| | Une Messe Imaginaire CD A Sei Voci Bernard Fabre-Garr Discography of CDs
Une Messe Imaginaire Music | List Price | $13.99 (You save $1.94) | | Category | Classical Albums, Classical Period CDs, Baroque Period, Classical Vocal Crossover, Renaissance Period, Motet, Mass, Psalm, Magnificat, Gloria, Vespers, Kyrie, Agnus Dei, Sanctus, Credo, Lauda | | Label | Naive | | All Time Sales Rank |  41076  | | CD Universe Part number | 1047883 | | Catalog number | 8677 | | Discs | 1 | | Release Date | Jan 01, 2003 |
Une Messe Imaginaire Review
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Purchase Une Messe Imaginaire CD To buy, Click on price to add to cart | Cinderella CD (1965) Original Soundtrack
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This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending -- in a somewhat more forward-thinking direction -- the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most ...
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The Priests are a trio of light classical tenors from Northern Ireland, ...
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In 1974 Richard Zimmerman recorded a brilliant five-LP set that includes virtually every selection written ...
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Live Recording
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Une Messe Imaginaire album
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The world is tragically full of string quartets desperate to prove that they can rock -- and those who know they can't rock often want to prove that they can swing. In the vast majority of cases, both groups are fooling themselves, if no one else. So any experienced listener will approach this disc with caution. But the Pavao Quartet have figured out something important: you don't have to swing to play jazz tunes convincingly. That may sound like heresy, but there's a difference between playing jazz and playing jazz tunes, and on this really quite delightful disc, the Pavaos play jazz tunes impressively without swinging more than occasionally and slightly. The key is the arrangements: all of these show tunes and jazz standards were arranged by Carlo Martelli, and many of them could pass for late-19th century parlor music. The style is romantic and fervid in a way that does begin to wear a little bit by the end, but each individual track is simply lovely. While no one would mistake this for "serious" ...
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