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Digitally remastered by Phil De Lancie (Fantasy Studios, Berkeley, California).
Organist Larry Young was 19 when he made this, his debut recording. Although he would become innovative later on, Young at this early stage was still influenced by Jimmy Smith, even if he had a lighter tone; the fact that he used Smith's former guitarist, Thornel Schwartz, and a drummer whose name was coincidentally Jimmie Smith kept the connection strong. R&B-ish tenor Joe Holiday helps out on two songs, and the music (standards, blues and ballads) always swings. Easily recommended to fans of the jazz organ. ~ Scott Yanow
Recorded at the Van Gelder Studio, Engelewood Cliffs, New Jersey on August 2, 1960. Originally released on New Jazz (8249). Includes original liner notes by Dale Wright.
Personnel: Larry Young, Jr. (organ); Joe Holiday (tenor saxophone); Thornel Schwartz (guitar); Jimmie Smith (drums).
Larry Young Testifying Songs | 1. | Testifying |
| 2. | When I Grow Too Old to Dream |
| 3. | Exercise For Chihuahuas |
| 4. | Falling in Love With Love |
| 5. | Some Thorny Blues |
| 6. | Wee Dot |
| 7. | Flamingo |
| Testifying Review
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Purchase Testifying CD To buy, Click on price to add to cart | Larry Young Young Blues CD (1960)
Testifying album
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Testifying CD music
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Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
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| | Larry Young Unity CD (1965) Remastered
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Digitally remastered using 24-bit technology by Rudy Van Gelder (Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
On Unity, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the groove jazz of Jimmy Smith as you could get, Young hadn't made the complete leap into freeform jazz-rock either. Here he finds himself in very distinguished company: drummer Elvin Jones, trumpeter Woody Shaw, and saxman Joe Henderson. Young was clearly taken by the explorations of saxophonists Coleman and Coltrane, as well as the tonal expressionism put in place by Sonny Rollins and the hard-edged modal music of Miles Davis and his young quintet. But the sound here is all Young: the rhythmic thrusting pulses shoved up against Henderson and Shaw as the framework for a melody that never actually emerges ("Zoltan" -- one of three Shaw tunes here), the skipping chords he uses to supplant the harmony in "Monk's Dream," and also the reiterating of front-line phrases a half step behind the beat ...
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All ...
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