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New Orleans Collective CD

 New Orleans Collective Discography of CDs

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Trumpeter Nicholas Payton is teamed up with Wessell Anderson (who doubles on sopranino and alto), pianist Peter Martin, bassist Christopher Thomas and drummer Brian Blade for an unusual set of music that shifts between hard bop and New Orleans jazz. While "Rhonda Mile" (which uses the chord changes to "Indiana") is pure bop, other selections combine the two idioms and "Four or Five Times" (listed as an Anderson original but actually a standard from the 1920s) is strictly Dixieland. A highpoint is the 16-minute "He Was a Good Man, Oh Yes He Was" which musically depicts a New Orleans funeral. Throughout, Anderson (particularly on the sopranino which he plays like a clarinet) and Payton work together quite well in the exciting ensembles and show impressive knowlege of earlier forms of jazz while carving out their own individual voices. ~ Scott Yanow

Recorded at Ultra Sonic, New Orleans, Louisiana on December 28, 1992. Includes liner notes by Bret Primack.

Personnel: Wessell Anderson (soprano saxophone, alto saxophone); Nicholas Payton (trumpet); Peter Martin (piano); Brian Blade (drums).

Liner Note Author: Bret Primack.

Recording information: New Orleans Ultrasonic Studios (12/28/1992).

New Orleans Collective: Wessell Anderson (sopranino & alto saxophone); Nicholas Payton (trumpet); Peter Martin (piano); Christopher Thomas (bass); Brian Blade (drums).

Option (7-8/95, p.124) - "...Simpler and more effective than some of Wynton Marsalis' albums, this set is a product of similar, updated Crescent City sensibility....But nowhere do the tunes sound like revivalism. These guys are part of a living tradition, and this album has more life in it than 90 percent of what will pass for jazz this year..."
New Orleans Collective Music


Detailed New Orleans Collective Music Information



List Price $11.98 (You save $1.29)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Dixieland
Label Evidence
Orig Year 1992
All Time Sales Rank   305636  
CD Universe Part number 1043931
Catalog number 22105
Discs 1
Release Date Jan 27, 1995
Studio/Live Studio
Mono/Stereo Stereo
Producer Big Apple Productions
Engineer Steve Reynolds
Recording Time 58 minutes
Personnel Brian Blade - drums
Nicholas Payton - trumpet
Peter Martin - piano
Wessell Anderson - soprano saxophone, alto saxophone
Christopher Thomas - bass
New Orleans Collective Songs


New Orleans Collective Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Rhonda Mile - (with New Orleans Collective)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Profile of a Beautiful Woman - (with New Orleans Collective)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Country Crescent - (with New Orleans Collective)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Go Slow for Mo' - (with New Orleans Collective)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Newt - (with New Orleans Collective)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.New Orleans Revival - (with New Orleans Collective)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Four of Five Times - (with New Orleans Collective)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.He Was a Good Man, Oh Yes He Was - (with New Orleans Collective)

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As the former lead singer of Buck Cherry, Josh Todd had a hard rock edge that worked. On this album, his first under his own moniker, the performer offers up a series of slick, radio-friendly rock tunes that are slightly catchy but far from memorable. In fact, disposable might be a crueler but more honest assessment. Such an example is the opening "Mind Infection," which veers all over the musical map from rock to grunge to a metal-cum-nu metal malaise. The Limp Bizkit style of "Broken" and "Blast" has a nice opening, but then descends into something Methods of Mayhem or Crazy Town might try on for size. The buildup to the chorus is OK, but then completely misses the mark. The softer touches on "The Walls" seems safe, but far too clichéd despite the improved chorus and arrangement. The tighter power riffs on "Flowers & Cages" fares better, sounding like an angry Jimmy Eat World in places. Possibly the highlight is "Shine," which recalls Creed or Collective Soul as guitarists Mike Hewitt and Jesse Logan live up to its song title. The melodic "Afraid" follows a similar blueprint with Todd singing more than growling. However, one sleeper is the mid-tempo pop/rock of "Circles," which is far ...
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