| | Famous Operetta Overtures CD
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Our Price: $7.89  CDFor Sale Usually ships in 1-2 days
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Strauss II,Suppe Famous Operetta Overtures Music | List Price | $8.99 (You save $1.10) | | Label | Naxos (Distributor) | | Orig Year | 6/30/1992 | | All Time Sales Rank |  46699  | | CD Universe Part number | 1042289 | | Discs | 1 | | Release Date | Mar 24, 1991 | | Recording Time | 1 6 |
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Famous Operetta Overtures Songs | 1. Die Fledermaus (The Bat), overture to the operetta (RV 503-1) (8:13) | | Common Name | Die Fledermaus The Bat | | Catalog No. | RV 503 | | Composer | Johann Strauss II (1825 - 1899) | | Conductor | Alfred Walter | | Genre | Romantic Period / Waltz | | Date Written | 1874 | | Period | Romantic | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990)
Composition written: 1874.
Composition revised: Germany. | | 2. Der Zigeunerbaron (The Gypsy Baron), overture to the operetta (8:44) | | Common Name | Der Zigeunerbaron The Gypsy Baron | | Composer | Johann Strauss II (1825 - 1899) | | Conductor | Alfred Walter | | Genre | Romantic Period | | Date Written | 1885 | | Period | Romantic | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990)
Composition written: 1885.
Composition revised: Hungary. | | 3. Eine Nacht in Venedig (A Night in Venice), overture to the operetta (RV 510-1) (8:00) | | Common Name | Eine Nacht In Venedig A Night In Venice | | Catalog No. | RV 510 | | Composer | Johann Strauss II (1825 - 1899) | | Conductor | Alfred Walter | | Genre | Romantic Period / Waltz | | Date Written | 1883 | | Period | Romantic | | Country | Austria | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990) | | 4. Ein Morgen, ein Mittag, ein Abend in Wien (Morning Noon and Night in Vienna), overture from the inci (8:37) | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Alfred Walter | | Genre | Overture / Romantic Period | | Date Written | 1844 | | Period | Romantic | | Country | Austria | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990) | | 5. Die schone Galathee (The Beautiful Galatea), operetta: Overture (7:18) | | Common Name | Die Schone Galathee The Beautiful Galatea | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Alfred Walter | | Genre | Opera / Operetta / Romantic Period | | Date Written | 1865 | | Period | Romantic | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990)
Composition written: 1865.
Composition revised: Germany. | | 6. Leichte Kavallerie (Light Cavalry), operetta: Overture (6:25) | | Common Name | Leichte Kavallerie Light Cavalry | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Alfred Walter | | Genre | Operetta / Romantic Period | | Date Written | 1866 | | Period | Romantic | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990)
Composition written: 1866.
Composition revised: Germany. | | 7. La belle Helene, operetta in 3 acts: Overture (8:54) | | Common Name | La Belle Helene Operetta In 3 Acts | | Composer | Jacques Offenbach (1819 - 1880) | | Conductor | Alfred Walter | | Genre | Operetta / Romantic Period | | Date Written | 1864 | | Period | Romantic | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990)
Composition written: 1864.
Composition revised: Greece. | | 8. Orphee aux enfers, operetta: Overture (10:08) | | Common Name | Orphee Aux Enfers Operetta | | Composer | Jacques Offenbach (1819 - 1880) | | Conductor | Alfred Walter | | Genre | Operetta / Romantic Period | | Date Written | 1858 | | Period | Romantic | | Country | France | | Venue | House of Arts, Kosice, Slovakia | | Notes | House of Arts, Kosice, Slovakia (06/20/1990-06/23/1990) |
Purchase Famous Operetta Overtures To buy, Click on price to add to cart | Doors Absolutely Live CD (1970)
Famous Operetta Overtures
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As for the Lizard King, his blues growl is put to perfect use on "Backdoor Man," whereas his inner poet takes over on the prophetic "When The Music's Over" and the jazzy, metaphysical "Universal Mind." Morrison's most dramatic turn comes in the personage of a Southern preacher on the intro "Petition The Lord With Prayer" that leads into a medley of "Dead Cats, Dead Rats" and "Break On Through #2." In truth, ABSOLUTELY LIVE does not measure up to the Doors' more meticulously crafted studio efforts, yet it includes material that doesn't appear elsewhere, and is a satisfying snapshot of the band's live show.
ABSOLUTELY LIVE was taped during a United State tour that took place between August 1969 and June 1970, and shows off The Doors' strengths as a live band and the way they kept sets interesting by including a broad cross-section of music. Where else could you hear Bo Diddley's "Who Do You Love" sidling up next to Kurt Weill's "Alabama Song?" Ray Manzarek's ...
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This fourth installment of the series takes place ten years after the original and finds the man in the William Shatner mask in a coma and being transferred from Richmond Mental Institute to Smith's Grove. However, the van gets into a horrible accident, skidding off the road and exploding. Predictably, Myers' body is nowhere to be found in the wreckage, alarming both the skeptical police and the indefatigable Dr. Loomis (Donald Pleasence). Soon, Myers is spotted back in Haddonfield, and it becomes obvious that his next target is his young niece, Jamie (Danielle Harris). His return has whipped the town into a frenzied mob, which proves to be unfortunate ...
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In this uneven album, Caetano Veloso used cool jazz and Gil Evans' orchestrations as the raw material for his synthesis with contemporary Bahian rhythms -- "Terra," from 1978, is an epic description in which Sketches of Spain influences dialogue with their rhythmic similarity with Bahian grooves. The track is the best of the album, which brings no news other than the interpretation of "Prenda Minha," from the gaúcho folklore, and the ridiculous yet highly rewarding financially track "Sozinho" (which may be the best reason for a Veloso album reaching the cipher of 1,200,000 sold copies for the first time), which propelled the selling of the album and its presence in the top radio charts. "Jorge de Capadócia" (Jorge Ben, 1975) is an emotional and beautiful delivery of the important song, but included in this repertory after Racionais MC's recorded it, it sounds a bit opportunistic -- the visceral phrase "eu estou vestido com as roupas e as armas de Jorge" (I am dressed with the clothes and weapons of Jorge's," a reference to the religious syncretism that unifies Saint Georges and Oxum in a Negro entity of protection, resistance, and survival) sounds incongruous when delivered by this elegant gentleman in an expensive suit. Musically, the excellent cool jazz orchestral arrangements for "Esse Cara," "Prenda Minha," "Terra," "Meditaçao" (a bossa classic propelled by a Bahian percussion), the also splendid Latin jazz arrangements for "Mel" (recorded by sister Maria Bethânia, here sung in Spanish in a convenient Mercosul version), and the delicate, straight voice/violao renditions for "Bem Devagar," "Drao," "Saudosismo," and the beautiful Chico Buarque song "Carolina" make the album worthwhile -- even if listeners must endure the shameless plug for Veloso's book, the pretentious Verdade Tropical. ~ Alvaro Neder
1998 release from the Bob Dylan of Brazil. Cool jazz and Gil Evans' orchestrations are the raw material for his synthesis with contemporary Bahian rhythms. 20 tracks. Polygram.
Recorded live at Metropolitan, Rio De Janeiro, Brazil from September 10-13, 1998.
Personnel: Jorge Helder (vocals, electric guitar, acoustic bass, electric bass); Jaques Morelenbaum (vocals, cello); Rowney Scott (saxophone); Roberto Silva (trombone, bass trombone); Ronaldo, Ronaldo Silva (drums); Orlando Costa (tabla, percussion); Márcio Victor, Moreno Veloso (percussion).
Audio Mixer: Antonio "Moogie" Canazio.
Recording information: Metropolitan, ...
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