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Evans, Bill - Explorations CD Cover Art CD music music CDs songs album

Bill Evans Explorations CD

 Bill Evans Discography of CDs
5 stars (1 Customer Review)

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Digitally remastered by David Luke (Fantasy Studios, Berkeley, California).

Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.

EXPLORATIONS, Bill Evans' fourth solo album, is aptly named. Throughout, Evans displays the high-minded lyrical facility, long flowing phrases and rich sound that made him so popular with both fans and other musicians during the 1950s and '60s. The intrepid nature of his improvisations and the edgy interactivity of his trio echo the album's title in tracks like the expansive "Elsa," "Israel," and the Miles Davis composition "Nardis."

Evans is also a master of the ballad, and he shapes tracks such as "Haunted Heart" and the shimmering, evocative "Elsa" into exercises of grace and sensitivity. There is a fair share of swing here too, with the up-tempo "Sweet and Lovely" and "Beautiful Love." Evan's imaginative, meticulous stylings flow through every piece, and it is difficult to resist the balance of intelligence, tenderness, groove and mood that EXPLORATIONS achieves.

Recorded at Bell Sound Studios, New York, New York on February 2, 1961. Originally released on Riverside (9351). Includes liner notes by Orrin Keepnews.

Bill Evans Trio: Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums).

Personnel: Bill Evans (piano); Paul Motian (drums).

Audio Remasterer: David Luke.

Liner Note Author: Orrin Keepnews.

Recording information: Bell Sound Studios, New York Ci (02/02/1961); New York, NY (02/02/1961).

Photographer: Steve Schapiro.
Explorations Music


Detailed Explorations Music Information



List Price $11.98 (You save $3.39)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Piano
Label Original Jazz Classics
Orig Year 1961
All Time Sales Rank   27912  
CD Universe Part number 1035641
Catalog number 37
Discs 1
Release Date Jul 01, 1991
Studio/Live Studio
Mono/Stereo Stereo
Producer Orrin Keepnews
Engineer Bill Stoddard
Recording Time 51 minutes
Personnel Bill Evans - piano
Bill Evans - piano
Paul Motian - drums
Bill Evans Explorations Songs


Bill Evans Explorations Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio Media1.Israel
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Haunted Heart$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Beautiful Love - (Take 2)$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Beautiful Love - (Take 1, bonus track)$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Elsa$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio Media6.Nardis
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.How Deep Is the Ocean?$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.I Wish I Knew$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Sweet and Lovely  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Boy Next Door, The - (bonus track)$0.99

Explorations Music


Explorations Other Versions



Bill Evans
Explorations  (1961) SACD Hybrid5 stars
CD$15.19
Bill Evans
Explorations  Bonus Tracks; Japan; Mini LP Sleeve
CD$36.59
Bill Evans
Explorations  SHM-DSD Remastering
CD$45.99
Explorations Music Review


Customer Explorations Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars One of the best ever ....
If you enjoy piano-bass-drum trios and haven't heard this disc, you're missing out. This probably is my favorite Bill Evans recording. The versions of Israel, Beautiful Love, Nardis, and How Deep Is The Ocean are some of the best ever recorded. The interaction between LaFaro (bass) and Evans is inspired.
Submitted by a reviewer (Detroit, Michigan) Verified Buyer
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Sunday At The Village Vanguard
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Recorded live at The Village Vanguard, New York, New York on June 25, 1961. Jazz pianist Bill Evans began a quiet revolution in the early 1960s. Before Evans, jazz piano trios spotlighted the pianist while the others ...
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Recorded live at the Village Vanguard, New York, New York on June 25, 1961. Originally released on Riverside (9399). Includes liner notes by Joe Goldberg. The 2002 edition of this CD (JVC catalog #XRC 220) is a sonically improved version which replaces JVC catalog #XRCD 60141. WALTZ FOR DEBBY, along with SUNDAY AT THE VILLAGE VANGUARD, contains material from Scott LaFaro's final recording session with the Bill Evans Trio. He died 10 days later. Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology. Digitally remastered using 20-bit K2 Super Coding System technology. This is a hybrid Super Audio CD playable on both regual and Super Audio CD players. Recorded on the same night as Sunday At The Village Vanguard, Waltz For Debby captures one of the most important and well-integrated piano trios in the history of jazz, working on a superbly inspired night. It is clear, listening to this record, that bassist Scott Lafaro had a very special rapport with Evans, and drummer Paul Motian's subtle, improvised accompaniments and eccentric, quirkily quiet swing was the perfect engine for this subtle, impressionistic ...
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Digitally remastered by David Luke (1987, Fantasy Studios, Berkeley, California). Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology. INTERPLAY is not your typical Bill Evans record. Usually, the pianist preferred to record in a trio setting, exploring the quiet intimacy that it allowed. This is a rare quintet session featuring a line up of all-stars from the hard-bop era that emphasized faster tempos and a more robust approach. With Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass) and the fiery Philly Joe Jones (drums), Evans shows a brighter, more spirited execution in his playing than usual. On the jumping opener "You And The Night And The Music" Evans is in exceptional form as he nimbly executes very bop-ish right hand lines that weave and ...
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Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California). Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology. This is a Hybrid Super Audio CD playable on Super Audio CD players and regular CD players. Bassist Scott LaFaro's death in the early summer of 1961, just 10 days after the Bill Evans Trio's triumphant Village Vanguard engagement was a devastating personal and musical, loss to the pianist, after which he took nearly a year off from recording or playing in public. (The Vanguard performances can be heard on SUNDAY AT THE VILLAGE, WALTZ FOR DEBBY and AT THE VANGUARD.) It fell to another bassist, Chuck Israel, to bring Evans out and re-establish the Bill Evans Trio as a going concern. Possessed of a warm tone, Israels' essentially supportive playing with the Trio made for a studied contrast with the brashly virtuosic LaFaro, which was not necessarily a bad thing. As if to make up for lost time, the newly reconstituted trio recorded two albums' worth of material in June and May of 1962. MOONBEAMS is the "softer" of the two and introduced two graceful Evan's originals, "Re: Person I Knew" (an anagram of producer Orrin Keepnews's name) and the lyrical fugue ...
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On June 25th, 1961, Bill Evans and his trio made jazz history over the course of five sets at the Village Vanguard. Selections from those performances were released on two full-length LPs, WALTZ FOR DEBBY and Sunday AT THE VILLAGE VANGUARD, both of which went on to become landmark jazz albums from the era. The three-disc ...
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The Rudy Van Gelder Edition of JUJU includes an essay by Bob Blumenthal. Digitally remastered using 24-bit technology by Rudy Van Gelder (1998, Van Gelder Studio, Englewood Cliffs, New Jersey). This is part of the Blue Note Rudy Van Gelder Editions series. JUJU, Wayne Shorter's second Blue Note date as a leader, displays a more personal side to the legendary saxophonist. As the lone horn man, Shorter performs with an artistic sensitivity that was often hidden in the larger front lines of Art Blakey's Jazz Messengers and his later work with Miles Davis. His arresting tone is unfettered in this small ensemble setting. As a result, Shorter's singular approach is more clearly illustrated and his unique compositional style takes on a more exclusive tint. Unlike his bold compositions for the Blakey bands, the tunes here have an inward mystery to them. The lilting title track, a waltz on the surface, contains a dark, tension-filled undertone that is deftly propelled by Elvin Jones' ...
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