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Masters - Masters CD Cover Art CD music music CDs songs album

Masters CD

 Masters Discography of CDs

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Masters is a collection of 14 bluegrass instrumentals from bluegrass stars like Josh Graves, Eddie Adcock, and Jesse McReynolds, offering a good overview of the state of progressive bluegrass at the end of the '80s. ~ Thom Owens

Recording information: Hilltop Studios, Nashville, TN.

Photographer: Ken Kim.

Personnel: Eddie Adcock (guitar, banjo); Josh Graves (dobro); Jesse McReynolds (mandolin); Kenny Baker (fiddle); Burt Hoffman (snare drum).

Audio Mixer: John Nicholson.

Masters Music


Detailed Masters Music Information



List Price $11.98 (You save $0.79)
Category Rock/Pop Albums, Folk CDs, Country, Blues, Folk Music, Bluegrass
Label CMH
Orig Year 1995
All Time Sales Rank   612969  
CD Universe Part number 1038477
Discs 1
Release Date Aug 28, 1990
Studio/Live Studio
Mono/Stereo Stereo
Producer Billy Troy
Engineer John Nicholson
Recording Time 38 minutes
Personnel Josh Graves - dobro
Jesse McReynolds - mandolin
Kenny Baker - fiddle
Kenny Baker - fiddle
Eddie Adcock - guitar, banjo
Burt Hoffman - snare drum
Masters Songs


Masters Album Track Listing



Windows MediaRealAudio Media1.Josh-Away$0.99
2.Rambling Gambling Rag
3.Night Runner
Windows MediaRealAudio Media4.Crying Heart Waltz$0.99
5.Tyler's Tuition
6.Thomas Jefferson Breakdown
Windows MediaRealAudio Media7.My Louisiana$0.99
Windows MediaRealAudio Media8.Waggin' the Dog$0.99
9.Ball River
Windows MediaRealAudio Media10.Deep Sea Cruise$0.99
11.Rocky Ford
12.Kelly Lynn Waltz
Windows MediaRealAudio Media13.Whisky Chitto$0.99
14.Roadside Breakdown

Masters Music


Masters Other Versions



Masters
Masters  (2000) Audio Samples
CD$12.25
John Mayall
Masters  (2000) Reissue; Special EditionAudio Samples
CD$13.39
Masters Review


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Dharma Blues
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One always wonders what happened to an artist who recorded several albums and then dropped out of sight for 25 years. Guitarist Peter Lang notes that he distanced himself from the music business, though not music itself, in 1978. Turning 50, however, prompted him to give recording another shot. Dedicated to John Fahey, Dharma Blues pretty much picks up where Lang and his fellow pickers left off in the 1970s. Unlike Fahey or, say, Robbie Basho, however, Lang's fingerpicking seldom uses dissonance or shows the influence of Eastern music. Instead, "Thicker Than Wicker" and "Walter's Wings" offer melodic, free-flowing lines that are easy on the ears. Like his friends, however, he does combine multiple styles ranging from folk to blues, and more often than not utilizes open tunings. In "Poor Boy/Guitar Rag" and "Halloween Blues," in particular, Lang emphasizes country blues with a slide guitar, while the title cut features a more open-ended approach to the genre played in a standard tuning. Most of the pieces on Dharma Blues are self-penned and have enough bite to keep them from falling into new age sameness. Lang says that it's more difficult physically to record an album than it was 25 years ago, but he's nonetheless accomplished what he set out to do. Guitar players and aficionados will be glad that he did. ~ Ronnie D. Lankford, Jr. "Lang is still firmly rooted in the 60s/70's John Fahey/Leo Kottke blues/folk/Americana styling that he helped pioneer, and it's certainly refreshing to hear it being played this well by one of the old masters . . . Let's hope it doesn't take Lang another 20 years to produce a follow-up"   DIRTY LINEN, May 2003 PETER LANG was discovered and recorded in 1972 by the legendary guitarist John Fahey who signed Lang to his own label, Takoma Records. Fahey launched the careers of other notable artists on Takoma, including Leo Kottke, George Winston, Robbie Basho, Bola Sete and others. Peter Lang toured, recorded and performed for nearly ten years, developing a reputation as one of the nations top acoustic players. In the 70's he was in good company, having recorded or performed with Ry Cooder, John Fahey, Jerry Garcia, Chet Atkins, John Hartford, The Nitty Gritty Dirt Band, Emmylou Harris, Leo Kottke, Freddie King, The Paul Butterfield Blues Band, John Hammond, Keith Jarrett, Phoebe Snow, Maria Muldaur, The Yellowjackets, Robben Ford, and many others. Long considered one of America's premier finger-style guitarists, Lang returned to music after a 20 year hiatus ...
You Left Me In The Dark
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Proving that 2002's appropriately titled Return of a Legend was no one-off fluke, semi-legendary Chicago guitarist Jody Williams cements his comeback with this invigorating follow-up. Producer Dick Shurman, who worked on the previous disc, frames Williams' expressive voice and clean, jazzy guitar in a subtle, frills-free environment that brings out his best. The album's 13 originals (and one Sam Cooke cover) showcase Williams' talents as a fluid, understated, yet soulful guitarist; witty songwriter; and, more importantly, a singer of surprising passion. Esteemed horn arranger Willie Henderson also returns from the last album to add his arrangements to four tracks, highlighted by the simmering, staccato touches on a remake of Williams' "Hideout," originally recorded in 1962. Part Freddie King's "Hideaway," part Earl King's "Come On," it's an accurate, updated example of Williams' six-string prowess. Although the majority of the tracks are straightforward Chicago shuffles and slow blues, the guitarist infuses his upbeat personality to the proceedings, which makes the album so consistently refreshing. Stellar accompaniment by keyboardist Rob Walters and guest shots from Robert Jr. Lockwood and Lonnie Brooks certainly don't hurt (Brooks' vocals and guitar sizzle on ...
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