| | Air Force One Soundtrack CD (2 Customer Reviews)
Original score written by Jerry Goldsmith and Joel McNeely. Audio Mixer: Bruce Botnick. Recording information: Sony Scoring. Editor: Bruce Botnick. After director Wolfgang Petersen rejected Air Force One's first completed score -- Randy Newman's work was reportedly deemed too dark and insufficiently patriotic -- Jerry Goldsmith was brought in as a replacement, and while it hardly feels like a rush job, the completed project remains one of Goldsmith's lesser efforts. For better or worse, he delivers on everything Newman did not. This Air Force One is undeniably rousing and shamelessly jingoistic, but it also recycles ideas and approaches from earlier, better Goldsmith scores to diminishing returns. His consummate mastery of the action genre remains astonishing -- the eight-minute "The Hijacking" is a veritable master class in suspense -- but the scarcity of new and compelling ideas dilutes the music's overall impact. ~ Jason Ankeny
(Jerry Goldsmith) Air Force One Soundtrack Music Air Force One Soundtrack Songs Air Force One Soundtrack Music Review Air Force One Soundtrack CD Purchase Music From Air Force One CD To buy, Click on price to add to cart | Art Farmer Blame It On My Youth CD (1988)
Air Force One Soundtrack
$12.35 Art Farmer Quintet: Art Farmer (flugelhorn); Clifford Jordan (soprano & tenor saxophones); James Williams (piano); Rufus Reid (bass); Victor Lewis (drums). Recorded at Counterpoint Recording, New York, New York on February 4 & 8, 1988. Includes liner notes by Stanley Crouch. Personnel: Art Farmer (flugelhorn); Clifford Jordan (tenor, soprano saxophone, tenor saxophone); Jack Williams , James Williams (piano); Rufus Reid (acoustic ...
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Air Force One Soundtrack
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Air Force One Soundtrack
$7.19 Boston Symphony Orchestra includes: Tim Morrison, Thomas Rolfs (trumpet); Gus Sebring (horns). Additional personnel: Tanglewood Festival Chorus. Recorded at Symphony Hall, Boston, Massachusetts. Original score composed and conducted by John Williams. SAVING PRIVATE RYAN won the 1999 Grammy Award for Best Instrumental Composition Written For A Motion Picture Or For Television. Composer: John Williams . Personnel: Tim Morrison (trumpet); Gus Sebring (horns). Recording information: Symphony Hall, Boston, MA. Editor: Ken Wannberg. Photographer: David James. Unknown Contributor Role: Sandy DeCrescent. Saving ...
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Air Force One Soundtrack
$9.99 Original music written by James Horner. Recorded at Todd-AO Scoring Stage, Studio City, California. "My Heart Will Go On" won the 1999 Grammy for Record Of The Year, Song Of The Year and Best Song Written For A Motion Picture Or For Television. TITANIC contains new orchestral versions of themes from various productions of "Titanic" including the 1953 20th Century-Fox film, the 1958 British classic, the 1996 television mini-series, the Tony award winning Broadway musical, and the 1997 Oscar winning film. Recorded at Martin Sound, Los Angeles, California. Includes liner notes by Jon Burlingame. All tracks have been digitally mastered using HDCD technology. "My Heart Will Go On" won the 1999 Grammy for Record Of The Year, Song Of ...
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Air Force One Soundtrack
$15.99 Personnel: Charles Mingus (bass instrument); Eric Dolphy (flute, bass clarinet, alto saxophone); ...
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Air Force One Soundtrack
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Air Force One Soundtrack
$4.49 Personnel: Rod Stewart (vocals); Rod Stewart; Brian, Brian (piano); Spike Heatley (upright bass, acoustic bass guitar); Ronnie Lane (bass guitar); Kenny Jones , Kenney Jones , Kenny Jones (drums); Speedy, Speedy (congas); Ron Wood (guitar, acoustic guitar, electric guitar); Martin Quittenton (guitar, acoustic guitar); Gordon Huntley (steel guitar); Dick Powell (violin); Ian McLagan (piano, organ); Pete Sears (piano); Mickey Waller (drums). Photographers: Joel Brodsky; Ed Caraeff; Joseph Sia. Unknown Contributor Role: Brian . Arranger: Jimmy Horovidtzz. Essentially a harder-rocking reprise of Every Picture Tells a Story, Never a Dull Moment never quite reaches the heights of its predecessor, but it's a wonderful, multi-faceted record in its own right. Opening with the touching, autobiographical rocker "True Blue," which finds Rod Stewart trying to come to grips with his newfound stardom but concluding that he'd "rather be back home," the record is the last of Stewart's series of epic fusions of hard rock and folk. It's possible to hear Stewart go for superstardom with the hard-rocking kick and fat electric guitars of the album, but the songs still cut to the core. "You Wear It Well" is a "Maggie May" rewrite on the surface, but it develops into a touching song about being emotionally inarticulate. Similarly, "Lost Paraguayos" is funny, driving folk-rock, and it's hard not to be swept away when the Stonesy hard rocker "Italian Girls" soars into a mandolin-driven coda. The covers -- whether a soulful reading of Jimi Hendrix's "Angel," an empathetic version of Dylan's "Mama, You Been on My Mind," or a stunning interpretation of Etta James' "I'd Rather Go Blind" -- are equally effective, making Never a Dull Moment a masterful record. He never got quite this good ever again. ~ Stephen Thomas Erlewine NEVER A DULL MOMENT picks up where EVERY PICTURE TELLS A STORY left off. Here we have more ...
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