| | Sleepy Hollow Soundtrack CD (2 Customer Reviews)
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Our Price: $12.59 CDFor Sale Usually ships in 1-2 days
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Original score composed by Danny Elfman. Tim Burton's Sleepy Hollow reunites the distinctive director with his equally noteworthy musical collaborator, Danny Elfman. His orchestral score for the film features the mix of darkness and wonder that has graced Burton's previous films and other fantasy and horror movies like Army of Darkness and Dolores Claiborne. Much of Sleepy Hollow's score is grim and tense, using eerie strings, haunting vocals, and ominous brass and percussion to convey the supernatural suspense of Burton's version of Washington Irving's classic tale. However, Elfman also captures the ethereal, romantic side of the story on gentle woodwind and string pieces. A highly dramatic, evocative score, Sleepy Hollow may or may not be enjoyable listening outside of the film's context, but it definitely adds another level of depth to an already compelling movie. ~ Heather Phares
Music By:Danny Elfman Sleepy Hollow Soundtrack Music Sleepy Hollow Soundtrack Music Review Sleepy Hollow Soundtrack CD Purchase Music From Sleepy Hollow CD To buy, Click on price to add to cart | Beetlejuice CD (1988) Original Soundtrack
Sleepy Hollow Soundtrack
$6.49 All music written by Danny Elfman. All Danny Elfman tracks are DDD while the 2 Belafonte tracks are AAD. Magic always happens when Danny Elfman teams up with director-producer Tim Burton. BEETLEJUICE represents this team's second outing together, the first being 1986's PEE WEE'S BIG ADVENTURE. Elfman has a knack for combining classical motifs with pop and ballroom dance to create ...
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$12.65 Composer: James Newton Howard. Personnel: George Doering (guitar); Gayle Levant (harp); Eun Mee Ahn, Al Hershberger, Miran Kojian, Anatoly Rosinsky, Katia Popov, Tamara L. Hatwan, Ken Yerke, Jeanne Evans, Rene Mandel, Rafael Eishik, Hilary Hahn, Franklyn d'Antonio, Jay Rosen, Joel Derouin, Kevin Connolly, Mark Robertson , Sid Page, Richard Altenbach, Jacqueline Brand, Roberto Cani, Julie Gigante, Clayton Haslop, Natalie Leggett, ...
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Personnel: Luciana Souza (vocals); Donny McCaslin (tenor saxophone); Bruce barth, Fred Hersch, Edward Simon (piano); Scott Colley (acostic bass); Clarence Penn (drums). Recorded at Avatar Studios, New York, New York. Includes liner notes by Luciana Souza. NORTH AND SOUTH was nominated for the 2004 Grammy Award for Best Jazz Vocal Album. To be an excellent singer of standards, whether jazz or Brazilian or otherwise, an artist must possess a strong yet subtle voice and work with a sympathetic band. To really endear him or herself to fans, though, he or she must also know their repertoire; not only which songs to sing, but how to sing them: which parts to embrace and which to re-imagine (and, of course, the amounts of both). Any of these skills are enough to spark a solid record, but Luciana Souza has all of them, and thus her work is usually brilliant. North and South is the third album of what Souza terms a trilogy -- the first was a tribute to poet Elizabeth Bishop, the second a collection of her arrangements of traditional Brazilian songs (Brazilian Duos). She closes out the series by balancing standards from America and Brazil (thus the title), appropriately recalling her Brazilian forebears Sylvia Telles and Elis Regina, as well as contemporary jazz singers like Cassandra Wilson or Diana Krall. The two side-openers, Jobim's standards "Chega de Saudade" and "Corcovado," are simply enchanting, but the first especially so, one of the best versions of the master heard in many years. On her own arrangement, Souza draws out the lyric even while the rest of the band cuts out for a nimble rewriting of ...
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