| | Edith Piaf Early Years: 1937-1938, Vol. 2 CD Edith Piaf Discography of CDs
Recording information: 01/28/1937-03/15/1938.
Director: Wal Berg.
Unknown Contributor Role: C.H. Kiffer.
Arranger: Wal Berg.
Personnel: Edith Piaf (vocals); Rene Cloerec, Pierre Dreyfus, Emil Stern (piano).
Liner Note Author: Jacques Canetti.
Early Years: 1937-1938, Vol. 2 Music Edith Piaf Early Years: 1937-1938, Vol. 2 Songs Early Years: 1937-1938, Vol. 2 Review
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Buy Early Years: 1937-1938, Vol. 2 CD Purchase Early Years: 1937-1938, Vol. 2 CD To buy, Click on price to add to cart | Jazz Icons Series 4 Box Set DVDs (2009)
Early Years: 1937-1938, Vol. 2
 $101.39  
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| | Peter Bjorn & John Peter Bjorn And John CD (2002) Import
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Peter Bjorn and John's first album (2002's Peter Bjorn and John) is a rambunctious and thrilling blast of energy, promise, and well-crafted hooks. The trio took their time before releasing the album (they formed in 1999), and the time spent honing their craft paid off. The songs are memorable, the performances tight and nuanced, the production flawless. It sounds like the work of a band at the very top of their game (though later records show they were just getting going). The writing is split for the most part between Peter and Björn, with the former firmly following the Beatles/Costello path of frantic pop with a twist, the latter pulling songs from no discernible source, though some like "Falling and Passing" are loosely based in new wave. The best of the batch (like "I Don't Know What I Want Us to Do," "Matchmaker," "People They Know," and "100 Meters of Hurdles") will end up on their inevitable greatest-hits collection, while the rest are merely examples of the best indie rock/pop of the early 2000s. Peter Bjorn and John may have made a big splash in 2006/2007, but this record shows they were swimming with the big boys from the very beginning. ~ Tim Sendra
Peter Bjorn and John's first album (2002's Peter Bjorn and John) is a rambunctious and thrilling blast of energy, promise, and well-crafted hooks. The trio took their time before releasing the album (they formed in 1999), and the time spent honing their craft paid off. The songs are memorable, the performances tight and nuanced, the production flawless. It sounds like the work of a band at the very top of their game (though later records show they were just getting going). The writing is split for the most part between Peter and Björn, with the former firmly following the Beatles/Costello path of frantic pop with a twist, the latter pulling songs from no discernible source, though some like "Falling and Passing" are loosely based in new wave. The best of the batch (like "I Don't Know What I Want Us to Do," "Matchmaker," "People They Know," and "100 Meters of Hurdles") will end up on their inevitable greatest-hits collection, while the rest are merely examples of the best indie rock/pop of the early 2000s. Peter Bjorn and John may have made a big splash in 2006/2007, but this record shows they were swimming with the big boys from the very beginning. [The 2007 reissue adds all the B-sides from the band's early singles. Their inclusion makes a very good record even better, and one or two of them deserved to have made the cut for the final Track Listing of songs: the moody rocker "Saturday Night at the Parties" for one and, to a lesser extent, the acoustic ballad "The Fan."] ~ Tim Sendra
UK reissue of the debut album by this Swedish Pop trio, who mix '60s Baroque Pop with New Wave and add a modern Indie vibe. Features five bonus tracks: 'Firing Blanks', 'Don't Be Skew', 'Le Crique', 'The Fan' and 'Saturday Night At The Parites'. Peter Bjorn and John are a trio of talented Swedes (Peter Moren, Bjorn ...
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The sheer toughness -- and overall derivative -- nature of Killing Floor's debut album, issued six months after Led Zeppelin's debut in 1969 on the Spark label, is a wondrous contrast to the overly slick treatment American blues were given by British artists. All of these tunes, with the exception of one, are revamped versions of songs from the blues canon with different words. The lone "cover" in the set was written by Willie Dixon titled "Woman You Need Love," the tune Zep ripped for "Whole Lotta Love." Despite the fact that this set was issued before by Repertoire, the Akarma version is definitive in that it features the original cover artwork in a heavy cardboard gatefold sleeve, and killer sound. This is a raw, immediate, overdriven, psychedelic blues record that offers an interesting historical counterpoint to the immediate impact of Page and Plant and Co., but it also offers a great contrast to the recent 1990s versions of American groups trying to rock up the blues in like style: Jon Spencer Blues Explosion immediately ...
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