| | David Bowie Heroes CD David Bowie Discography of CDs
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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Composer: David Bowie. Lyricist: David Bowie. Personnel: David Bowie (vocals, guitar, koto, saxophone, keyboards, background vocals); David Bowie (various instruments); Brian Eno (vocals, guitar, piano, chamberlin, keyboards, synthesizer); George Murray (electric bass, bass guitar); Tony Visconti (wind, background vocals); Antonia Maass (background vocals); Robert Fripp, Carlos Alomar (guitar); Dennis Davis (drums, percussion). Audio Mixers: David Bowie; David Richards . Recording information: Hansa By The Wall, Berlin, Germany. Photographer: Sukita. Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking. ~ Stephen Thomas Erlewine The Germanic feel of this album is not surprising, as David Bowie recorded it in Berlin during his period of infatuation with the city. HEROES is a much more lively affair than LOW and has the benefit of a title track that remains one of Bowie's finest songs, in addition to excellent contributions from Robert Fripp and Brian Eno. The thick, mysterious textures of "Beauty and the Beast" set the tone for the rest of the album. The Eno-influenced "Sense of Doubt" is the flip side to the majestic "Heroes"--dark and moody, as is "Neukoln". But, despite (or perhaps because of) the charged atmosphere of doom and gloom, this is a seminal Bowie album. Heroes Music Review Average Rating: (4.7 out of 5 stars)   More excellent than expectation This is the 2nd time to buy this album,
1st time was more that 20 years ago.
Then much much more fantastic than I remember. Submitted by takashi.fujioka (Singapore)  Was This Review Helpful? Yes No
A Cool Album Heroes, although a little strange and different, is great! I like every song on it! Especially his awesome song Beauty and the Beast, and his famous Heroes. If u like songs that are a little bit wierd or all instrumental, than this album is for u! i love it!! all Bowie fans should get this album. it's really cool! Submitted by kaitystardust (NJ, USA) Was This Review Helpful? Yes No
Bowie Does It Again Well David Bowie has released yet another album of interesting and thought provoking music. He always seems to be on the cutting edge of what is out there. While it is much different than Earthling (his last effort) the sound is still very full and rich. The guitar work is beautiful and classic. The bass and drums provide a very solid background to the rich music that plays. And of course there is Bowie's voice. He can still pull off some of the coolest vocals in the industry. Choice cuts include, Thursday's Child, If I'm Dreaming My Life, What's Really Happening, The Pretty Things Are Going To Hell, and The Dreamers. But let me point out the other songs are also very good. Overall this release by Bowie is extremely well balanced and he pulls pieces from all his past albums, stirs them up and gives us 'Hours...' And I thank him for that. Submitted by a reviewer (Council Bluffs, IA) Was This Review Helpful? Yes No 0 of 1 found this helpful.
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Purchase Heroes CD To buy, Click on price to add to cart | David Bowie Scary Monsters CD (1980) Enhanced CD
Heroes
$11.69 Personnel: David Bowie (vocals, keyboards); Tony Visconti (acoustic guitar, background vocals); Pete Townshend, Robert Fripp, Carlos Alomar, Chuck Hammer (guitar); Roy Bittan (piano); Andy Clark (synthesizer); George Murray (bass); Dennis Davis (percussion); Lynn Maitland, Chris Porter, Michi Hirota (background vocals). Recorded at The Power Station, New York, New York. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was ...
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Heroes
$11.39 Personnel: David Bowie (vocals, guitar, saxophone, piano); Mick Ronson (guitar); Rick Wakeman (piano); Trevor Bolder (bass); Mick Woodmansey (drums). Producers: Ken Scott, Ken Scott, David Bowie This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Composer: David Bowie. Personnel: David Bowie (vocals, guitar, saxophone, alto saxophone, tenor saxophone, piano); David Bowie; Trevor Bolder (trumpet, bass instrument); Mick Ronson (vocals, guitar, Mellotron); Rick Wakeman (piano); Mick "Woody" Woodmansey (drums). Audio Remixer: Ken Scott. Liner Note Author: Kaz Akaiwa. Recording information: Trident Studios, London, England. Illustrator: Hamilton K. Wilson. Photographers: Brian Ward ; Brian Wood. Arrangers: Mick Ronson; Arthur Wright. After the freakish hard rock of The Man Who Sold the World, ...
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Heroes
$11.15 This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: David Bowie (vocals, guitar, harmonica, saxophone, keyboards); David Bowie; Mick Ronson (vocals, guitar, piano, background vocals); Mac Cormack (vocals, background vocals); Trevor Bolder (bass instrument); Mike Woodsmansey, Mick "Woody" Woodmansey (drums); Ken Fordham (flute, saxophone); Mike Garson (piano); Linda Lewis, Juanita "Honey" Franklin, G A MacCormack (background vocals). Audio Mixers: Ken Scott; Mick Ronson. Audio Remasterers: Nigel Reeve; Peter Mew. Audio Remixer: Dr. Toby Mountain. Recording information: RCA Studios, London, England (1972); RCA Studios, Nashville, TN (1972); Trident Studios, London, England (1972). Photographer: Sukita. Unknown Contributor Role: L. Arrangers: David Bowie; Mick Ronson. This 2003 set ...
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Heroes
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$7.89 Personnel: Dennis Clifton (vocals, guitar, slide guitar, dobro, background vocals); Larry Cordle (vocals, guitar, background vocals); Andrew Kinsey, Rani Arbo (vocals); Dennis "Cannonball" Caplinger (guitar, acoustic guitar, dobro, banjo, mandolin, fiddle, percussion); Dave Dick (guitar, banjo); Tim Crouch (guitar, mandolin, fiddle); Tom Corbett (guitar, mandolin); Booie Beach (guitar); Kim Gardner , Roger Williams His Piano and Orchestra, ...
| | Adam Freeland Mexico City CDs (2007) Limited Edition
Heroes
$22.25 Personnel: Raphael Seguiniėr (drums). Audio Mixers: Adam Freeland; Quentin Dupieux; Tony Hoffer. Audio Remixers: Adam Freeland; Clement Vache; Alex Drury; Prins Thomas; Carl Craig. Liner Note Author: Dom Phillips. Editor: Thomas Bangalter. Photographer: Dean Belcher. Arrangers: Damian Taylor; Robin Lee and the Lavenders; Simon Lee. DJ Adam Freeland initially cut his teeth within the burgeoning U.K. breakbeat scene; becoming an in-demand producer, he scored remixes for both mainstream and underground artists as diverse as Sarah Vaughan, the Orb, and Nirvana. MEXICO CITY, his latest mix CD, takes on a suitably eclectic track selection that reflects Freeland's diverse influences. Incorporating everything from '80s-style electro, glitch-ridden minimal techno, and banging breaks into the seamless set, MEXICO CITY is a rough and rugged ride through the grittier side of dance music. As most music scenes do, dance music has become horribly and irrevocably Balkanized over the past 15 years. House, breakbeat, jungle, and techno have all splintered into numerous subgenres, and those subgenres have split again and again, until the styles have become so numerous and the distinctions between them so minute that only the most obsessive can keep track of them. And the exponents of each subgenre dig themselves into musical grooves that get deeper and narrower with every passing ...
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