| | Got A Minute? CD - Import Ullen, Fredrik CDS
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Sonata, Dance - Classical, Waltz, Etude, Transcription, Caprice, Paraphrase |
Got A Minute? Music | List Price | $20.98 (You save $0.59) | | Label | BIS | | Orig Year | 10/17/2000 | | All Time Sales Rank |  7072  | | CD Universe Part number | 1046180 | | Discs | 1 | | Release Date | Oct 17, 2000 | | Recording Time | 1 16 | | Additional Info | Import |
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Got A Minute? Songs | 1. Paraphrase sur la Valse Des-dur de Chopin (3:01) | | Composer | Aleksander Michalowski (1851 - 1938) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Recording Date | 01/2000 | | 2. Concert Study for piano (after Chopin's Waltz in D flat major) (2:59) | | Common Name | Concert Study For Piano | | Composer | Rafael Joseffy (1852 - 1915) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Recording Date | 01/2000 | | 3. Concert Study for piano No. 2 (after Chopin's Etude Op. 10/5) (2:02) | | Common Name | Concert Study For Piano | | Composer | Rafael Joseffy (1852 - 1915) | | Performer | Fredrik Ullen (Piano) | | Genre | Etude | | Recording Date | 01/2000 | | 4. Waltz for piano (after Chopin's Op. 64, No. 1) (2:15) | | Common Name | Waltz For Piano | | Composer | Moritz Moszkowski (1854 - 1925) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Recording Date | 01/2000 | | 5. Special Studies (5) for piano (after works by Chopin): No. 1, Valse, Molto vivace (18:29) | | Composer | Max Reger (1873 - 1916) | | Performer | Fredrik Ullen (Piano) | | Genre | Etude | | Date Written | 1899 | | Recording Date | 01/2000 | | 6. Special Studies (5) for piano (after works by Chopin): No. 2, Valse, Vivace (5:13) | | Common Name | Pastiche For Piano | | Composer | Kaikhosru Sorabji (1892 - 1988) | | Performer | Fredrik Ullen (Piano) | | Date Written | 1922 | | Recording Date | 01/2000 | | 7. Special Studies (5) for piano (after works by Chopin): No. 3, Impromptu, Allegro assai, quasi presto (3:50) | | Common Name | Waltz For Piano | | Composer | Leopold Godowsky (1870 - 1938) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Date Written | 1922 | | Recording Date | 01/2000 | | 8. Special Studies (5) for piano (after works by Chopin): No. 4, Etude, Allegro (3:19) | | Common Name | Studies For Piano | | Composer | Johannes Brahms (1833 - 1897) | | Performer | Fredrik Ullen (Piano) | | Genre | Etude / Romantic Period | | Date Written | 1869 | | Period | Romantic | | Recording Date | 01/2000 | | 9. Special Studies (5) for piano (after works by Chopin): No. 5, Valse, Tempo giusto (2:22) | | Composer | Isidor Philipp (1863 - 1958) | | Performer | Fredrik Ullen (Piano) | | Recording Date | 01/2000 | | 10. Pastiche: "Waltz in D flat major, Op.64/1" by Chopin, for piano (2:45) | | Common Name | Concert Study For Piano | | Composer | Isidor Philipp (1863 - 1958) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Recording Date | 01/2000 | | 11. Waltz for piano in D flat major (after Chopin's Op. 64/1) (3:51) | | Common Name | Largo For Piano | | Composer | Alfred Cortot (1877 - 1962) | | Performer | Fredrik Ullen (Piano) | | Genre | Sonata | | Recording Date | 01/2000 | | 12. Studies (5) for piano, Anh. 1a/1: No. 1, Study after Fr. Chopin (2:16) | | Common Name | Study For Piano | | Composer | Moriz Rosenthal (1862 - 1946) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Recording Date | 01/2000 | | 13. Concert Study for piano left hand (after Chopin's Op. 64/1) (2:01) | | Composer | Giuseppe Ferrata (1856 - 1928) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Recording Date | 01/2000 | | 14. Concert Study for piano No. 1 (after Chopin's Waltz Op. 64/1) (12:28) | | Composer | Louis Gruenberg (1884 - 1964) | | Performer | Fredrik Ullen (Piano) | | Date Written | 1929-1931 | | Recording Date | 01/2000 | | 15. Largo for piano (after Chopin's Largo from Sonata for Cello & Piano, Op. 65) (1:33) | | Composer | Joe Furst | | Performer | Fredrik Ullen (Piano) | | Recording Date | 01/2000 | | 16. Study for piano on Chopin's Waltz Op. 64/1 (4:20) | | Composer | Kaikhosru Sorabji (1892 - 1988) | | Performer | Fredrik Ullen (Piano) | | Genre | Waltz | | Date Written | 1933 | | Recording Date | 01/2000 | | 17. Study on Chopin's Valse, No 2, Op 64/1 (2:18) | | Common Name | Minute Waltz, Waltz For Piano | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Fredrik Ullen (Piano) | | Genre | Dance / Romantic Period / Waltz | | Date Written | 1846-1847 | | Period | Romantic | | Recording Date | 01/2000 |
Got A Minute? Music Composers on Got A Minute? CD : Aleksander Michalowski, Johannes Brahms, Frederic Chopin, Alfred Cortot, Giuseppe Ferrata, Leopold Godowsky, Isidor Philipp, Joe Furst, Kaikhosru Sorabji, Louis Gruenberg, Max Reger, Moritz Moszkowski, Moriz Rosenthal, Rafael Joseffy Genres on Got A Minute? CD : Dance, Etude, Romantic Period, Sonata, Waltz Performers on Got A Minute? CD : Fredrik Ullen Purchase Got A Minute? To buy, Click on price to add to cart | C Astrand Ligeti & Norgård: Violin Concertos CD (2000)
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This may be composer John Adams's most ambitious undertaking to date, one that moves him further out of the "minimalist" category. A massive, sprawling opus, it bombards the listener with a dizzying array of swirling melodies, chugging rhythms, vivid sonic colors, and lush orchestral textures. Yet for all its complexity, this three-movement work never overwhelms the ear. Adams makes the work emotionally compelling by creating a variety of moods that sometimes blend smoothly and at other times collide with a clamor.
Poignant melodies churn and percolate until they explode into raucous climaxes; jubilant fanfares crash into craggy dissonance; motifs that dance and spin as if out of control somehow resolve into peaceful reveries. It all makes for a gripping study of struggle and contrast and an adventurous journey through ever-changing soundscapes. Conductor Esa-Pekka Salonen, to whom this work is dedicated, leads the Los Angeles Philharmonic in an assured performance that crackles with excitement. The accompanying booklet includes an excellent essay by fellow composer Ingram Marshall providing valuable insight and perspective. Kudos to Adams for creating a provocative yet accessible work that challenges listeners without a hint of intimidation.
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Recorded in 1982. Originally released on Columbia (JS 38325). Includes liner notes by Maury Yeston, Mike Berniker.
This is part of Columbia Records "Broadway Masterworks" series.
NINE was nominated for the 2004 Grammy Award for Best Musical Show Album.
The 1981-82 Broadway season boasted two solid musical hits: Dreamgirls, about a Supremes-like girl group, and Nine, based on Federico Fellini's celebrated film 81/2. When Tony Awards time arrived, the conservative theater types who make up the Tony voters gave Nine five awards, for best musical, score, director, featured actress, and costume designer, while Dreamgirls won six, for best book, choreographer, actor, actress, supporting actor, and lighting designer. This Solomon-like division sent the message that Dreamgirls was in essence a performance vehicle, while Nine was the more solid overall work. In retrospect, it seems that the Tony voters got it exactly backward. They may have been skittish about the pop/R&B pastiche that made up Henry Krieger and Tom Eyen's score for Dreamgirls and more comfortable with Maury Yeston's more traditional Broadway score for Nine, but the former has proven more memorable in the long run. (It was also the more popular at the time, with a cast album that went gold, produced a Top 40 hit, and won the Grammy, while Nine never reached the charts.) And though both shows had healthy runs, Dreamgirls ran more than twice as long. Actually, the strong points of Nine have more to do with the cast, led by Raul Julia as a confused Italian film director, and featuring nine women in his life, among them Karen Akers and Tony winner Liliane Montevecchi, than with what they are given to sing. Yeston's music is appropriately European-styled, and his lyrics are often facile, but little about them stands out without the performers and director Tommy Tune's staging to support them. While the score is enjoyable in the context of the show, it is not surprising that this music did not live outside the t
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This documentary examines the work of pianist-composer Marc-Andre Hamelin. The program includes interviews, and commentary on the history of virtuoso pianist-composers. Part II of the program features a recital by Hamelin, in which he performs works by Chopin, Wagner, Debussy, and others.
Standard Screen; Soundtrack English; Import
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