| | George Benson New Boss Guitar CD George Benson Discography of CDs
 (1 Customer Review)
Digially remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley).
On this 1964 Prestige solo debut by George Benson, the revered guitarist enlists the support of his mentor, organ legend Jack McDuff, for a set of vintage soul jazz. Benson, only 21 years old at the time of the recording, clearly reveals the influences of Wes Montgomery and Charlie Christian in his dexterous playing. Even at this early stage, however, the young six-stringer displays a lyricism that's all his own, as best revealed on the groove-laden "Sweet Alice Blues" and the simmering "I Don't Know." While McDuff graciously tones down his formidable key work to let his star pupil shine, saxophonist Red Holloway has no problem with making the occasional attempt (though rarely succeeding) to steal Benson's thunder, as on the shuffling opener, "Shadow Dancers." A far cry from Benson's later R&B/pop work ("Gimme the Night," etc.), the material on NEW BOSS GUITAR is soul-tinged bop at its finest, and a key album in Benson's remarkably long and varied career.
Recorded in New York, New York on May 1, 1964. Originally released on Prestige (7310).
Personnel: George Benson (guitar); Red Holloway (tenor saxophone); Jack McDuff (piano, organ); Ronnie Boykins (bass); Montego Joe, Joe Dukes (drums).
George Benson New Boss Guitar Songs New Boss Guitar Music Review Purchase New Boss Guitar CD To buy, Click on price to add to cart | Kiss Carnival Of Souls: The Final Sessions CD (1997)
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 $5.55   
CARNIVAL OF SOULS is the last studio recording with Bruce Kulick and Eric Singer before the return of original members Ace Frehley and Peter Criss.
Despite a 1996 press conference on the U.S.S. Intrepid that announced Bruce Kulick and Eric Singer were on a "paid temporary vacation," the two were dismissed months later after a reunion tour of the original make-up clad members proved wildly successful. As the sub-heading states, CARNIVAL OF SOULS is the last recorded efforts of Kulick and Singer with Gene Simmons and Paul Stanley. Drawing on music trends started as far back as the lean times of the '80s, CARNIVAL finds Kiss putting together a sound that draws from the dirge of Alice In Chains and the crunch of old-school Metallica.
Much more somber than prior Kiss albums, nihilism runs rampant on songs such as "Hate" and "I Walk Alone." The mid-paced tempos of "Childhood's End" and "I Will Be There" inject some variety into a mix that includes ...
| | Allman Brothers Band Dreams CDs (1989) Box Set
New Boss Guitar CD music
$38.49 
DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS ...
| | Wire Pink Flag CD (1977) Remastered; Digipak
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$14.69
| | Horrors Strange House CD (2007) Enhanced CD
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$9.99
On their singles and EPs, the Horrors proved they'd done their post-punk and freakbeat homework. With their debut album, Strange House, they push their sound forward, distill it to its rawest essence, and give it a few funhouse mirror twists and turns for good measure. Almost half of the songs on the album already appeared on previous Horrors releases, but the ever-so-slightly cleaner production here gives more definition to their black-on-black sound. The band kicks off Strange House by revisiting their cover of Screaming Lord Sutch's "Jack the Ripper," which begins at a zombie-slow pace, then suddenly speeds up halfway through, transforming into a hurtling roller coaster of a song that makes a great introduction to Strange House's mix of campy humor, energy, and menace. With its dive-bombing noise barely held together by Faris Badwan's shouting and the faintest hint of a melody, "Sheena Is a Parasite" is still the Horrors' best and most radical song, although several other tracks here rival its black-hearted ...
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