| | Fall Bend Sinister CD Fall Discography of CDs
(1 Customer Review)
Originally released in 1986, The Fall's BEND SINISTER was named after a Vladimir Nabokov novel and is credited for starting the career of Stockton, California indie rock stars, Pavement. (A release with a number of the same songs on BEND SINISTER was sold in the United States under the name DOMESDAY PAY-OFF.)
The re-release of BEND SINISTER reminds listeners not only of leader Mark E. Smith's seemingly endless stream of vitriol--which has lasted more than 20 years--but also of his influence on the sonic structure of modern British rock & roll. BEND SINISTER runs the gamut of The Fall's wide-ranging sounds--the dry, driving guitar dirge of "R.O.D.," the surprisingly upbeat, keyboard-happy "Shoulder Pads 1#" and "Shoulder Pads #2," and the murky, downtrodden timbre of "Riddler!"
Recorded at Yellow 2, Stockport, England; Abbey Road, London, England; Square One, Bury, England.
Personnel: Simon Rogers (guitar, keyboards); Craig Scanlon (acoustic guitar, electric guitar); Paul Hanley (drums).
The Fall: Brix Smith (vocals, guitar, keyboards); Mark E. Smith (vocals, tapes); Craig Scanlon (acoustic & electric guitars); Simon Rogers (guitar, keyboards); Stephen Hanley (guitar, bass); John S. Woolstencroft (drums, percussion).
Additional personnel: Paul Hanley (drums).
Re-Issue
Bend Sinister Music | List Price | $12.97 (You save $2.62) | | Category | Rock Albums, Alternative CDs, Rock/Pop | | Label | Beggars Banquet | | Orig Year | 1986 | | All Time Sales Rank | 30094  | | CD Universe Part number | 1048505 | | Catalog number | 80075 | | Discs | 1 | | Release Date | Oct 21, 1997 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | John Leckie | | Recording Time | 52 minutes | | Personnel | Mark E. Smith - vocals, tapes Craig Scanlon - acoustic guitar, electric guitar Brix Smith - vocals, guitar, keyboards Simon Rogers - guitar, keyboards Simon Wolstencroft - drums, percussion Stephen Hanley - guitar, bass
Also: Paul Hanley | | Additional Info | Bonus Tracks |
Fall Bend Sinister Songs | 1. | R.O.D. |
| 2. | Dktr. Faustus |
| 3. | Shoulder Pads 1 |
| 4. | Mr. Pharmacist |
| 5. | Gross Chapel - British Grenadiers |
| 6. | Living Too Late |
| 7. | U.S. 80's-90's |
| 8. | Terry Waite Sez |
| 9. | Bournemouth Runner |
| 10. | Riddler! |
| 11. | Shoulder Pads 2 |
| 12. | Auto-Tech Pilot |
| Bend Sinister Music Review Purchase Bend Sinister CD To buy, Click on price to add to cart | Fall Wonderful & Frightening World CD (1984) Bonus Tracks
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| | Ike & Tina Turner Nutbush City Limits/Feel Good CD (2006) Bonus Tracks
Bend Sinister album
$17.75 Raven's 2006 two-fer Nutbush City Limits/Feel Good combines two of Ike & Tina Turner's last albums together and adds five bonus tracks, three of which were taken from other Ike & Tina albums from the early '70s, one taken from a Tina solo record, and one disco mix of "Nutbush City Limits." The album that arrives first on this two-fer was actually the last of these two to be released: Nutbush City Limits appeared in 1973, a year after Feel Good, but its title track is one of Ike & Tina's best-known songs so it's an appropriate choice to kick off this disc. Besides, the two records are so similar in tone and approach, it'd be easy to assume that Feel Good arrived before Nutbush, but that isn't to say they're interchangeable. Both records are hard day-glo funk, overloaded with fuzz guitars, wah wahs, clavinets and horn sections, but of the two, Nutbush City Limits is a bit closer to gritty deep soul thanks to a slow-burning cover of Dobie Gray's country-soul classic "Drift Away," the gospel-fied "That's My Purpose," a churning, funky reworking of "You Are My Sunshine," and, of course, the hard-driving title track, which mythologizes Tina's country ...
| | Raga For Peter Walker CD (2006) Digipak
Bend Sinister CD music
$10.09 Many of the legends of acoustic guitar in the 20th century have already passed on -- John Fahey, Robbie Basho, Ali Farka Toure. Due partially to his spare recording career, Peter Walker's own reputation has not always been as well known as those of said giants, but his own influence has been considerable. A Raga for Peter Walker -- a tribute album that, in a nice touch, not only consists of work composed by its contributors rather than simply offering up covers but also features some original work by its subject in question -- helps to demonstrate this while he is still here to receive acknowledgement of it. Walker's four originals, all new tracks, bookend the collection, each brief but demonstrating that Walker's vigor and skill remain undimmed, from the opening "Day at the Fair," which lives up to its title with sprightly, cascading brightness, to "Jaleo Para Angela," reflecting ...
| | Hollywood Brats CD (1980) (Import) United Kingdom
Bend Sinister music CDs
$15.85 The Hollywood Brats announce their presence on their self-titled album, re-released in 1999, with a plinky piano that drips with campy fun -- especially the last wrong note hit before a wave of guitars washes away the tinny sound with a full rock & roll barrage. And these wink-wink touches are layered onto the album thicker than the blusher caked onto the boys who played on it. "Courtesan," has a slinky go-go dance beat, over which a nasally croon warns of, "the girl with the dollar sign eyes." They deliver an amped up version of "Then He Kissed Me," complete with a gender-bending interpretation, and the hint of an exhibitionist's thrill at doing something naughty. These boys could give the New York Dolls a run for their money, and both would be evenly matched in their towering platform shoes and flying feather boas, although their songs lack some of the raunchy punk and dirt under your press-on fingernails sound of their New York boyfriends. They were forming across the pond at the same time in the early '70s, though, when a disgust with the bloated redundancy of popular rock and the cotton candy emptiness of disco caused all the fabulous freaks of punk rock to let out a squeal. The songs were recorded in 1973 but were not released in Britain until 1980, when Cherry Red Records did the honors. And the Hollywood Brats definitely bring to mind the hair bands that followed them, especially the way that Hanoi Rocks flirted with both street credibility and over the top drama, and an echo of their sound can be found in Motley Crue's cow bell. Of course, it's not just light songs about skipping school and cross-dressing -- they do let their inner punks out to play. "Sick on You" is the ultimate break up song, flaying a now tiresome six week ...
| | Paul Brill Sisters CD (2003)
Bend Sinister songs
$10.15 Paul Brill's second long-player leans more into chamber pop than his debut, Halve the Light, and while his nods to alt-country are fewer, they occasionally tumble out over beds of strings, horns, accordions, and inventive percussion. Opening with the aggressive caper, "Begin at the End," a fiddle erupts over an alternating bass, foot-stomps, and handclaps (or are they knee-slaps?) to foreshadow the dark intensity consistently revisited through the 11-track adventure. Tracks like "Barefoot in the Snow," "Favorite Thing," and "Westering" provide a platform for Brill's considerable pop awareness comparable to the likes of Michael Penn, Neil Finn, or even an acoustic Built to Spill. That is not to say Brill evokes identical characteristics as these artists. His vision merely flirts with similar melodic construction while maintaining an ambitiousness and confidence very much his own. Lyrically, Brill cleverly pours out imagery in tightly wound phrases, ardent and, at times, disturbing phrases that, like the musical nature of Sisters, seem toiled over and placed very carefully into a specific order for perfect consumption. Brill has pulled this off remarkably well; the production, instead of feeling overworked, is uninhibited and vigorous, and the subtlety of the arrangements ...
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| | Judi Silvano Let Yourself Go CD (2004)
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| | Julito Alvarado P.R. Something Special CD (2007) (Import)
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| | David Guetta Pop Life CD (2007)
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| | Michael Troy Mill Town Boy CD (2009)
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