| | December Wind Sacred Voices CD December Wind Discography of CDs
Photographer: Rebecca Thompson.
December Wind: Atsiaktonkie, Terry Terrance, Darman Terrance, Randy Furnia, Donald A. Sharrow.
Recording information: Saxon Recording, Rochester, NY.
Dirty Linen (4-5/00, p.93) - "...Native American percussion, rattles and traditional calls are mixed in with the standard bass, drums, acoustic and electric guitars. This all helps make the music more accessible and allows the message of the songs to hit harder..." December Wind Sacred Voices Songs | 1. | Eagle Cries His Song |
| 2. | Share My Blanket |
| 3. | Gentle Thunder |
| 4. | She Likes Flowers |
| 5. | Where Are My People |
| 6. | Simple Things |
| 7. | Fisherman |
| 8. | High Noon |
| 9. | United |
| 10. | In the Sun |
| 11. | Sacred Drum |
|
Sacred Voices Review
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Purchase Sacred Voices CD To buy, Click on price to add to cart | Enigma Seven Lives Many Faces CD (2008)
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| | Karunesh Heart Chakra Meditation, Vol. 2: Coming Home CD (2009)
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Arranger: Karunesh.
| | Delerium Chimera CDs (2003) Enhanced CD
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| | George Winston - Seasons In Concert DVD (1996)
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| | Devotion: The Best Of Yanni CD (1997)
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| | Bushwick Bill Little Big Man CD (1992)
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| | Harmonix Ensemble Ginseng CD (2000)
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| | Liquid Mind Slow World CD (1996)
Sacred Voices album
$17.09 
Slow World by Liquid Mind is graceful, gentle, and healing. This music is designed to help you relax deeply, during meditation, massage, yoga, rest, or in times of stress, and is the perfect background for massage, meditation, healing, yoga, pilates, reiki, shiatsu, tai chi or reflexology. The soothing flow of the music, and the absence of regular rhythm allows the listener to experience a level of relaxation not achievable by more active music. The second of Liquid Mind's elegant electronic series of slow relaxation music albums takes the listener to a place of deep calm and tranquility. This peaceful album is used by parents to help quiet hyperactive children, to assist themselves in going back to sleep in the middle of a difficult night, and to relieve the stress of a busy day at a computer terminal. From the artist: I originally wrote the music of Liquid Mind to help myself and my friends and family dealing with the anxiety & stress of working long hours and many jobs to support their families, and also for friends and family dealing with the stress of life-threatening illnesses like cancer & HIV. The Liquid Mind albums seem to have an immediate "slowing down" effect on the listener, and may also help people get to sleep, and calm down after a tension-filled day. The ultimate compliment to me is that people fall asleep or deeply relax to my music. This is functional music, it serves the purpose of assisting us to be tranquil, when that may not be easy in today's world. That is why the compositions are longer than normal, and very slow in tempo. This music is very special to me, it is my labor of love, I hope you enjoy it. From the label: ...
| | Gypsy Soul Sanctuary CD (1998)
Sacred Voices CD music
$18.99
SANCTUARY is an Enhanced CD containing a full audio program as well as multimedia computer files.
Test of Time, the debut album by Gypsy Soul, the duo of singer/lyricist Cilette Swann and guitarist/composer Roman Morykit, suggested what a second Buckingham Nicks LP might have sounded like if Lindsey Buckingham and Stevie Nicks had not joined Fleetwood Mac: catchy, folk-based pop/rock songs with inventive arrangements and compelling vocals (even if Swann's voice was closer to Christine McVie's than Nicks'). Three years later with their second album, Sanctuary, Swann and Morykit, still recording for their own label, seem to have given up what pop dreams they may have had by cutting the arrangements down and going in more of a new age/adult alternative direction. Most often, the arrangements feature beds of acoustic and electric guitars with a rhythmic underlay of Jaco Pastorius-like fretless bass playing and only occasional other musical elements, while Swann's voice takes center stage. This means she has to step up; if Test of Time had a weak spot, it was the relatively conventional nature of the romantic sentiments in the lyrics. It turns out she has a lot to talk about this time, and love is still the major subject, which she examines in songs usually set in the first person and directed to someone in the second person. (The only exception to this "I"/"you" address is the lonely "she" described in "Another Morning.") Sometimes things seem to be going well with the narrator and her lover; sometimes she seems to want more from him than she's getting; sometimes she is resolved to break up with him or seems already to have done so. In any case, she wants the same things -- affection, attention, understanding. Unfortunately, she tends to express herself in clichés and generalities rather than specifics. "I'm so tired of saving for that rainy day," she sings at the start of "Won't Be Wronged," "Can't be a back-seat driver on this trip of fate/Not a woulda, shoulda, coulda, kind of life for me." That's an extreme example, but it shows the relative lack of invention in the lyrics, which cannot be covered even by Swann's undeniably expressive singing. Only toward the end of the album, on "Solace," which seems to be a song of forgiveness sung by a grown child to her mother, do the lyrics achieve a substance and particularity that justifies the focus put on them in the arrangements. That would be a good song to build on as the group looks ...
| | Count M'Butu See The Sun CD (2001)
Sacred Voices music CDs
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| | Michael Brook Rockpaperscissors CD (2006) Digipak
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| | Osho Ah This CD (2007) Amar
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