| | Firehouse Five Plus Two At Disneyland CD Firehouse Five Plus Two Discography of CDs
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It was only fitting that the Firehouse Five Plus Two would eventually record at Disneyland, for all of its members had important day jobs at Disney. This CD reissue (which has the same music as the earlier LP) was the popular group's only truly live record, and they play a variety of often-rambunctious crowd pleasers. Highlights include a humorous version of "Anvil Stomp," "Lassus Trombone," "Coney Island Washboard" and "Tiger Rag." ~ Scott Yanow
Recorded in July 1962.
Firehouse Five Plus Two: Ward Kimball, Don Kinch, Danny Alguire, George Probert, Frank Thomas, Dick Roberts, Eddie Forrest.
Firehouse Five Plus Two At Disneyland Songs At Disneyland Music Review Purchase At Disneyland CD To buy, Click on price to add to cart | Firehouse Five Plus Two 16 Dixieland Favorites CD (1986)
At Disneyland album
$7.95 This CD reissues the complete set originally titled Dixieland Favorites plus adds five other selections from other dates. Most of the music dates from 1958-60 when the Firehouse Five Plus Two was at the peak of its popularity. Unlike ...
| | Firehouse Five Plus Two 20 Years Later CD (1969)
At Disneyland CD music
$12.35 Five years after their previous recording, the Firehouse Five Plus Two came together for one last record date, celebrating their 20th anniversary as a group. This CD reissue has two numbers from 1966 ("Mame" and "Winchester Cathedral"), but is otherwise from 1969. Rather than emphasizing standards (only "High Society" qualifies as a true dixieland warhorse), the group chose to play more offbeat material, including jazz pop hits such ...
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| | Dustin Kensrue Please Come Home CD (2007)
At Disneyland music CDs
$10.15 Fans of the band Thrice are already familiar with lead singer Dustin Kensrue's plaintive vocals, incisive, often Christian-themed lyrics, and melodically rich songwriting. His solo debut airlifts all these qualities and sets them down in a quieter, though no less impassioned, milieu. Kensrue delivers intense outlaw-country shuffles ("I Knew You Before"), low-slung, Band-esque rockers ("I Believe"), and straight-up power ballads (the title track) with equal skill.
Eternal Sunday introduces the debut album of the band that came to change the sound of tango forever: Tango Santo. In the last few years different variations of traditional tango were born and revitalized the whole scene. The creation of electrotango, the combination of traditional tango with elements of electronic music was the spark that initiated the tango craze, not only in Buenos Aires, its natal city, but around the world. Producers and bands that came from every music tradition tried new ways of making tango, but only a few artists came up with really interesting and original fusions. The one archived by Tango Santo is, undoubtedly, one of the happiest combinations. Tango Santo mixes traditional tango sounds with an electronic flavour and African percussion and rhythms. These rhythmic were present in the musical cocktail from which tango emerged in the last decades of the XIX century, but were eventually discarded, though they remained present in Uruguayan candombe and the murgas (in fact traditional tango is one of the few danceable styles that has absolutely no percussion elements). This idea, of course, it\'s not new. But the members of Tango Santo are not improvised: the percussionists are members of an African percussion workshop where they study the rhythms, build the drums and instruments (these are not instruments you get in any shop) and perform the music. These years of experience and original research positions Tango Santo way ahead of any other band that could have tried this fusion. Puro Bailongo (Tango Electro Tribal), the first album of this revolutionary band, has eight instrumental tracks, one of them a cover version of a tango written by maestro Osvaldo Pugliese and the other seven written by the leader ...
| | Murasaki Ensemble Magenta CD (2007)
At Disneyland songs
$18.99 Magenta,the 3rd album by the Murasaki Ensemble, represents some of the best of this San Francisco-based world jazz fusion group. Shirley Kazuyo Muramoto, koto musician and the leader of the Murasaki Ensemble, brings together a fabulous group of musicians, each in expert in their own right: Vince Delgado on hand drums (riqq, tabla, congas, bongos, etc.), Matt Eakle-flute, Jeff Massanari-acoustic guitar and Alex Baum-upright string bass.Because of Vince's diverse background and love of playing odd-meters, he challenges the group to play crazy rhythms, such as in "Nines Over Easy" and the traditional Japanese song "Sakura" played in 7. Our "hit" is "Soyo Kaze", which made it on a William-Sonoma compellation called ...
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