| | Mr Bigg Only If U Knew CD Mr Bigg Discography of CDs
 (11 Customer Reviews)
Recording information: Festival Studios, Kenner, LA; M.O.B. Records.
Southern Rap Only If U Knew Music | List Price | $16.98 (You save $5.93) | | Category | Rock/Pop Albums, R&B CDs, Rap, Urban Soundtrack, Gangsta | | Label | Warlock | | Orig Year | 2000 | | All Time Sales Rank |  32518  | | CD Universe Part number | 1038189 | | Catalog number | 2822 | | Discs | 1 | | Release Date | Mar 21, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Ryan "A.C." Craig; Last Mr. Big; Ryan "AC"; Mr. Bigg | | Engineer | ESI | | Recording Time | 66 minutes |
Mr Bigg Only If U Knew Songs | 1. | Sick-N-Tired | |
| 2. | Traffic King | |
| 3. | Trail Time | |
| 4. | No Mo' | |
| 5. | Dopeman Bitch | |
| 6. | Rev Rolex | |
| 7. | Ho's | |
| 8. | Laughin' Murderah | |
| 9. | What About Us | |
| 10. | Time Served | |
| 11. | Rainy Dayz & Nights | |
| 12. | Only If U Knew | |
| 13. | Trial Time - (Radio edit) | |
| 14. | Outro | |
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Only If U Knew Music Review Average Rating: (4.4 out of 5 stars)   List All Reviews thats it man!!!!!
thats it man mr biggs is tha thing
like i play it for these friends of mine
and that say where that from i wont that CD thay tryed to give me 50 dollars for it
alabama pimpin keep it real , mane..
Submitted by justin (LaGrange, GA, USA)
Was This Review Helpful? Yes No
 best cd u can buy
bigg is awesome. it dont get better than this. ruben aint got nuthin on bigg. u will not Believe how awesome this cd is its not a cd with 1 good song on but all of them are not good but great! bigg is a pimp 4 life
Submitted by fonz_420x (Cullman, Alabama)
Was This Review Helpful? Yes No
Mr. Bigg spits the truth
I love every song on this album. he's reppin' Alabama to da fullest.
Submitted by P.O.T. (DA GUMP, ALABAMA)
Was This Review Helpful? Yes No This Album Is FIRE
biggs is from the port city Ala and he is tight
Submitted by shetae2003 (Mobile,Al)
Was This Review Helpful? Yes No Pimp Tight
This CD was off da' chain yo. When i first heard it, i wuz thinkin' there ain't no way this dawg from Alabama, i wuz wrong folk. Two wordz come to mind, "Pimp Tight"
Submitted by blingblingwhat84 (The Port City, AL)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
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There has never been a compilation as comprehensive as Rhino's The Very Best of Rose Royce, a 16-track trawl through their past that hits from their recordings for MCA and Whitfield, which means it has just about every hit that most fans could want from a collection. In fact, it may be a little long for some listeners, since 16 tracks is a lot of Rose Royce, but it certainly doesn't leave you wanting more, and it has fine sound and fine notes from A. Scott Galloway, which all adds up to the best collection yet assembled on the disco outfit (and likely one of the best that will ever be assembled). ~ Stephen Thomas Erlewine
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Finally the remix album of William Parker and Hamid Drake's near-classic duet set Piercing the Veil has been released as promised. And it was worth the wait. Organic Grooves is a DJ collective with a host of recordings to their credit; OG is a roving party of personages, mixologists, and turntablist masters that are led by DJ Sasha Crnobrnja (sir-no-burn-jah). It seems he and the Grooves heard the original being spun at Fire Escape in 2001 and approached Aum about the project. The label, who had been planning a remix disc all along, dug the Organic Grooves and so the meeting of sound scientists -- Parker, Drake, and Organic Grooves -- was set. For those worried about Parker and Drake being remixed out of the project, forget it, no such danger. Remember the name is Organic Grooves. From the opening moments of "Gold Weave" (sourced from Piercing the Veil's "Loom Song"), with Parker's bass signaling the intro and establishing a cut-time groove, the transformation is complete. Here, breathing techno streams align with an off-kilter, in-the-pocket house framework. The whole joint is overlaid with Drake's drums pushing the accents in and out of the mix. "...Will Be Unbroken" that comes out of Veil's "Bodies Die/Spirits Live," are ushered in by Drake's eight-beat tom tom move. It's almost incantatory the way it slides out of the pipe and down into the floor of the tune to be underlined by Parker's bass, an alternate synth-drum sample of the snares playing in between the beats, and other sounds floating through the heart of the mix, sometimes randomly, sometimes almost ostinato. It's all rhythm and clicks through the time signatures until a melodica comes winding its way over the top like a snake charmer. Then there's the tabla, frame drum, and shakuhachi introduction of "Chronos Splinter," which comes out of the heart of Veil's "Chuan Tzu's Dream." Crnobrnja and Zeb keep the original dreamy intent by stretching time and groove to maximum elasticity and layering the drums in between keyboard layers with Parker's bass keeping the entire package grounded in the pocket-like breathing. It would be too easy to go into every track here, such are the provocative soundscapes that marry electronica to the soulful innovation of Parker and Drake. But in a sense, this would be missing the point, since it's all about a new language, a new creation from seemingly disparate elements that makes Black Cherry such an astonishing recording. There are fragmentary syntaxes here, from both languages that add up to a multitude of new utterances in rhythm of course, but also in the very place and feel of groove and improvisation. If an improviser creates a work of hypnotic intensity such as Piercing the Veil, and a ...
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