| | Count Basie Fancy Pants CD Count Basie Discography of CDs
Digitally remastered by Kirk Felton (2000, Fantasy Studios, Berkeley, California).
Count Basie's last-known album (recorded four months before his death), this big-band record gives no hints of the end nearing; in fact the music is quite upbeat and typically spirited. The Count Basie Orchestra never declined and its leader (who remained in his musical, if not physical prime) went out swinging. ~ Scott Yanow
Recorded at Oceanway Studios, Hollywood, California in December 1983. Originally released on Pablo (2310-920). Includes liner notes by Benny Green and Norman Granz.
Personnel: Count Basie (piano); Freddie Green (guitar); Chris Woods, Danny Turner (alto saxophone); Kenny Hing, Eric Dixon (tenor saxophone); Johnny Williams , John Williams (baritone saxophone); Jim Crawford , Dale Carley, Frank Szabo, Sonny Cohn, Bob Summers (trumpet); Mitchell Wood, Grover Mitchell , Dennis Wilson , Bill Hughes , Booty Wood (trombone); Dennis Mackrel (drums).
Audio Remasterer: Kirk Felton.
Liner Note Authors: Benny Green; Norman Granz.
Recording information: Hollywood, CA (12/1983); Oceanway Studios, Hollywood, CA (12/1983).
Personnel: Count Basie (piano); Danny Turner, Chris Wood (alto saxophone); Eric Dixon, Kenny Hing (tenor saxophone); Johnny Williams (baritone saxophone); Dal Carley, Sonny Cohn, Jim Crawford, Bob Summers, Frank Szabo (trumpet); Bill Hughes, Grover Mitchell Dennis Wilson, Mitchell "Booty" Wood (trombone); Freddie Green (guitar); Cleveland Eaton (bass); Dennis Mackrel (drums).
Count Basie Fancy Pants Songs Fancy Pants Review
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Purchase Fancy Pants CD To buy, Click on price to add to cart | Count Basie Basie Big Band CD (1975) Remastered
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$11.75 Under an Hour was originally composed as one-time accompaniment for a modern dance performance at Portland, OR's Time-Based Art Festival in September, 2004. But after working on the composition for up to eight months, Menomena's three members decided to commit the music to tape. For those of us who missed the one-and-only showing of Under an Hour, we can be thankful they did. What's impressive about Menomena's score is not only how well it accompanied the dance (clips are available through the band's website), but how effective it is without any visuals at all. Composed of three nearly 20-minute sections, the music was written to mirror the dance's three movements: "Water," "Flour" and "Light." Each of Menomena's members were responsible for writing one section, and each attended multiple rehearsals by Portland's Monster Squad dance troupe. Integrating the music with the unique choreography wasn't easy -- for "Water," the dancers performed in two inches of water on a specially built stage. The floor was covered in powder for "Flour," and in "Light" a ceiling installation lowered lights into the dancers' space at timed intervals. But the band also had to capture in music -- on "Water," for instance -- such esoteric ideas as "purity," "scarcity" and "play."
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