| | False Front Criminal Kind CD False Front Discography of CDs
False Front Criminal Kind Songs | 1. | Cage Of Sour Songs |
| 2. | Not Enough |
| 3. | Criminal Kind |
| 4. | Iraq-N-Roll |
| 5. | Home |
| 6. | X |
| 7. | Turn Down The Stretcher On The Swamp Key |
| 8. | Curse Of Eden |
| 9. | Cakes & Beer |
| 10. | Chooglin' The Mojo Spy |
| 11. | Maniac One (Part II) |
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Criminal Kind Review
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Purchase Criminal Kind CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Criminal Kind album
 $9.58   
Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully ...
| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
Criminal Kind CD music
$15.64  
Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't ...
| | Echo & The Bunnymen The Fountain CD (2009)
Criminal Kind music CDs
$9.94 
| | Glee The Music 1 Glee: The Music, Vol. 1 CD (2009) Original Soundtrack
Criminal Kind songs
$10.39
Like the HIGH SCHOOL MUSICAL franchise, GLEE became more than a TV show when several of its songs cracked the Hot 100, including the number four hit "Don't Stop Believing." That song kicks off this soundtrack, the first in a series of albums cataloging the music performed by the show's cast. Not all GLEE members are created equal--some cast mates are far better actors than singers--but this soundtrack has enough star power to keep things trucking along, especially when powerhouse alto Lea Michele takes the wheel. She sounds fantastic throughout, whether she's holding her own during a duet with Broadway ...
| | Nirvana Bleach CD (1989) Deluxe; Deluxe Edition
Criminal Kind album
$13.19 
With a sludgy, chainsaw guitar sound that owes as much to early Black Sabbath as to Kurt Cobain's heroes The Melvins, whose drummer puts in an appearance here, Nirvana emerges from Seattle's underground scene as standard-bearers of a style that embraces the anger and energy of punk alongside the thick, muddy sonic attack favored by early '70s proto-metal bands. Cobain's lyrics are fueled by outrage and self-loathing, combining literary flair with a direct, visceral quality that makes him a viable candidate for the John-Lennon-of-Gen X award.
Nirvana's debut album showcases what sounds more like a force of nature than a rock band. The unrelenting fervor with which the group delivers these 13 tunes is almost frightening. There is also a strong melodic flair that leavens the ferocity occasionally, hinting at the scope of Cobain's compositional talents. "Love Buzz" and "About A Girl" show off enough ...
| | Pink Funhouse CD (2008) Explicit
Criminal Kind CD music
$8.99
| | REO Speedwagon You Can Tune A Piano, But You Can't Tuna Fish CD (1978) Remastered
Criminal Kind music CDs
$6.79  
| | Teen Idols CD (1997)
Criminal Kind songs
$6.95
| | More Machine Than Man Electrolust CD (2001)
Criminal Kind album
$14.79
.: OUTBURN :. Review ELECTROLUST '4 out of 5'.FASCINATION WITH DOMINATION. "Lock up your mothers, sisters, and daughters, More Machine Than Man is back again. They've shown the capacity to deliver the goods on past albums, and Electrolust just keeps 'em coming. And coming...Electrolust is a sleek offering that will have you fighting and fucking into tomorrow.".: SIDE-LINE :. Review ELECTROLUST"The songs on Electrolust, are hard with powerful guitar hooks and killer electronics. This is totally industrial chaos, that really ignites...Definitely a true leader, nothing mainstream ...
| | Todd Carey Revolving World CD (2005)
Criminal Kind CD music
$12.65
| | Terence Trent D'Arby Collections CD (2006) (Import)
Criminal Kind music CDs
$10.49
| | David Karsten Daniels Sharp Teeth CD (2007)
Criminal Kind songs
$12.25
| | Venice Light Orchestra Symphonic Reflections CD (2008)
Criminal Kind album
$22.75
In 2004, two composers, Paolo Pesce e Sebastiano Maria Vianello joined forces with eight musicians to give birth to a musical concept matured in the course of their concert tours throughout the world. Inspired by the influences of those faraway lands, they composed works fusing traditional and modern styles forming a new, harmonious and unique style ...
| | M I A Kala CDs (2007) Bonus CD
Criminal Kind CD music
$19.79
Even before M.I.A. (Maya Arulpragasam) debuted in 2005 with ARULAR, the blogosphere was already abuzz about her, engaging in the kind of discourse normally reserved for academic dissertations. Whether hailed as a canny postmodern pastiche or dismissed as inauthentic cultural pirating, the music, a lively pan-global mash-up of regional dance music styles, seemed to be emanating simultaneously from every ghetto, favela, and council-flat within earshot. As if to call out her detractors, M.I.A. returns for another shot of explosive, politically charged and globally conscious dance music on her second album, KALA.
Lacking the patchwork quality of the debut, KALA is a more cohesive and polished affair, though it matches its predecessor for shear visceral thrills. Recorded across several different continents, and featuring the production talents of Timbaland, Switch, and Blaqstarr, as well as longstanding collaborator Diplo, the globetrotting beat makers mine sources as varied as funk carioca, Baltimore bounce, and the occasional ludicrously placed sound-effect (a squawking chicken). The gloriously bombastic lead single, "Boyz," kicks off the party with a blaring horn loop, carnival percussion, and a stuttering Bollywood vocal sample, while M.I.A. merrily chants the chorus in her sing-song faux patois. The twittering, beat-heavy "Bird Flu" sounds a bit like what you might expect--jagged beats create syncopated poly-rhythms, while birds chirp feverishly against Arulpragasam's bratty invective. But the irreverent cultural re-appropriation doesn't stop at her borrowing from the third world; clever nods to the Clash, New Order, and even Jonathan Richman appear in unexpected and cheeky combinations, offering further proof that M.I.A.'s potent cross-cultural grab bag is as sonically audacious as ever.
Kala and Arular are similar in that they are both wildly vigorous and wholly enjoyable albums, generous with blunt-force beats, flurries of percussion, riotous vocals (with largely inconsequential lyrics), and fearless stylistic syntheses that seem to view music from half of the planet's countries as potential source material. But Kala nearly makes Arular seem tame in comparison, magnifying most of its predecessor's qualities as it remains bracingly adventurous. While it certainly sounds like a second M.I.A. album, nothing about it is stagnant. Made in piecemeal fashion while located in several countries, Kala involves a few co-producers: U.K. "dirty house" producer Switch is the primary collaborator, while Baltimore club don Blaqstarr, Diplo, and Timbaland assist M.I.A. on one or a couple tracks each. Further ...
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