| | Telemann: Six Sonatas For Two Flutes, Op. 2 CD Rosenfeld, Mindy CDS
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Telemann: Six Sonatas For Two Flutes, Op. 2 Music | List Price | $8.97 (You save $2.38) | | Label | Naxos (Distributor) | | Orig Year | 5/12/1998 | | All Time Sales Rank |  49787  | | CD Universe Part number | 1043441 | | Discs | 1 | | Release Date | Apr 28, 1998 | | Recording Time | 1 8 |
Telemann: Six Sonatas For Two Flutes, Op. 2 Review
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Telemann: Six Sonatas For Two Flutes, Op. 2 Songs | 1. Sonata for 2 flutes (or 2 violins) No. 5 in B minor (Sonates sans basse No. 5), TWV40:105: Largo (11:11) | | Common Name | 105, Sonata For 2 Flutes Or 2 Violins No 5 Sonates Sans Basse | | Composer | Georg Philipp Telemann (1681 - 1767) | | Genre | Baroque Period | | Date Written | 1727 | | Period | Baroque | | Venue | Regents' Theatre, Holy Names College, Oa | | Notes | Regents' Theatre, Holy Names College, Oakland, CA (01/13/1997-01/15/1997) | | 2. Sonata for 2 flutes (or 2 violins) No. 5 in B minor (Sonates sans basse No. 5), TWV40:105: Vivace (11:05) | | Common Name | 101 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Genre | Baroque Period | | Date Written | 1727 | | Period | Baroque | | Venue | Regents' Theatre, Holy Names College, Oa | | Notes | Regents' Theatre, Holy Names College, Oakland, CA (01/13/1997-01/15/1997) | | 3. Sonata for 2 flutes (or 2 violins) No. 5 in B minor (Sonates sans basse No. 5), TWV40:105: Gratioso (12:07) | | Common Name | 104, Sonata For 2 Flutes Or 2 Violins No 4 Sonates Sans Basse | | Composer | Georg Philipp Telemann (1681 - 1767) | | Genre | Baroque Period | | Date Written | 1727 | | Period | Baroque | | Venue | Regents' Theatre, Holy Names College, Oa | | Notes | Regents' Theatre, Holy Names College, Oakland, CA (01/13/1997-01/15/1997) | | 4. Sonata for 2 flutes (or 2 violins) No. 5 in B minor (Sonates sans basse No. 5), TWV40:105: Allegro (10:47) | | Common Name | 103 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Genre | Baroque Period | | Date Written | 1727 | | Period | Baroque | | Venue | Regents' Theatre, Holy Names College, Oa | | Notes | Regents' Theatre, Holy Names College, Oakland, CA (01/13/1997-01/15/1997) | | 5. Sonata for 2 flutes (or 2 violins) No. 1 in G major (Sonates sans basse No. 1), TWV40:101: Soave (8:50) | | Common Name | 102 | | Catalog No. | TWV 40 | | Composer | Georg Philipp Telemann (1681 - 1767) | | Genre | Baroque Period | | Date Written | 1727 | | Period | Baroque | | Venue | Regents' Theatre, Holy Names College, Oa | | Notes | Regents' Theatre, Holy Names College, Oakland, CA (01/13/1997-01/15/1997) | | 6. Sonata for 2 flutes (or 2 violins) No. 1 in G major (Sonates sans basse No. 1), TWV40:101: Allegro (10:19) | | Composer | Georg Philipp Telemann (1681 - 1767) | | Genre | Baroque Period | | Date Written | 1727 | | Period | Baroque | | Venue | Regents' Theatre, Holy Names College, Oa | | Notes | Regents' Theatre, Holy Names College, Oakland, CA (01/13/1997-01/15/1997) |
Telemann: Six Sonatas For Two Flutes, Op. 2 Music Composers on Telemann: Six Sonatas For Two Flutes, Op. 2 CD : Georg Philipp Telemann Genres on Telemann: Six Sonatas For Two Flutes, Op. 2 CD : Baroque Period Purchase Telemann: Six Sonatas For Two Flutes, Op. 2 To buy, Click on price to add to cart | Christmas Festival With Arthur Fiedler & The Boston Pops CD (1994)
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Fiedler and The Boston Pops are in good form on this holiday album. ~ David A. Milberg
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Kicking off that phenomenally successful year, in January 2008, Sarah Brightman recorded and filmed Symphony -- Live in Vienna within the mystical walls of Stephansdome Cathedral in the heart of where classical music evolved -- Vienna, Austria. Renowned for its awe-inspiring Gothic architecture, the cathedral was the perfect setting to enter the magical world of Symphony lead by the voice of the beautiful, gothic-angel. The concert includes repertoire from her album Symphony and some of her most popular songs ('Phantom of the Opera,' 'Time to Say Goodbye'). Fans can own the live material in this DVD/CD set. Included are duets with Alessandro Safina, Chris Thompson, and Fernando Lima.
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Recording information: Deutsche Oper, Berlin, Germany (09/2008).
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Music composed by Gene De Paul. Lyrics written by Johnny Mercer.
Songwriter Johnny Mercer did not have much luck writing for Broadway, but the exception was Lil' Abner, based on the satiric Al Capp comic strip about the rural residents of Dogpatch. Mercer wrote the song lyrics to music by Gene DePaul, with whom he had worked on the movie musical Seven Brides for Seven Brothers. After the show opened on November 15, 1956, it became the only stage work with which Mercer was associated to turn a profit, running 693 performances. Actually, the score isn't as strong as that for one of Mercer's flops, St. Louis Woman, but it is appropriate to the subject matter. The songs "Jubilation T. Cornpone," "The Country's in the Very Best of Hands," and "Progress Is the Root of All Evil" wittily capture Capp's sense of humor and dim view of politics. There are also some attractive romantic ballads, notably "Namely You" and "Love in a Home," both of which became minor hits. Edith "Edie" Adams and Stubby Kaye lead a cast of unknowns who give their all to the show's broad comedy. A key element of Lil' Abner's success was the staging and choreography of director Michael Kidd, not available on record, although the 2002 reissue adds the main dance number, "Sadie Hawkins Day Ballet." The disc is, in fact, full of new material, including a stereo version of the "Overture" (Li'l Abner was Columbia Records' last cast album not recorded in stereo, but the label was experimenting); the previously unreleased song "What's Good for General Bullmoose"; an expanded version of the finale, "The Matrimonial Stomp"; "There's Room Enough for Us," from the 1959 soundtrack album; and pop versions of two songs cut from the score, Percy Faith's "The Way to a Man's Heart" and Rosemary Clooney's "It's a Nuisance Having You Around." ~ William Ruhlmann
All tracks have been digitally remastered.
Edie Adams/Stuby Kaye/Charlott Rae/Julie Newman/Tina Louise
Recorded at Columbia 30th St. Studios, New York, New Y
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Personnel: Chaja VanCollem (harp); Boris Goldenblank, Karlien Opsteeg, Els Mercken, Monica Das, Kremi Mineva, Sonja Haering, Diana Morsinkhof, Stéphanie Detry, Frank Steijns, Lin Jong, Cord Peters, Jet Gelens, Freya Cremers, Jan Baruschke (violin); Linda Custers, Klaartje Polman, Pierre Colen (viola); Joëlle Tonnaer, Tanja Derwahl, Hanneke Kuepers, Margriet van Lexmond, Karin Hinze (cello); Teun Ramaekers, Nathalie Bolle (flute); Manoe Konings (clarinet, saxophone); Arthur Cordewener (oboe); Renate Dirix (bassoon, saxophone); Roger Diederen, René Henket (trumpet); Hans Verhulst (cornet); Ruud Merx, Leon VanWijk (trombone); Ton Maessen (tuba); Jo Huijts (piano); Ward Vlasveld (synthesizer); Roland Lafosse, Jan Knooren, Jean Sassen (double bass); Ad Triepels, Marcel Falize, Mireille Brepols (kettle drum, percussion).
Recording information: André Rieu Studios B.V., Maastricht, The Netherlands.
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