| | Beethoven: Violin Concerto; Romances Nos. 1 & 2 CD Jean / Nishizaki / Slova CDS
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Beethoven: Violin Concerto; Romances Nos. 1 & 2 Music | List Price | $8.99 (You save $1.10) | | Label | Naxos (Distributor) | | Orig Year | 6/30/1992 | | All Time Sales Rank |  26290  | | CD Universe Part number | 1042041 | | Discs | 1 | | Release Date | Sep 14, 1993 | | Recording Time | 1 5 |
Beethoven: Violin Concerto; Romances Nos. 1 & 2 Review
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Beethoven: Violin Concerto; Romances Nos. 1 & 2 Music Composers on Beethoven: Violin Concerto; Romances Nos. 1 & 2 CD : Ludwig van Beethoven Conductors on Beethoven: Violin Concerto; Romances Nos. 1 & 2 CD : Kenneth Jean Performers on Beethoven: Violin Concerto; Romances Nos. 1 & 2 CD : Takako Nishizaki Purchase Beethoven: Violin Concerto; Romances Nos. 1 & 2 To buy, Click on price to add to cart | L'Esprit De France - The Music Of Satie CDs (1994)
Beethoven: Violin Concerto; Romances Nos. 1 & 2
 $10.55  | | Brahms: Complete Piano Quartets / Trampler, Beaux Arts Trio CDs (1996)
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Beethoven: Violin Concerto; Romances Nos. 1 & 2
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Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton.
Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Orchestrations ride ambiently in the background, highlighting tension and drama. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. Elsewhere, "Strawberry Tango, Part One and Two" features a full horn and string section painting the atmosphere at a cantina dance from its wild beginnings until its sultry ending. Daniel Lanois, who scored Thornton's Sling Blade (well, it actually sounds as if he threw a bunch of leftover studio bits on a tape for the movie), makes a return appearance here with an actual song. The track "Porque" features the stirring vocals of Raul Malo of the Mavericks, who contributed the lyrics to the selection. It's a sad, romantic ballad. Lost love drips from the cowboy's hat, regret drapes itself in tears in his shaded eyes, and he stands out in the rain singing to no one. Also, homage is paid to Stuart's greatest influence and benefactor, the daddy of bluegrass music himself, Bill Monroe. His "My Last Days on Earth" is included here. (Everybody knows nobody was listening to bluegrass music in Texas or Mexico in the late '30s.) The only real complaint about this gor
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Beethoven: Violin Concerto; Romances Nos. 1 & 2
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Fiedler and The Boston Pops are in good form on this holiday album. ~ David A. Milberg
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Beethoven: Violin Concerto; Romances Nos. 1 & 2
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A no-frills CD reissue of what was already a pretty frills-free vinyl anthology from the '70s, The Very Best of the Classics IV is not geared for the obsessive fan of Dennis Yost and crew, even assuming such people exist. The sound is serviceable, the liner notes non-existent, and the skimpy 26-and-a-half-minute running time is just barely on the right side of a gyp. On the other hand, for the casual fan who just wants decent-sounding versions of "Spooky," "Traces," and "Stormy" -- this Atlanta-based group's three mellow blue-eyed soul hits -- this is an inexpensive way to do just that. The other seven tracks contain no hidden gems, but they're perfectly serviceable, even the cover of Bobby Hebb's maudlin "Sunny." ~ Stewart Mason
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Beethoven: Violin Concerto; Romances Nos. 1 & 2
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Piano Sonatas,De Larrocha Alicia
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Personnel: William Bolcom (piano); Joan Morris (soprano, mezzo soprano).
Liner Note Author: Joan Morris.
Recording information: Rutgers Prebysterian Church, New York, NY (04/1974-04/1976).
Unknown Contributor Roles: Joanna Nickrenz; Marc Aubort.
At the dawn of the 20th century, the record business did not yet exist, so songwriters relied exclusively on the sales of sheet music to make a living, hoping to come up with hits that everyone would want purchase to perform at home. This collection of 14 songs published between 1884 and 1909 became hits, though most of them are long forgotten in the 21st century except by those born prior to 1960 or so. The husband-and-wife team of William Bolcom and Joan Morris treat each of these songs with passion; the accomplished pianist's accompaniment of the rich-voiced mezzo-soprano brings out the best in each tune. Though some of the songs, such as the badly dated "After the Ball," haven't particularly stood the test of time, the gems by Harry Von Tilzer ("A Bird in a Gilded Cage" and "Wait 'Till the Sun Shines, Nellie"), Kerry Mills ("Meet Me in St. Louis, Louis"), and Ernest R. Ball's "Will You Love Me in December As You Do in May?" more than make up for the occasional museum piece. Morris' detailed liner notes and the inclusion of the complete lyrics to each song are an added bonus, and six previously unreleased tracks were added for the CD reissue. ~ Ken Dryden
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Beethoven: Violin Concerto; Romances Nos. 1 & 2
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Live Recording
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2 CD Digipack.
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Beethoven: Violin Concerto; Romances Nos. 1 & 2
$14.95 | | Aalborg Sym Orch Kayser: Symphonies Vol 1 / Aeschbacher, Aalborg So CD (2007)
Beethoven: Violin Concerto; Romances Nos. 1 & 2
$10.49 | | Opera Italiana CDs (2007) (Import)
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A wonderful journey through four centuries of the Italian Opera, enjoying the great masterpieces as well as some neglected rarities. 40 CDs in a valuable box set.
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Beethoven: Violin Concerto; Romances Nos. 1 & 2
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