| | New Orleans Collective CD New Orleans Collective Discography of CDs
Trumpeter Nicholas Payton is teamed up with Wessell Anderson (who doubles on sopranino and alto), pianist Peter Martin, bassist Christopher Thomas and drummer Brian Blade for an unusual set of music that shifts between hard bop and New Orleans jazz. While "Rhonda Mile" (which uses the chord changes to "Indiana") is pure bop, other selections combine the two idioms and "Four or Five Times" (listed as an Anderson original but actually a standard from the 1920s) is strictly Dixieland. A highpoint is the 16-minute "He Was a Good Man, Oh Yes He Was" which musically depicts a New Orleans funeral. Throughout, Anderson (particularly on the sopranino which he plays like a clarinet) and Payton work together quite well in the exciting ensembles and show impressive knowlege of earlier forms of jazz while carving out their own individual voices. ~ Scott Yanow
Recorded at Ultra Sonic, New Orleans, Louisiana on December 28, 1992. Includes liner notes by Bret Primack.
Personnel: Wessell Anderson (soprano saxophone, alto saxophone); Nicholas Payton (trumpet); Peter Martin (piano); Brian Blade (drums).
Liner Note Author: Bret Primack.
Recording information: New Orleans Ultrasonic Studios (12/28/1992).
New Orleans Collective: Wessell Anderson (sopranino & alto saxophone); Nicholas Payton (trumpet); Peter Martin (piano); Christopher Thomas (bass); Brian Blade (drums).
Option (7-8/95, p.124) - "...Simpler and more effective than some of Wynton Marsalis' albums, this set is a product of similar, updated Crescent City sensibility....But nowhere do the tunes sound like revivalism. These guys are part of a living tradition, and this album has more life in it than 90 percent of what will pass for jazz this year..." New Orleans Collective Music New Orleans Collective Songs New Orleans Collective Review
GuidelinesRemember to focus your comments on New Orleans Collective CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase New Orleans Collective CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
New Orleans Collective album
$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix ...
| | Egberto Gismonti: Saudacoes CDs (2009)
New Orleans Collective CD music
$23.45 Photographer: Milton Montenegro.
| | Norah Jones Come Away With Me CD (2002) SACD Hybrid
New Orleans Collective music CDs
$16.05 COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance.
Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements.
But the centerpiece is certainly the 22-year-old's confident-beyond-her-years vocal delivery in addition to a precise diction and velvety tone. Shades of Nina Simone, vintage Phoebe Snow, and a less beatnik Rickie Lee Jones are evident throughout as the young siren coolly sashays through mostly new material by guitarist-songwriter Jesse Harris (formerly of Once Blue) and a few choice covers. Veteran producer Arif Mardin frames a most notable debut with a translucent touch, and appearances by jazz heroes Bill Frisell and ...
| | Chris Botti - Chris Botti In Boston Blu-ray (2009) Digipak
New Orleans Collective songs
$22.79 Celebrated jazz trumpeter Chris Botti takes center stage at Boston's Symphony Hall in this star-studded ...
| | John Scofield Piety Street CD (2009)
New Orleans Collective album
$13.35 Guitarist John Scofield has excelled in assorted jazz contexts, from straight-ahead jazz (Charles Mingus) to funky fusion (George Duke, Miles Davis). Throughout his career, Scofield has never stood still and his latest venture, PIETY STREET, sees him accenting the bluesy side of his musical personality. The roots of jazz, blues, and much else can be heard and felt in gospel music, and STREET consists mostly of early 20th-century gospel standards lovingly re-invented. Scofield and ...
| | Ledisi Turn Me Loose CD (2009)
New Orleans Collective CD music
$10.49 Following LOST & FOUND, an album that earned Ledisi a pair of Grammy nominations, TURN ME LOOSE partially roots itself in the singer's past work and otherwise branches out from it. The album's title, as well as its cover, indicates a new, brash direction--one that makes up only a portion of the set. Throughout the opening "Runnin," "Knockin'," and stretches of a couple other songs--not to mention a charging, howling cover of Buddy Miles' "Them Changes"--Ledisi and her band deliver rocking funk that cooks as hot as Labelle's "Messin' with My Mind" and "What Can I Do for You," or anything by Van Hunt. Here, Ledisi wails and belts with a kind of power previously untapped--in recorded form, at least--all the while maintaining remarkable finesse. "I Need Love," one of the collaborations with Ivan Barias and Carvin Haggins, is another highlight, seductively ...
| | Otis Rush Tops CD (1988)
New Orleans Collective music CDs
$13.69 Recorded live at The San Francisco Blues Festival, San Francisco, California on September 15, 1985
On this 1985 live recording, blues guitar god Otis Rush delivers some of his best-known tunes with electric energy and easy self-assurance in equal measure. When he tackles the staples of his repertoire, teasing out a slow-burning solo on "Right Place, Wrong Time," or laying a sizzling, soulful vocal atop "Keep On Lovin' Me Baby," he's not ...
| | Big Joe Williams Highway Man CD (2001)
New Orleans Collective songs
$13.99
| | Brian Humphrey Two Clarinets On The Porch CD (1992)
New Orleans Collective album
$12.09
| | Nils Landgren Funk Unit Creole Love Call CD (2006) Digipak
New Orleans Collective CD music
$13.05 Swedish trombonist and vocalist Nils Landgren joins forces with Joe Sample and friends in New Orleans for this studio session, which mixes up a hot gumbo of R&B, jazz, and Crescent City down-home fun. The play list draws from many styles, including works by local legend Allen Toussaint, Ray Charles, rocker Stephen Stills, and even Willie Nelson, as was as originals by Sample and one from jazz master Duke Ellington. The duet tracks are the most fun as Landgren shares the vocals with Ray Parker, Jr. ("Sittin' on the Dock of the Bay") and Charmaine Neville (on the funky "With You in Mind"). The guitar and percussion-heavy take of "Love the One You're With" leans more toward Stills' original conception than the Isley Brothers' overdone interpretation, though Sample's playful licks keep things loose and the heavy overdubs of the composer are missing in this version. The only dull ...
| | Louis Armstrong High Society CD (2008) (Import)
New Orleans Collective music CDs
$13.15
| | Josh Todd You Made Me CD (2004)
New Orleans Collective songs
$9.69 As the former lead singer of Buck Cherry, Josh Todd had a hard rock edge that worked. On this album, his first under his own moniker, the performer offers up a series of slick, radio-friendly rock tunes that are slightly catchy but far from memorable. In fact, disposable might be a crueler but more honest assessment. Such an example is the opening "Mind Infection," which veers all over the musical map from rock to grunge to a metal-cum-nu metal malaise. The Limp Bizkit style of "Broken" and "Blast" has a nice opening, but then descends into something Methods of Mayhem or Crazy Town might try on for size. The buildup to the chorus is OK, but then completely misses the mark. The softer touches on "The Walls" seems safe, but far too clichéd despite the improved chorus and arrangement. The tighter power riffs on "Flowers & Cages" fares better, sounding like an angry Jimmy Eat World in places. Possibly the highlight is "Shine," which recalls Creed or Collective Soul as guitarists Mike Hewitt and Jesse Logan live up to its song title. The melodic "Afraid" follows a similar blueprint with Todd singing more than growling. However, one sleeper is the mid-tempo pop/rock of "Circles," which is far ...
|
|
|