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Haydn: String Quartets Op. 55 Nos. 1 Music | List Price | $8.97 (You save $2.38) | | Label | Naxos | | Orig Year | 2/15/1994 | | All Time Sales Rank |  27948  | | CD Universe Part number | 1042235 | | Catalog number | 8550397 | | Discs | 1 | | Release Date | Feb 15, 1994 | | Recording Time | 58 minutes |
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Haydn: String Quartets Op. 55 Nos. 1 Songs | 1. String Quartet No. 45 in A major, Op. 55/1, H. 3/60 (16:13) | | Catalog No. | H 3 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Genre | Classical Period / Quartet | | Date Written | 1788 | | Ensemble | Kodaly Quartet | | Period | Classical | | Venue | Hungaroton Studios, Rottenbiller Street, | | Notes | Hungaroton Studios, Rottenbiller Street, Budapest, Hungary (05/28/1990-05/30/1990) | | 2. String Quartet No. 46 in F minor ("Razor"), Op. 55/2, H. 3/61 (22:19) | | Common Name | Razor String, String Quartet 46 | | Catalog No. | H 3 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Genre | Classical Period | | Date Written | 1788 | | Ensemble | Kodaly Quartet | | Period | Classical | | Country | Austria | | Venue | Hungaroton Studios, Rottenbiller Street, | | Notes | Hungaroton Studios, Rottenbiller Street, Budapest, Hungary (05/28/1990-05/30/1990) | | 3. String Quartet No. 47 in B flat major, Op. 55/3, H. 3/62 (18:31) | | Catalog No. | H 3 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Genre | Classical Period / Quartet | | Date Written | 1788 | | Ensemble | Kodaly Quartet | | Period | Classical | | Venue | Hungaroton Studios, Rottenbiller Street, | | Notes | Hungaroton Studios, Rottenbiller Street, Budapest, Hungary (05/28/1990-05/30/1990) |
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The symphony requires maturity in a composer. He expresses his own vision of life, his attitude to its major manifestations. Usually a symphony is a summary of a composer's experience earned over a substantial period of time. If symphonies sometimes are composed by seven-year-old children we can call them'symphonies' only conditionally. In the best case, they can only be a good imitation of a well-known pattern. The Fifth Symphony by Tchaikovsky is the work of a mature master. His model for a symphony is quite different from the original pattern of the founder of this genre - Franz Joseph Haydn. At the same time there are basic, core ideas, which stay unchanged regardless of any modifications. The symphony is the most complex, profound, versatile and philosophical genre. It commonly is represented by a symphonic cycle and consists of four movements. The focus of each movement is on a different side of the world-picture. Differences in the focus enable movements to gravitate to each other forming unity, unlike similarity which always separates things. When the duration of symphonies increased, the necessity to keep the unity of the symphonic cycle again became real. The first who established the idea of "leitmotif" was Beethoven. "Leitmotif" is a recurring theme symbolizing a character, object, or abstract idea. Romantic composers and Tchaikovsky, in particular, used "leitmotifs" which thread through the entire texture of a symphony, all its movements. "Leitmotifs" appear in different tempi, orchestration, and register; they are displayed in different clothes and circumstances. This is a way to explore the potential of characters and develop them. "Leitmotifs" bring a great deal of completion and unity to the symphonic cycle. The form of sonata allegro, commonly used in the first movement, is perfect to reflect a collision of opposite characters. There are no symphonies without sonata allegro or its equivalent. Without other movements the sonata allegro represents the genre of a symphonic poem, largely exploited by many romantic composers starting with Liszt. The content of sonata allegro can be the struggle of an individual with his fate like in the case of Fifth Symphony by Tchaikovsky. It also can only be a play of 'light and shade' expressed through the opposition of Major and Minor or a principal tonality and its dominant. The last is much easier to fulfill. That is why Haydn wrote 104 symphonies and Tchaikovsky only 6. However the idea of symphony as a genre belongs to Haydn. The second movement of Haydn's symphonic model has usually no inner conflicts and bears lyrical, philosophical character. Andante Cantabile in the Fifth Symphony by Tchaikovsky is associated with an immersion in his inward world of dreams and reflections. The horn solo perfectly expresses the character. It is another side of the world-picture, different from the first movement. The third part is usually the shortest in the symphonic cycle. This is the intermezzo, music between the first two movements and the Finale, which at first look takes us away from the mainstream of the symphony. As a matter of fact it brings fresh impressions of outward life and contributes to the entire world-picture reflected in the symphony. A dance - Minuet in Haydn's symphonies and Waltz in Tchaikovsky's Fifth - seems the most appropriate realization of this idea. Finale. It is a time to put everything in balance, finish the 'topic' lines and bring them to denouement. The Finale bears the function of exodus and therefore it is the right place to develop musical material from previous movements. If in Haydn's symphonies the content of the Finale usually is a joke - Scherzo - it every time reminds ...
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