Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack CD

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack MAGICAL MUSICALS features music from animated films including MULAN, HERCULES, THE HUNCHBACK OF NOTRE DAME, POCAHONTAS, TOY STORY, 101 DALMATIANS, THE RETURN OF THE JAFAR, OLIVER AND COMPANY, THE NIGHTMARE BEFORE CHRISTMAS, JAMES AND THE GIANT PEACH and ALADDIN AND THE KING OF THEIVES. Magical Musical features Erich Kunzel & The Cincinnati Pops Orchestra's interpretations of songs from Disney films like Mulan, Hercules, and Toy Story. The Return Of Jafar, The Nightmare Before Christmas, and James and the Giant Peach are also sources of inspiration for this album of orchestral Disney music. ~ Heather Phares Recorded at Music Hall, Cincinnati, Ohio and O'Henry Studios, Los Angeles, California. Includes liner notes by Richard E. Rodda. Personnel includes: Erich Kunzel (conductor); Michael Schwartzkopf (choral director); Melissa Parinello, Rick Logan, Renee Goldsberry, Carmen Carter, Oren Waters (vocals); The Cincinatti ...

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack Original score composed by Thomas De Hartmann and Lawrence Rosenthal. Digitally remastered by Lawrence Rosenthal and Tom Null. Composers: Laurence Rosenthal; Alain Kremski. Personnel: David Hykes (vocals, chant). Audio Mixer: Eric Tomlinson. Liner Note Author: Laurence Rosenthal. Editor: Graham Harris. Ensemble: Ambrosian Singers Of London. Unknown Contributor Roles: Mitch Warren; Athol Fugard; Terence Stamp. Arranger: Alain Kremski.

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack in London, England, and Alexander Digital Suite in Miami, Florida. Sarah Brightman is an example of the kind of artist that Duke Ellington would have described as "beyond category." Coming from a theatrical musical background, she combines the traditions of Broadway show-tunes (Andrew Lloyd-Webber's ex, she starred in his 'Phantom of the Opera,' among other things), opera, art song and pop to produce a fresh, unusual amalgam that is showcased to fine effect on TIME TO SAY GOODBYE. Brightman reaches into the Latin tradition here (she sings in Spanish on such tunes as 'Tu Quieres Volver,' offering a glimpse of yet another area of her talent. One of the brightest spots of the album is her duet with pop-classical crossover superstar Andrea Bocelli on the title song. Recorded at EMI Abbey Road Studio No. 1, Angel Studio No. 1 and Nemo Studios Personnel: Sarah Brightman (vocals); Peter Weihe (guitar); Michael Soltau (keyboards, programming). Recording information: Alexander Digital Suite, Miami, FL (11/1996-03/1997); Angel Studio, London, England (11/1996-03/1997); EMI Abbey Road Studios, London, England (11/1996-03/1997); London, England (11/1996-03/1997); Nemo Studios, Hamburg, Germany (11/1996-03/1997). Photographer: Simon Fowler . Arrangers: Frank Peterson; Michael Soltau; Paul Bateman. Personnel: Sarah Brightman, Andrea Bocelli, Jose Cura (vocals); Paul Bateman (conductor); London Symphony Orchestra.

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack Track Listing of songs: Nutcracker, ballet, Op. 71: Miniature Overture; Nutcracker, ballet, Op. 71: Act 1, No. 2: March; Nutcracker, ballet, Op. 71: Act 2, No. 14c: Dance Of The Sugar-Plum Fairy; Nutcracker, ballet, Op. 71: Act 2, No. 12c: Tea, Chinese Dance; Nutcracker, ballet, Op. 71: Act 2, No. 12e: Dance Of The Reed Pipes; Nutcracker, ballet, Op. 71: Act 2, No. 13: Waltz Of The Floweers; Nutcracker, ballet, Op. 71: Act 2, No. 12b: Coffee, Arab Dance; Swan Lake, ballet, Op. 20: Act 1, No. 4: Valse; Swan Lake, ballet, Op. 20: No. 9: Introduction To Act 2; Swan Lake, ballet, Op. 20: Act 2, No. 12: Danse Des Cygnes; Swan Lake, ballet, Op. 20: No. 15: Introduction To Act 3; Swan Lake, ballet, Op. 20: Act 3, No. 20: Scene And Valse; Swan Lake, ballet, Op. 20: Act 3, No. 24: Danse Hongroise; Swan Lake, ballet, Op. 20: Act 3, No. 32: Finale Ultimo; Sleeping Beauty, ballet, Op. 66: Introduction; Sleeping Beauty, ballet, Op. 66: Prologue, No. 1: March; Sleeping Beauty, ballet, Op. 66: Prologue, No. 3b: Pas De Six-Adagio; Sleeping Beauty, ballet, Op. 66: Act 1, No. 6: Valse; Sleeping Beauty, ballet, Op. 66: Act 1, No. 8a: Adagio; Sleeping Beauty, ballet, Op. 66: Act 3, No. 28b: Pas De Deux, Adagio; Sleeping Beauty, ballet, Op. 66: Act 3, No. 28e: Coda; Sleeping Beauty, ballet, Op. 66: No. 30: Finale-Tempo Di Mazurka; Sleeping Beauty, ballet, Op. 66: No. 30: Apotheosis; Nutcracker, ballet, Op. 71: Trepak Russian Dance;

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack Unknown Contributor Role: Toby Holmes. Personnel: Rob Lorentz (violin); Erika Duke (cello, panpipes); Dorothy Stone (flute, bass flute, piccolo, panpipes); Amy Knoles (marimba, congas, percussion); Arthur Jarvinen (electric bass, congas, percussion, sound effects); Toby Holmes (electric bass).

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack Track Listing of songs: Fantasia for piano in D minor; Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112: No 5; Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115; Children's Corner, suite for piano; Children's Corner, suite for piano; Children's Corner, suite for piano; Children's Corner, suite for piano; Children's Corner, suite for piano; Children's Corner, suite for piano; Piano Sonata No. 2 in A major, Op. 2/2: Allegro vivace; Piano Sonata No. 2 in A major, Op. 2/2: Largo appassionato; Piano Sonata No. 2 in A major, Op. 2/2: Scherzo, Allegretto; Piano Sonata No. 2 in A major, Op. 2/2: Rondo, Grazioso;

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack The CD 'Streams' presents my latest piano music (played by Swiss pianist Patricia Siffert) and a piece for string orchestra & harp (performed by Sinfonica Aosta, Italy). I am a British composer writing in the classical style. My initial source of inspiration is from within, a place where I feel the life-force, which can be experienced as streams of light and sound, can be accessed. Hence the CD title 'Streams'. If the music inspires or uplifts the listener, and can enable them to discover that place or source within themselves, then I am delighted and feel the music has been successful. One of the loveliest things that I hear quite regularly from people who have heard my music is that they went on a journey through the music. People experience being transported out of the concert hall, often getting visual experiences. I am interested in dreams, in soul and its nature, and it may be that the music helps people to access that different state where they are able to experience freedom and gain insights away from physical constraints. "I just wanted to email and say how much I've been enjoying your CD, 'Streams'. As ever with your music, there is something very cleansing about it and to listen to it is to go on a spiritual journey. It never fails to carry me to another world. Many thanks for all the pleasure it gives me." Jane Pearson (journalist and writer) "Your pieces brought to mind journeys, traveling, experiencing, in relationships, to places, along rivers, life events. Also the many layers of experience (always changing, moving, interacting, giving and receiving) of mind, body, emotions, heart and soul." Dr K.P. Leicester, England. The title of 'Passage' (one of the piano solos), is almost a play on words, exploring the ideas of transformation, journey, the passage of time or a tunnel or channel as well as simply a piece of music. Similarly, 'Streams' (4 movements), stems from the inspiration of currents of water, from a small source to a powerful waterfall, a steady flow of energy and streams of light and consciousness. This, too, can be described as a journey, 'within the Eternal', reflected by melody, set against mantras of one note or group of notes, or the hum of the harmonic. The CD also includes two other piano solos, 'Always' and 'Apres', and 'Light Falling' for string orchestra and harp played by the Italian orchestra Sinfonica Aosta. Here are some more reviews of my music: "Rosemary Duxbury has the gift of melody" Brian Lee, Caduceus magazine "Rosemary's music has that combination of artistic integrity and accessibility to a wide audience that eludes most contemporary composers" Stephen Gamble, classical music critic, Leicester Mercury. "One admires Rosemary's integrity and the sustained quality of her work which combines subtle techniques and developing her special brand of minimalism within a profound spiritual context. The effect of her music is both powerful and accessible, attracting interest from the music lover to the musically trained listener, performer or composer."Anthony Pither, Director of Music, University of Leicester "Your new album is stunning" G.C., Kent, England "Thanks so much for your lovely CD. It is magnificent! I was particularly impressed with the first track with the strings. Beautiful!" A.S., Tennessee, USA "I just wanted to write and tell you how beautiful and exquisite your music is - it's really moving." A.H., Nuremberg, Germany This music has been performed around Europe, in America and Canada, and has been broadcast on American, British and Canadian radio. As well as being performed in the concert repertoire, my compositions have been used in multi-media performances, choreographed for dance, for ice skating, used in theatre, and for short film.

Music from the New York Stage 1890 - 1920, Vol. 1: 1890 - 1908 Soundtrack