| | Ray Anthony Young Man With A Horn 1952-1954-- 22 Original Big Band Recordings CD Ray Anthony Discography of CDs
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A more extensive collection of Ray Anthony's hit singles in the early '50s. The most significant musical attribute of this orchestra was in its instrumental configuration; only one trumpet, plus a French horn, five saxophones, and three rhythm instruments, with no trombone section. The set has both popular material and songs that were a little less calculated. ~ Ron Wynn
Liner Note Author: Leo Walker.
Recording information: 1952-1954.
Personnel: Marcie Miller, Marcus Miller, The Skyliners, Tommy Mercer (vocals).
Audio Remasterer: John Jungklaus.
Young Man With A Horn 1952-1954-- 22 Original Big Band Recordings Music Ray Anthony Young Man With A Horn 1952-1954-- 22 Original Big Band Recordings Songs Young Man With A Horn 1952-1954-- 22 Original Big Band Recordings Music Review Purchase Young Man With A Horn 1952-1954-- 22 Original Big Band Recordings CD To buy, Click on price to add to cart | Si Zentner Big Band Plays The Big Hits, Vol. 1/Up A Lazy River (Big Band Plays The Big Hits, Vol. CD (2000)
Young Man With A Horn 1952-1954-- 22 Original Big Band Recordings album
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LO QUE TE CONTE MIENTRAS TE HACIAS LA DORMIDA was nominated for the 2004 Grammy Award for Best Latin Pop Album.
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The last few recordings have marked Varner coming into his own as a composer, but he really asserts himself on this CD. Of course he's a world class French horn player, and his caché is increased a hundredfold with a simpatico band featuring saxophonists Tony Malaby and Steve Wilson, and with occasional help from trumpeter Dave Ballou, violinist Mark Feldman, and guitarist Pete McCann, as well as from the dynamic rhythm duo of bassist Cameron Brown and drummer Tom Rainey. No piano is heard on this session of compositions entirely written by Varner. The keyword for this music in the ultra-modern jazz tradition is "counterpoint." The compositions are loaded with interplay between the horns, all getting in their share during the elongated melody lines. It's more like a spirited conversation -- not arguments, but point-counterpoint ad infinitum, and the results are amazing. At 12 minutes, "Maybe Yes" is harmonically evolved and involved, with scattered call and response or shared resonance among the loping horns. 14 minutes of "Samuel Gets the Call" features extended outcries of who, what, when, why, and how set to a bluesy, balladic beat, ending with a bass solo. At just over ten minutes, the title track displays Varner's lucid, fluid, melodic ideas in an Afro-Cuban tinge rhythmically proclaimed by Rainey, and agreed upon by the leader's salty solo and Malaby's biting tenor. "Strident" is the heaviest of these pieces; a distented funk from Varner and Rainey leads to urgent 6/8 timing and an involved, advanced, ...
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