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Cracker - Cracker CD Cover Art CD music music CDs songs album

Cracker CD

 Cracker Discography of CDs
3 stars (1 Customer Review)

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David Lowry was formerly the lead singer of Camper Van Beethoven.

Apart from David Lowery's tendency to slip in some smug, self-serving lyrics, Cracker's debut is a terrific rock & roll record, full of energetic three-chord bashers and surprisingly moving ballads. ~ Stephen Thomas Erlewine

Recorded at Hollywood Sound, Hollywood, and Cornerstone Recorders, Chatsworth, California.

Cracker: David Lowery (vocals, acoustic guitar); Johnny Hickman (vocals, guitar, harmonica); Davey Faragher (bass, background vocals).

Additional personnel: Lovely Previn (fiddle); Benmont Tench (keyboards); Jim Keltner, Rick Jaeger (drums); Phil Jones (percussion); Jeanie McClain (background vocals).

Entertainment Weekly (6/5/92, p.56) - "...[Lowery] is a truly great songwriter, able to combine humor, bitterness, and penetrating insight into one tuneful package...harks back to groups like Little Feat, The Band, and EXILE-era Rolling Stones..." - Rating: A
Q (5/92, p.74) - 3 Stars - Good - "...a solid, no-nonsense bar band....an acquired taste that's worth acquiring..."
Cracker Music


Detailed Cracker Music Information



Category Rock Albums, Pop CDs, Alternative, Rock/Pop, Hard Rock
Label Virgin
Orig Year 1992
All Time Sales Rank   20860  
CD Universe Part number 1033616
Catalog number 86264
Discs 1
Release Date Jun 29, 1992
Studio/Live Studio
Mono/Stereo Stereo
Producer Don Smith
Engineer Don Smith
Personnel Davey Faragher - bass, background vocals
David Lowery - vocals, acoustic guitar
Johnny Hickman - vocals, guitar, harmonica

Also: Jim Keltner, Benmont Tench, Phil Jones, Lovely Previn, Rick Jaeger, Jeanie McClain
Cracker Songs


Cracker Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Teen Angst (What the World Needs Now)  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Happy Birthday to Me  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.This Is Cracker Soul  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.I See the Light  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.St. Cajetan  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Mr. Wrong  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Someday  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Can I Take My Gun to Heaven?  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Satisfy You  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Another Song About the Rain  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Don't Fuck Me up With Peace and Love  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Dr. Bernice  $0.99

Cracker Music Review


Customer Cracker Reviews 




Average Rating: (3 out of 5 stars) 3 stars

3 stars Lip Smackin' Good
A delicacy. Knock back a couple tracks with a cold beer and you've got yourself a regular Happy Meal.
Submitted by BoneDaddyDeluxe (Humboldt, Ca.) Verified Buyer
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Kerosene Hat
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Cracker Kerosene Hat CD  (1993)

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CD $8.85  5 stars
With their second album Cracker have lost the smarmy self-righteousness that plagued their otherwise fine debut, replacing it with a surprisingly solid, rocking core. Kerosene Hat is David Lowery's least affected album yet -- its humor is no stranger than "Dead Flowers" by the Stones or "Fat Man in a Bathtub" by Little Feat, two groups that Cracker strongly recall throughout the album. Kerosene Hat is more blues- and country-based than their debut, but it sounds natural, since ...
Golden Age
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Cracker Golden Age CD  (1996)

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CD $9.35  5 stars Audio Samples
Old enough to appreciate "classic" rock and young enough to have lived punk and indie-rock, Crackerheads David Lowery and Johnny Hickman can get away with a song called "I Hate My Generation" without sounding either bitter or ironic. Rather, "I Hate My Generation," the blast of garage-rock that opens Cracker's third album, comes across as a statement of purpose: We will not be pigeonholed with any generation at all! The song also nods to "Fight This Generation" by Pavement, but where that band aims to explore the diveregent possibilities of rock's future, Cracker seems to be looking for convergences in rock's long and winding past. THE GOLDEN AGE is a Rolling Stonesy country-rock album, a Black Crowesy blues-rock album and a Southern, indie-rock, power-pop album, all in one. Awash in pastoral Southern imagery and literate musings on lost loves, and its electric guitar crunch set off by pedal steels, synthesizers and strings, it sounds like The Band gone mad. Which is to say, it sounds pretty much like The Band in the first place, drawing from all traditions of music, in search of a common soul. Additional personnel includes: David Campbell (conductor); Dennis Herring (acoustic guitar, Mellotron, handclaps, programming, sound effects); David Immergluck (guitar, pedal steel, background vocals); Paul Shure (violin, Theremin); Michelle Richards, Armen Garabedian, Katia Popov, Bonnie Shure, Bob Peterson (violin); Rob Hajacos (fiddle); Bob Becker, Denyse Buffum (viola); Larry Corbett, Suzie Katayama (cello); ...
Gentleman's Blues
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Having spent most of the '90s just flying below the radar of what's deemed hip, Cracker blissfully continues down the path of solid songwriting and excellent musicianship on GENTLEMAN'S BLUES. Once again, the band's inspiration comes from all points of the music map. "Seven Days" is a rollicking, road song punctuated by Johnny Hickman's country licks and David Lowery's raspy yelp, while the calliope in "I Want Out Of The Circus" gives it an endearing quirkiness. The weariness reverberating from "Been Around The World" screams Crazy Horse, and "The World Is Mine" has a runaway tempo reminiscent of "Teen Angst," showing these old punks still have some life left in them. Lowery and Hickman also incorporate the rustic sounds of Appalachian folk and gospel. "James River" walks the same dark path as Nick Cave, whereas the lo-fi-ish "Trials & Tribulations" features fancy fingerpicking and minimal timekeeping. Most impressive is the soulful singing of Kristin Asbury (September 67) and LP (Lionfish). Their spine-tingling contributions on the shimmering redemptive aura of "Hallelujah" just beat out the welcome hidden track "Cinderella," where Cracker backs LP doing her best Janis Joplin. Kristin Asbury, LP (background vocals). Recorded at Sound Of Music, Richmond, Virginia; Bearsville Studio, Woodstock, ...
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The darkness touched on in OUR BELOVED REVOLUTIONARY SWEETHEART is embraced fully on this, Camper Van Beethoven's final album. The instrumental "Opening Theme" introduces new member violinist Morgan Fichter (who replaced departing multi-instrumentalist Jonathan Segel). This is followed by "Jack Ruby," as haunting a song as you've ever heard graced with lovely "oohs" and "aahs." As is his wont, David Lowery sings the song's half-glimpsed but ever-riveting imagery like an angered next-door neighbor. "When I Win The Lottery" sums up their attitude of dark hopefulness. The band's cover of the old Status Quo hit, "Pictures Of Matchstick Men," afforded them some airplay, but alas, they disbanded the following year. Lowery reemerged thereafter with the slightly more mainstream Cracker, while some of the others headed further off the road with the Monks of Doom. Camper Van Beethoven maintained very high standards throughout their half a decade of life, and they went out in fine style. Camper Van Beethoven: ...
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CD $10.65  4.9 stars Top 500 Audio Samples Definitive Album
"Black Hole Sun" won the 1995 Grammy Award for Best Hard Rock Performance, and "Spoonman" won the Grammy for Best Metal Performance. "Black Hole Sun" was also nominated for Best Rock Song, and SUPERUNKNOWN was nominated for Best Rock Album. As the first grunge band to be signed by a major label, Seattle's Soundgarden opened the pop floodgates, and a deluge of thrash-o-rama bands began swamping the airwaves. Following a series of trend-setting releases on the independent Sub Pop and SST labels, Soundgarden's initial A&M releases LOUDER THAN LOVE and BADMOTORFINGER signaled the return of the classic guitar band to popular consciousness. Using the time-honored Led Zeppelin/Aerosmith approach as a jump-off point--not to mention influential bands like Black Sabbath, MC5, The Stooges and Killing Joke--Soundgarden has formalized their own approach to raw power. Their stylized melodic hooks, however, along with their sometimes surreal lyrics, set them apart from the pack. Whether they get dazed and confused on the vamping "Limo Wreck," or cut loose with a wham- bam-thank-you-ma'am 4/4 cruncher like "Kickstand," Soundgarden can rock and roll with all the jet-propelled, no-nonsense crunch of all your favorite bands, from Zeppelin to the Ramones--and lead guitarist Kim Thayil's chops never outrace his melodic imagination. But Soundgarden is doing a lot more than simply recycling their best bits for another run up the charts. With SUPERUNKNOWN, they're stretching out and putting some distance between themselves and their imitators, incorporating different styles into their own mix, and creating a fresh modern sound. Certainly, there are not many bands who could rock ...
Hymns For The Exiled
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Anais Mitchell Hymns For The Exiled CD  (2004)

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This is the debut album from the 2003 Kerrville Folk Festival New Folk Award winner Anais Mitchell. Her songs display a clear awareness of the world around ...
Complete Recorded Works, Vol. 7
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Call And Response
Bangs Call And Response CD  (2002)

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Here we have a post-riot grrrl act who doesn't really come close to encompassing the personal politics, outrage, and punk rock spirit that once made the music of Bikini Kill and Team Dresch vital. The Bangs -- an Olympia, WA, trio -- have a bit of a feminist, riot grrrl vibe to their lyrics (complaints about male harassers) and on some of their tunes they pound out a torrent of screechy punk rock like Bratmobile back in the day. But they're better when they write hookier tunes like "Kinda Good," which is a great little pop tune worthy of the Muffs. "Leave It Behind" is also proof that they're better when they rely on melody rather than screaming and "Dirty Knives" has a fine singalong chorus. It's an underwhelming effort, but if they leave behind the angry punk rock thing, which doesn't really suit them, and pursue the damaged pop tune route, the Bangs may turn out to be a fine band. ~ Adam Bregman 6 songs recorded at a cold farmhouse on the outskirts of Olympia by resident genius Justin Trosper (Unwound, Replikants). Tracks include 'Call and Respond', 'New Scars', 'Kinda Good', 'I Want More', 'Leave It Behind' and 'Dirty Knives'. 2002. Recorded at Magrecone, Studios, Olympia, Washington in May 2002. Personnel: Sarah Utter (vocals, ...
It's Bad For You But Buy It
Ace Of Cups It's Bad For You But Buy It CD  (2004) (Import) United Kingdom

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CD $16.95
The Ace of Cups never released a record, but this 73-minute CD was compiled from late-'60s "rehearsals, demos, TV soundstages, and in-concert tapes," according to the liner notes. (Unfortunately no dates are given for any of the tracks, except the 1966 Denise & Company single "Boy, What'll You Do Then," a garage rock rarity with future Ace of Cups member Denise Kaufman on lead vocals.) It might not be fair to judge a band on recordings that were not originally intended for wide circulation, and did not benefit from truly professional studio production (though the fidelity's fine). However, simply to judge the music that's here, it's frankly pretty erratic, and not a convincing argument that they might have developed into a first-rate band had they gotten a real record deal. Rawness is not always a bad thing, but at its most raw -- particularly on the bluesy garage rockers -- the group often teeter on the line of sloppy amateurism. There's some promise here in some of the unusual song construction -- "Glue" detours into a commercial satirizing consumerism mid-song, and other tunes unpredictably change tempo and stretch out into long instrumental sections -- and in some of the eerie harmonies and melodies, particularly on the fragile tunes like "Music," "Simplicity," and "Taste of One." There's also some plain-speaking toughness reflective of a middle-class generation starting to truly express what was on their mind in popular music, somewhat reminiscent of the most straightforward blues-rockers by a San Francisco band that slightly preceded them, the Great Society. There's also a cool if not quite totally polished rock vocal cover of Mongo Santamaria's jazz classic "Afro Blue," and some interesting gospel-rock fusion of sorts in the most mature-sounding compositions; it's easy to imagine that the group might have headed in that direction had they started to record around 1970. But much of this is interesting, with off-kilter ideas in search of some honing. It's admirably eclectic, yet doesn't fully cohere into a satisfying whole; the songwriting and tunes are unusual, but not really compelling; and there's usually a lack of tightness in both the playing and singing, like that of a group who haven't totally mastered their skills (or timing). For all that, as a reflection of the loose genre-blending ethos gathering currency in San Francisco psychedelic rock in the late 1960s, it's not a bad document. And it's certainly well-documented here, the accompanying 20-page booklet including detailed quotes from all five band members. ~ Richie Unterberger Big Beat's acclaimed 'Nuggets From The Golden Gate' series returns ...
Wearside
Red Alert Wearside CD  (1999) (Import) Import; United Kingdom

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CD $15.85  

Low
David Bowie Low CD  (2007) (Import) Bonus Track; Japan

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CD $26.49

Here Come The Earps
Here Come The Earps CD  (2007)

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CD $14.19  Audio Samples

Mipa
Ocean Elzi Mipa CD  (2007) (Import)

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Digipak with booklet.
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cdu4asppid music 1033616 cdu4pidall cdu4pls7 ver231cdu cdu4all 11/29/2009 10:45:47 PM