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Carter, Ron - Pastels CD Cover Art
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Ron Carter Pastels CD

 Ron Carter Discography of CDs

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 Our Price: $13.95  CD
For Sale Backordered since 11/25/2009

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Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkley, California).

Some tremendous playing by Carter, Kenny Barron (p), and Hugh McCracken (g), though the strings get intrusive. ~ Ron Wynn

Recorded at Fantasy Studios, Berkeley, California on October 18 & 19, 1976. Originally released on Milestone (9073).

Personnel: Ron Carter (piccolo); Hugh McCracken (guitar, acoustic guitar, electric guitar, harmonica); Daniel Kobialka, Mark Volkert, Fei-Pang Ching, Emily VanValkenburgh, Ronald Erickson, Virginia Baker, Myra Bucky, Roy Oakley, Jr., Sanford Allen, Nathan Rubin (violin); Denis DeCoteau, Daniel Yale, Arthur Bauch (viola); Garfield Moore, Melinda Ross, Kermit Moore (cello); Kenny Barron (piano); Harvey Mason, Sr. (drums).

Recording information: Fantasy Studios, Berkeley, CA (10/18/1976/10/19/1976).

Arrangers: Don Sebesky; Ron Carter .

Personnel: Ron Carter (bass, piccolo bass); Don Sebesky (conductor); Hugh McCracken (harmonica, acoustic & electric guitars); Sanford Allen, Nathan Rubin, Virginia Baker, Daniel Kobialka, Mark Volkert, Myra Bucky, Emily Van Valkenberg, Ronald Erickson, Fei-Pang Ching, Roy Oakley Jr. (violin); Arthur Bauch, Denis deCoteau, Daniel Yale (viola); Kermit Moore, Melinda Ross, Garfield Moore (cello); Kenny Barron (piano); Harvey Mason (drums).

 
Pastels Music


Detailed Pastels Music Information



List Price $16.99 (You save $3.04)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Bass
Label Original Jazz Classics
Orig Year 1976
All Time Sales Rank   188138  
CD Universe Part number 1036333
Catalog number 654233
Discs 1
Release Date Jan 30, 2007
Studio/Live Studio
Mono/Stereo Stereo
Engineer Jim Stern
Recording Time 37 minutes
Personnel Ron Carter - piccolo
Kermit Moore - cello
Don Sebesky - conductor
Daniel Kobialka
Sanford Allen
Nathan Rubin - violin
Melinda Ross
Emily VanValkenburgh
Ronald Erickson
Daniel Yale - viola

List all 22 contributors
Ron Carter Pastels Songs


Ron Carter Pastels Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Woolaphant$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Ballad$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.One Bass Rag$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Pastels$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.12 + 12$0.99

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Released in 1968, the second album from the Watts 103rd Street Rhythm Band finds Charles Wright and company still trying to translate their nightclub and singles success into record album sales. The standout cut is "Do Your Thing," a simmering call to the dancefloor that plays on the strengths of this very tight band, slowly building into an undeniable groove; the record-buying public thought similarly, pushing "Do Your Thing" to number 11 on the Billboard charts. About a third of Together follows in this funky groove: "Giggin' Down 103rd," "Sorry Charlie," and the sax feature "Phuncky Bill." There are some covers here too, the mid-show cool down of "Stormy Monday," a tip of the hat to JB with "Papa's Got a Brand New Bag," and a 200 mph run-through of Eddie Floyd's "Knock on Wood." The rest of the album is made up of mid-tempo soul with a loping, Southern feel that doesn't stand out so much because of what is played but how it's played. The Watts band was a monster with James Gadson on drums, Melvin Dunlap on bass, Al McKay on guitar, and a fearsome horn section too, with special mention going to Bill Cannon here for the previously mentioned "Phuncky Bill." Gadson and McKay would go on to join Earth, Wind & Fire while Dunlap joined Bill Withers' band. Together shows a band on the way to its peak, a point they wouldn't reach until the release of Express Yourself in 1970, but listening to them get there is half the fun. ~ Wade Kergan Hot, Heat and Sweat Groove is the debut album by the funky band led by the charismatic Charles Wright. The Wright brood moved to Los Angeles when Charles Wright was 12. In Watts, Wright befriended doo woppers and balladeers like Jesse Belvin, the Hollywood Flames, the Youngsters, and others who lived in the area. Propped by stars like Bill Cosby and publicized by two and a half years of sold-out crowds at the Haunted House (a local club), along with an unexpected local hit, the band was able to secure a contract with Warner Bros. Records. Nothing major came from this set that displayed a choppy rhythmic approach similar to Dyke & the Blazers. But this surprisingly hard-to-find album produced by James Carmichael, who went on to great success with the Commodores, features some thick funk: "Fried Okra," "Brown Sugar," and reworkings of "Yellow Submarine," "The Girl From Ipanema," and "Bring It on Home to Me." While not the most cohesive set, you can't knock the hot SoCal energy exhibited by Wright and his crew of young hopefuls, including future Earth, Wind ...
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