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Evans, Bill - Interplay CD Cover Art
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Bill Evans Interplay CD

 Bill Evans Discography of CDs
5 stars (1 Customer Review)

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Digitally remastered by David Luke (1987, Fantasy Studios, Berkeley, California).

Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.

INTERPLAY is not your typical Bill Evans record. Usually, the pianist preferred to record in a trio setting, exploring the quiet intimacy that it allowed. This is a rare quintet session featuring a line up of all-stars from the hard-bop era that emphasized faster tempos and a more robust approach. With Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass) and the fiery Philly Joe Jones (drums), Evans shows a brighter, more spirited execution in his playing than usual.

On the jumping opener "You And The Night And The Music" Evans is in exceptional form as he nimbly executes very bop-ish right hand lines that weave and swirl through the changes. Hubbard, Hall and Evans all take stunning solo turns on the energized "I'll Never Smile Again," which appears here in two versions. That classic Evans touch is fully realized, though, with a beautiful arrangement of "When You Wish Upon A Star" and the bluesy title track. The Evans/Heath/Jones rhythm section drives hard through the swinging "You Go To My Head," followed by the delightful romp of "Wrap You Troubles In Dreams" to tie the knot on a stellar session.

Digitally remastered by Steve Hoffman.

Recorded at Nola Penthouse Studio, New York, New York on July 16, 1962. Originally released on Riverside (9445). Includes liner notes by Joe Goldberg.

Bill Evans Quintet: Bill Evans (piano); Freddie Hubbard (trumpet); Jim Hall (guitar); Percy Heath (bass); Philly Joe Jones (drums).
Interplay Music


Detailed Interplay Music Information



List Price $11.98 (You save $3.79)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Piano
Label Original Jazz Classics
Orig Year 1962
All Time Sales Rank   42225  
CD Universe Part number 1035981
Catalog number 308
Discs 1
Release Date Jul 01, 1991
Studio/Live Studio
Mono/Stereo Stereo
Producer Orrin Keepnews
Engineer Tommy Nola
Recording Time 46 minutes
Personnel Freddie Hubbard, Philly Joe Jones, Percy Heath, Jim Hall
Bill Evans Interplay Songs


Bill Evans Interplay Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.You and the Night and the Music$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.When You Wish Upon a Star$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.I'll Never Smile Again - (take 7)$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.I'll Never Smile Again - (take 6)$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Interplay$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.You Go to My Head$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Wrap Your Troubles in Dreams  $0.99

Interplay Music


Interplay Other Versions



Bill Evans
Interplay  (1962) RemasteredAudio Samples
CD$9.65
Bill Evans
Interplay  Japan; Limited Edition
CD$18.49
Bill Evans
Interplay  Bonus Track; Japan; Mini LP Sleeve
CD$27.69
Interplay Music Review


Customer Interplay Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Philly Joe Jones KILLING AGAIN!!!!
FANTASTIC RECORD!!!! A MUST HAVE ONE!!!! GET IT! NOW! SWINGING STUFF!!!!
Submitted by najponk (Prague)
Was This Review Helpful? Yes No  3 of 3 found this helpful.

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Recorded live at Shelly's Manne-Hole, Los Angeles, California on May 14 & 19, 1963. Originally released on Riverside (9487). Includes liner notes by Chuck Israels and Orrin Keepnews. Digitally remastered by Phil De Lancie (1989, Fantasy Studios, Berkeley, California). The is the last album jazz piano giant Evans made for the Riverside label before going to Verve. Recorded live at the legendary Los Angeles jazz club Shelly's Manne-Hole (one of the owners was the late jazz drum legend Shelly Manne) in May of 1963, it turned out to be one of only two times Evans was recorded "live" for Riverside (the other time resulted in the classic OJC albums recorded at the Village Vanguard). It was also the only time this particular Evans trio was recorded. As fate would have it, Evans was "between drummers" and he and bassist Chuck Israels ...
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Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California). Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology. This is a Hybrid Super Audio CD playable on Super Audio CD players and regular CD players. Bassist Scott LaFaro's death in the early summer of 1961, just 10 days after the Bill Evans Trio's triumphant Village Vanguard engagement was a devastating personal and musical, loss to the pianist, after which he took nearly a year off from recording or playing in public. (The Vanguard performances can be heard on SUNDAY AT THE VILLAGE, WALTZ FOR DEBBY and AT THE VANGUARD.) It fell to another bassist, Chuck Israel, to bring Evans out and re-establish the Bill Evans Trio as a going concern. Possessed of a warm tone, Israels' essentially supportive playing with the Trio made for a studied contrast with the brashly virtuosic LaFaro, which was not necessarily a bad thing. As if to make up for lost time, the newly reconstituted trio recorded ...
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Digitally remastered by Alexis Frenkel and Christophe Henault (Art Et Son Studio, Paris, France). This 1973 Paris studio session first appeared on the European label America as The Giant, but there has been some confusion as various combinations of songs have appeared under the same album title with Dizzy Gillespie's name over the years. Although rather brief in length with just five tracks and clocking in at under 34 minutes, this lively date has some strengths. The trumpeter turns over the solo spotlight to the extraordinary bassist Niels Pedersen and pianist Kenny Drew, prior to featuring himself in brief spurts with drum breaks by Kenny Clarke. Pedersen's fine arco technique introduces the brief ballad "I Waited for You," in which Gillespie is clearly at the top of his game. His muted horn saunters over Clarke's crisp brushwork during "Girl of My Dreams," although the overlong Latin original "Fiesta Mojo" quickly grows tiresome, ...
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Troy "Trombone Shorty" Andrews is the next big thing out of New Orleans. While "Shorty" is not yet out of his teens, his jazz stylings are ferocious compositions that can hold court with anybody at anytime in any arena. The general music listening public wants to hear good tunes played with conviction. They want the musicians on the bandstand to believe in what they're playing, to be excited and to be capable of displaying an impressive array of musical chops. This combination of factors is more elusive than it might seem, for the forces of youthful exuberance and instrumental virtuosity are usually found at opposite ends of the spectrum: young performers are usually all about the energy and the potential, while veteran cats on the scene can play just about anything, but somehow they lost the fire along the way. Every once in a blue moon, though, along comes someone who can merge the forces of exuberance and virtuosity and unleash them on an unsuspecting public-the latest in this exclusive line of blue moon "specials" being Troy "Trombone Shorty" Andrews. While it may seem like hyperbole to place him in a class of folks like Stevie Wonder, Derek Trucks and Miles Davis (people who were musical shamen at a young age), Andrews belongs there and any doubts you may harbor will evaporate after seeing him perform. Andrews plays trombone and trumpet. He is a man to be reckoned with on both. In fact, even before he was a man, he was a man to be reckoned with in musical conversations. A product of New Orleans culturally rich Treme neighborhood, Andrews was a bandleader by the age of 6. That's right, at 6 years old, he was leading a band on the streets of the French Quarter, and they made so much damn scratch that "Shorty" had to invest in extra belts to wrap around his waist, ...
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