| | Guitar Recital CD
| Category | Classical, Romantic Period, 20th Century Period, Orchestral/Symphonic, Baroque Period, Sonata, Prelude, Variations, Etude, Transcription, Mazurka, Theme, Finale, Gavotte |
Guitar Recital Music | List Price | $8.97 (You save $2.38) | | Label | Naxos (Distributor) | | Orig Year | 9/29/1998 | | All Time Sales Rank |  11293  | | CD Universe Part number | 1043579 | | Discs | 1 | | Release Date | Sep 29, 1998 | | Recording Time | 1 5 |
Guitar Recital Review
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Guitar Recital Songs | 1. Work(s): [Unspecified] Prelude in A major (0:19) | | Common Name | Unspecified Prelude | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Romantic Period | | Period | Romantic | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 2. Etude for guitar No. 20, Estudio brillante de Alard (2:37) | | Common Name | Etude For Guitar | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Etude / Romantic Period | | Date Written | circa 1880-1905 | | Period | Romantic | | Country | Spain | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 3. Mazurka for guitar in G major (2:13) | | Common Name | Mazurka For Guitar | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Mazurka / Romantic Period | | Period | Romantic | | Country | Spain | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 4. Mazurka for guitar in C major (1:53) | | Common Name | Mazurka For Guitar | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Romantic Period | | Period | Romantic | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 5. Prelude for guitar No. 9 in D minor "Endecha" (1:03) | | Common Name | Prelude For Guitar | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Prelude / Romantic Period | | Date Written | circa 1880-1905 | | Period | Romantic | | Country | Spain | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 6. Prelude for guitar No. 12 in D major (1:16) | | Common Name | Prelude For Guitar | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Prelude / Romantic Period | | Period | Romantic | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 7. Prelude for guitar No. 10 in D minor "Oremus" (1:22) | | Common Name | Prelude For Guitar | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Prelude / Romantic Period | | Period | Romantic | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 8. Maria, gavotte for guitar (1:32) | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Gavotte / Romantic Period | | Date Written | circa 1880-1905 | | Period | Romantic | | Country | Spain | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 9. Prelude for guitar No. 1 in E major (2:07) | | Common Name | Prelude For Guitar | | Composer | Francisco Tárrega (1852 - 1909) | | Performer | Fabio Zanon (Guitar) | | Genre | Prelude / Romantic Period | | Period | Romantic | | Country | Spain | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 10. Sonata for solo violin No. 2 in A minor, BWV 1003 (22:22) | | Common Name | Sonata For Solo Violin | | Catalog No. | BWV 1003 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Fabio Zanon (Guitar) | | Genre | Baroque Period / Sonata | | Date Written | 1720 | | Period | Baroque | | Country | Germany | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 11. Prelude - Eyes of a Recollection, for guitar (8:03) | | Composer | Alexandre de Faria | | Performer | Fabio Zanon (Guitar) | | Genre | Prelude | | Date Written | 1996 | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 12. Opern-Revue, fantasies (36) on opera themes for guitar, Op. 8: No. 2: Lucia di Lammermoor (after Don (9:49) | | Composer | Johann Kaspar Mertz (1806 - 1856) | | Performer | Fabio Zanon (Guitar) | | Genre | Romantic Period | | Period | Romantic | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) | | 13. Theme, Varie et Finale for guitar (9:17) | | Composer | Manuel Ponce (1882 - 1948) | | Performer | Fabio Zanon (Guitar) | | Genre | Romantic Period | | Date Written | 1926 | | Period | Romantic | | Country | Mexico | | Venue | Parish Church of the Holy Trinity, Westo | | Notes | Parish Church of the Holy Trinity, Weston, Hertfordshire (08/06/1997-08/08/1997) |
Guitar Recital Music Composers on Guitar Recital CD : Alexandre de Faria, Johann Sebastian Bach, Johann Kaspar Mertz, Manuel Ponce, Francisco Tarrega Genres on Guitar Recital CD : Baroque Period, Etude, Gavotte, Mazurka, Prelude, Romantic Period, Sonata Performers on Guitar Recital CD : Fabio Zanon Purchase Guitar Recital To buy, Click on price to add to cart | Bergen Phil Rimsky-Korsakov: Symphonies, Etc / Kitajenko, Bergen Po CDs (2000)
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David Russell is a remarkably talented guitarist who captivates listeners with his precision, poise, and technical fluency. His playing is informed by a keen musical intelligence and his astute performances are notable for their attention to detail, and insights that suggest a deep understanding of the music. With REFLECTIONS OF SPAIN, Russell offers a straightforward program of some of the most well known pieces of the Spanish guitar repertory, which ably demonstrate the extraordinary dimensions of his talent.
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