| | Egyptian Lover Back From The Tomb CD Egyptian Lover Discography of CDs
reissue of classic hip hop album feat. the songs "I'm So Freaky", "Bounce That Bootie" & "Work, Freak, Pump That Body"
Recording information: Westlake studios.
Personnel: Grimm (vocals).
Audio Mixer: Tim Gerron.
Egyptian Lover Back From The Tomb Songs | 1. | I'm So Freaky |
| 2. | Bounce That Bootie |
| 3. | I Need a Freak |
| 4. | Gotta Have Ya |
| 5. | My Lil Telephone Freak (Dial-A-Freak, Pt. 2) |
| 6. | Make It Talk to Me Baby |
| 7. | Work, Freak, Pump That Body |
| 8. | Yea! |
| 9. | World of Girls |
| 10. | Release to the Beat |
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Back From The Tomb Review
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Purchase Back From The Tomb CD To buy, Click on price to add to cart | Egyptian Lover One Track Mind CD (1986)
Back From The Tomb
 $13.29  
When the Egyptian Lover's second album, One Track Mind, came out in 1986, gangsta rap had yet to become huge. Ice-T's Rhyme Pays and N.W.A's N.W.A. & the Posse -- two landmarks in West Coast gangsta rap -- didn't come out until 1987, and East Coast hip-hoppers still associated Southern California with the electro-hop style ...
| | King Of Ecstasy: The Best Of Egyptian Lover CD (1995)
Back From The Tomb
$13.09 
| | Egyptian Lover Pyramix CDs (1995)
Back From The Tomb
$13.39
| | Egyptian Lover On The Nile CD (1984)
Back From The Tomb
$13.09 
Before Ice-T, N.W.A., and the late Eazy-E made Los Angeles famous (or infamous) for gangsta rap in the late '80s, the city's rap community was best known for a high-tech, futuristic approach that owed a lot to Afrika Bambaataa's 1982 classic, "Planet Rock." In the early to mid-'80s, L.A.-based electro-hoppers like the Egyptian Lover, the World Class Wreckin' Cru (the group that Dr. Dre belonged to before N.W.A.), the Arabian Prince, and Uncle Jam's Army didn't get much respect ...
| | Egyptian Lover Platinum Pyramids CD (2005)
Back From The Tomb
$13.39 
| | Michael Jackson Off The Wall CD (1979) Bonus Tracks; Remastered; Special Edition
Back From The Tomb
$5.49  
OFF THE WALL remaster contains previously unreleased demos and commentary by producer Quincy Jones and songwriter Rod Temperton.
Recorded in Los Angeles, California between ...
| | Jimmy Holiday How Can I Forget CD (1996)
Back From The Tomb
$10.19
| | Bass Ryder Kick It Down Lo CD (1999)
Back From The Tomb
$14.55
| | Complete Johnny Mercer Songbook CDs (1998)
Back From The Tomb
$30.69 
Originally issued as three separate CDs: BLUES IN THE NIGHT: THE JOHNNY MERCER SONGBOOK, TRAV'LIN' LIGHT: THE JOHNNY MERCER SONGBOOK, and TOO MARVELOUS FOR WORDS: THE JOHNNY MERCER SONGBOOK.
Includes liner notes by Dave Gelly.
Recorded between September 3, 1954 and December 1992.
3cds-Feat.Louis Armstrong,Ella Fitzgerald,Stan Getz & More
Full title: The Complete Johnny Mercer Songbooks.
BLUES IN THE NIGHT:
Producers include: Norman Granz, Russell Garcia, Jesse Kaye, Harry A. Meyerson, Quincy Jones.
TRAV'LIN' LIGHT:
Producers: Norman Granz, Bob Shad, Quincy Jones, Creed Taylor, Kiyoshi Koyama, Jean-Philippe Allard.
Personnel: Louis Armstrong (vocals, trumpet); Jack Teagarden (vocals, trombone); Oscar Peterson (vocals, piano); Buddy Rich (vocals, drums); Cleo Laine, Tom Kenny, Dee Dee Bridgewater, Dinah Washington, Ella Fitzgerald, Ginny O'Connor, Helen Merrill, Sue Allen, Bernie Parke, Joe Williams , Margaret Whiting, Mel Tormé, Anita O'Day, Shirley Horn, Astrud Gilberto, Woody Herman, Billie Holiday, Billy Eckstine, Sarah Vaughan, Bing Crosby (vocals); Henry Johnson, Herb Ellis, Joe Beck , Kenny Burrell, Barney Kessel, Bill Frisell, Bob Bain (guitar); Kathyrine Julye, Margaret Ross (harp); George Ockner, David Katz, Danny Levan, Paul Winter , Tosha Samaroff, Aaron Rosand, Jack Zayde, Max Pollikoff, Gene Orloff, Paul Gershman, Emanuel Green (violin); Kenneth Essex, Alfred Brown (viola); Raymond Clark, Kermit Moore (cello); Phil Bodner (flute, alto flute, bass clarinet); Chris Hunter (flute, clarinet, oboe); Danny Bank (flute, bass clarinet); Harry Klee, Buddy Collette (flute); Gene Quill (clarinet, alto saxophone); Ronnie Ross (clarinet, baritone saxophone); George "Harmonica" Smith, George W. Smith, Abe Most, Bob Wilber, Buddy DeFranco (clarinet); Wally Kane (bass clarinet, bassoon); Gene Allen (bass ...
| | Heart & Soul Of Joe Williams & George Shearing CD (1971)
Back From The Tomb
$10.19
By the time this record first appeared in 1971 on George Shearing's short-lived Sheba label, jazz was in the doldrums due to the preponderance of rock on radio and in record stores. Shearing formed his own label in an attempt to control his own destiny, and singer Joe Williams was one of the first people he asked to appear on with him. The two veterans are joined by bassist Andy Simpkins and drummer Stix Hooper for a collection of ballads (both familiar and obscure) that feature either "heart" and/or "soul" in their titles. They work very well together due to their love of great melodies and their ability to build upon them. The surprise opener is "Heart and Soul," a fairly simple Hoagy Carmichael-Frank Loesser ditty that is often the first piece would-be pianists learn on their own; Shearing's easygoing yet swinging arrangement removes its typically monotonous ...
| | George Mitchell Perspectives CD (2000)
Back From The Tomb
$11.39
| | Z-Ro Presents A Badd Azz Mix Tape (Slowed & Screwed). CD (2003)
Back From The Tomb
$14.29
| | Tony Bennett Kings Of Swing CD (2007) (Import)
Back From The Tomb
$24.95
| | Sansa CD (2007) (Import)
Back From The Tomb
$24.95
| | Mike Herrera's Tumbledown Tumbledown CD (2009)
Back From The Tomb
$12.85
Mike Herrera, frontman of MxPx takes a side trip with Tumbledown, a band that plays the honky tonk country and folk tunes. Herrera's been writing of late with the blistering punk energy of MxPx, although none of his cohorts from that band play in this side project. The band comes roaring out of the gate with "Let's Drink" a furious celebration of drunken revelry pushed into overdrive by the rhythms of the Trotland brothers and the fat power chords of Jack Parker. Other pedal-to-the-metal tunes include "Break Out of History," a protest song that skewers the dark heart of capitalism while celebrating those who fight for change with a song and a smile; "I'm Still Here," a she-done-me-wrong-so-I'm-drinkin'-myself-to-death-song with a bleary sense of humor, "Came Here to Fight," an ode to booze, boredom and testosterone with energy to spare; "My Sweet Darling Dear," an energetic apology to a gal who had to deal with her Romeo's drunken shenanigans; and the album closer "Homeward Bound" (not the Paul Simon song), a salute to the town of Kitsap, WA, full of hometown pride. The band's blazing energy and Herrera's energetic singing make the uptempo numbers sizzle with barely contained chaos. They play just as fiercely, but with more subtlety, on the folk- and blues-flavored tracks. "Movin' On" is a jaunty, ramblin' ballad about the dream of quitting your meaningless day job and hitting the road with great country harmonies from the ...
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