpeter in a continual dialogue, feinting counterpoint and feeding him his favorite chords, then dropping away to allow Miles to stroll for a taste.
Kelly's joy is infectious on the band's old warhorse "Bye Bye Blackbird" and the easy-going ballad "All Of You," where he seems to particularly inspire a laid back bluesy Hank Mobley tenor solo. Mobley, never a Davis favorite, is not the fiery foil he relished, but his buttery tone and imperturbable lyric charm suit the slightly conservative tone of these performances. But in a long reading of "No Blues," Miles pointedly has Wynton Kelly testify briefly in response to his own, almost down home reading of a blues, before engaging Cobb in some talking rhythm exchanges. However, Kelly is capable of a gorgeous romantic approach, as in the lush chording which enlivens the closing "Love I've Found You."
Prior to the departure of the classic Kelly-Chambers-Cobb rhythm section (the KIND OF BLUE team) in 1963, Miles was in the midst of his so-called show tune period, which consisted of jazz classics and pop tunes taken at brisk, swinging tempos, suffused in the same funky hard bop bluesiness of Mingus, Cannonball and Blakey's Messengers. The harmonic sophistication of his collaborations with Gil Evans notwithstanding, the more modern advances of Coltrane, Coleman and Taylor would have to wait for the arrival of the Hancock-Carter-Williams rhythm axis.
SATURDAY NIGHT AT THE BLACKHAWK features some of this band's most engaging repertoire (plus some solos edited out of the original release). After the coy, teasing lyricism of "Fran Dance," the band worked itself into a fine lather, and Miles really stretches out over the tight, passionate groove on "So What." Cobb's brushes, Chambers' translucent bass lines and Kelly's funky understatement give "Oleo" ...
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$10.05 It is easy to trace the influences of the New Pornographers. Ghosts of the Beatles, Big Star, T. Rex, David Bowie, and legions of underground power-pop ...
| | Tunnelvision Watching The Hydroplanes CD (2005)
Great Pretender CD music
$14.15 Following on some years after a single-disc compilation of available Tunnelvision material, LTM returned to the band by offering up two separate discs, generally divided between live and studio cuts. Watching the Hydroplanes was the studio offering, starting with the one item LTM had been unable to license for re-release the first time through -- the actual "Watching the Hydroplanes"/"Morbid Fear" single itself, the one item the band released during its initial lifetime. Given a remix from original demo tracks by Martin Hannett, it bears less of that producer's imprimatur than might be thought -- the feeling is much more one of murk ...
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