| | Frost East Side Story CD Frost Discography of CDs
(2 Customer Reviews)
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Engineers: Bob Dog, Mike Green, John Cevetello, Jason Roberts, Chuck Ferry, Echo Sound, Anton Pukshansky.
Personnel: Kid Frost, MC Eight, ALT, Gangster Ridd (rap), Joe Harris, Scringer Ranks, Rich Garcia, Prince Teddy, Denetria Champ (vocals), Trey Stone, Doug MacLeod, Krik Loud, Bob Dog (guitar), Mike Sims (guitar, bass), Danny Padilla, Mitch Rafel (saxophone), Kebade (saxophone, percussion, background vocals), Michal Dunlap, Joe Maynor, Will Roc, Ronnie King (keyboards), Anton Pukshansky, Eric Ajaye, Qabid Hakim, Billy Bass, OMB (bass), Boo-Yaa Tribe (bass, background vocals), Todd Alexander (drums, percussion), Ken Strong (drums, background vocals), Ron Grey, Dwight "The Professor" Baldwin, Tony Gonzalez (percussion), Ralph M. (scratches), Mike Sanna, Bobby Loco (background vocals).
Producers: Will Roc, Kid Frost, Mike Green, Geoff Rios, Mr. Mixx, Tony G., K-Cut.
Rolling Stone (5/28/92, p.54) - 3.5 Stars - Good - "...[Kid Frost] skillfully incorporates elements of pop, R&B and dance-hall reggae into his exacting hip-hop sound....the best latin hip-hop album to date..." Frost East Side Story Songs East Side Story Music Review Purchase East Side Story CD To buy, Click on price to add to cart | Frost Hispanic Causing Panic CD (1990)
East Side Story album
$7.99 Hispanic Causing Panic was an early landmark of Latin hip-hop, simply by virtue of the fact that Kid Frost was one of the first Latino MCs to release an album. Of course, it also doesn't hurt to have a groundbreaking lead single on the order of "La Raza," a smoky, laid-back Latin funk groove with anthemic Spanglish lyrics about being brown and proud. It's an utterly distinctive, original sound (and miles better than anything Gerardo ever tried). Unfortunately, it isn't explored very much over the rest of Hispanic Causing Panic. Kid Frost spends most of his time rhyming in English, which isn't necessarily a bad thing, but he doesn't make as strong a musical statement as he might have if he'd played with the Latin foundations of "La Raza" on more of his additional material. Instead, he sticks with a fairly typical golden-age production style for much of the album, which is accessible without being overly pop-friendly. What's more, his rapping style largely abandons the sly purr of "La ...
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| | Abra Moore Everything Changed CD (2004) Bonus DVD
East Side Story album
$8.99 Everything Changed is Abra Moore's first album in six years. The struggle to bring it to life -- from the shambles of another record deal and the tumultuous life occurrences addressed in its songs -- places it automatically outside the realm of the simple ambition required to advance one's career by issuing a new pop album. As such, it is necessary to forgo the standard critical language in addressing it, and to meet it on its own terms and speak its language: that of the human heart, exposed, raw, and desiring wholeness. What is contained within these 13 songs is something mercurial, enigmatic; in essence, it is a work of desire but not covetousness. These songs communicate directly to anyone who has ever experienced wholesale, soul-threatening brokenness and wears the exquisite scar that informs everyday life in its aftermath. Inside the album's booklet, on its first facing page, is a photograph of Moore either entering or emerging from kissing her image in a mirror. It contains no vanity or narcissism. Instead, it expresses honest, ego-less self-regard and beatific love. It is nearly holy in its expression, because it understands that in order to extend oneself to others, one has to accept and embrace the truth and beauty of her own countenance in frailty and vulnerability, as well as in strength and purpose. The music on this record fleshes out this archetype with spiritual and emotional depth and dimension. Moore worked with producer and multi-instrumentalist Jay Joyce on Everything Changed. The end result not only extended her aesthetic reach, but raised his creative watermark as well. Using everything at her disposal, including standard rock instrumentation, ornate strings, keyboard and percussion treatments, electronic beats and textures, and wonderfully subtle atmospherics, Moore strips the considerable quirky charm displayed on her earlier records to the bone; in its place is naked, tender, and sometime frightening emotion, presented with painstaking attention to detail and lush arrangements not to soften the impact, but to celebrate it fearlessly. Ultimately, everything on Everything Changed is a love song that reveals its many faces to be sure, but also its shadows. On "I Do," with its gorgeous cornet and piano intro, love is expressed as solidarity and faith. "No Fear" is love as invitat
The Grammy-nominated Austin singer-songwriter’s return AND long-awaited ...
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East Side Story album
$17.75 In 1982-83 I said YES to an invitation from the Holy Spirit to become engaged in writing music to poetry by Helen Steiner Rice. That YES was a beginning of a Journey of the Spirit that has led me into all sorts of wonderful places that I never dreamed of. The Journey continues and God's ...
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