| | Chastain Instrumental Variations CD Chastain Discography of CDs
& Repackaged.
Recording information: Counterpart Creative Studios, Cincinnati, OH; Steve Lawson Studios, Seattle, WA.
Photographer: Marty Sosnowski.
Personnel: David T. Chastain (guitar, keyboards, Kurzwell synthesizer); Ken Mary (drums).
Audio Mixer: Terry Date.
Instrumental Variations Music Chastain Instrumental Variations Songs | 1. | Now or Never |
| 2. | Capriccio in E Minor |
| 3. | 18th Century Inamorata |
| 4. | Wild and Truly Diminished |
| 5. | Horizons |
| 6. | Spontaneous Combustion |
| 7. | It Doesn't Have to Be |
| 8. | Project 107: Code 3X |
| 9. | Oracle Within, The |
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Instrumental Variations Review
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Mala Rodríguez pushes the boundaries of hip-hop with her third album, Malamarismo, and not just in the direction of flamenco as she did on her previous album, Alevosía (2004), or even in the direction of other Latin styles like salsa or reggaeton as one might expect. Malamarismo instead finds the Spanish rapper pushing her music forward in new directions, expanding her flamenco-infused style of hip-hop to include more experimental beats, unconventional rhythms, and a greater emphasis on melodic singsong vocals, especially on the hooks of her songs. With the exception of "Te Convierto," an album-opening firestorm rap similar to her early work on Lujo Ibérico (2002), the album-closing bonus track, "Por la Noche," previously released in 2006 as a standalone single, is the closest the album comes to replicating her previous work. "Por la Noche" is a beautiful, haunting song, but no doubt to the dismay of some purists who might wish Rodríguez remain firmly entrenched in her hip-hop roots, it's uncharacteristic of the album. The high-energy lead single, "Nanai," is more characteristic: not because the other songs here are similar to it -- they're generally quite different, actually -- but because most every song here is unique in its own way and fairly distinct from Rodríguez's past work. The list of producers she works with on Malamarismo is full of familiar names, most notably Griffi, DJ Rectangle, Giggi Mantequilla, and Supernafamacho. Yet these guys contribute beats that are quite experimental for hip-hop and comprised of unconventional rhythms. This is especially true in the case of Griffi, who is credited with six of the album's 13 productions. Partly because of the experimental beats and unconventional rhythms, Rodríguez is challenged as a rapper. Not only must she keep time, but she must find a way to navigate through these jagged beatscapes without losing her flow. Rodríguez is also challenged as a rapper, though, because she chooses to push herself in much the same way the producers push the boundaries musically. She alters her flow frequently throughout Malamarismo, from song to song as well as within the course of each song. The dexterity of ...
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