| | Bauhaus Press The Eject And Give Me The Tape CD Bauhaus Discography of CDs
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PRESS THE EJECT AND GIVE ME THE TAPE was originally released as a limited-edition bonus disc given away with copies of THE SKY'S GONE OUT.
Recorded live in London, England; Liverpool, England; Manchester, England; Paris, France.
Recorded live at various venues between 1981 and 1982, PRESS THE EJECT AND GIVE ME THE TAPE is a muscular set of some of Bauhaus' best tracks. Incidentally, these tracks were recorded on the same tour that was filmed for the band's on-screen performance of "Bela Lugosi's Dead" in the 1983 film, THE HUNGER. PRESS THE EJECT features a striking version of John Cale's "Rosegarden Funeral Of Sores," a particularly spooky run-through of "Hollow Hills" that out-creeps the studio version on MASK, and the punk rock fuzz-out of "Dark Entries." Of course, "Belaà" appears here as well, in a luxurious nine-and-a-half-minute version. Washed in feedback and ever-so-subtly accelerating and decelerating, this song is the true center of "Goth" mythology.
The disc is filled out with live tracks from the band's singles-the best of which is a blistering performance of "Double Dare"-and an unreleased live version of MASK's "Of Lillies And Remains." The last track, a cover of the Velvet Underground classic "Waiting For The Man," features sometime V.U. member Nico on vocals. Some live albums are not worth the energy required to listen to them. PRESS THE EJECT is not one of those albums.
Bauhaus: Daniel Ash (vocals, guitar); David J. (vocals, bass); Peter Murphy (vocals); Peter Haskins (drums). Press The Eject And Give Me The Tape Music Bauhaus Press The Eject And Give Me The Tape Songs Press The Eject And Give Me The Tape Music Review Buy Press The Eject And Give Me The Tape CD Purchase Press The Eject And Give Me The Tape CD To buy, Click on price to add to cart | Husker Du New Day Rising CD (1985)
Press The Eject And Give Me The Tape album
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| | Bauhaus Sky's Gone Out CD (1982)
Press The Eject And Give Me The Tape CD music
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1982's THE SKY'S ...
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Press The Eject And Give Me The Tape music CDs
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| | Bauhaus In The Flat Field CD (1980) Bonus Tracks; Reissue
Press The Eject And Give Me The Tape songs
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| | Pressure Point To Be Continued CD (2001)
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| | Great Cyndi Lauper CDs (2003) Import; Boxed Set
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| | Party Tyme Karaoke: Oldies, Vol. 2 CD (2003)
Press The Eject And Give Me The Tape music CDs
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| | Innocence Mission Birds Of My Neighborhood CD (1999) Reissue
Press The Eject And Give Me The Tape songs
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Principally recorded at the Keppel Building, Lancaster, Pennsylvania.
Thirteen years after recording their debut, the Innocence Mission remains an island of calm, a beacon of hope in a chaotic world. From the quiet city of Lancaster, PA, the three members of the Innocence Mission make their music, all of it exalting love and friendship, peace and joy. Here, group founders and songwriters Don Peris (guitar/vocals) and Karen Peris (vocals/guitar/piano), along with Mike Bitts (bass), have handcrafted their fourth album, Birds of My Neighborhood. Karen Peris was also featured on Natalie Merchant's album Ophelia, adding her mystical voice on a few tracks. ~ Amanda Nusbaum
THE INNOCENCE MISSION HAS NEVER been concerned with image or posturing but has chosen instead to concentrate solely on their music. This is more evident than ever on the group's release, Birds Of My Neighborhood. The departure of drummer Steve Brown and the decision not to replace him has meant that the group's backbone and sound coloring now come from the acoustic guitars of Karen and Don Peris. Their recording is so sparse and intimate that it sounds like a group of friends playing in a living room, and this approach perfectly frames the wistful sentiments expressed in the songs.The Innocence Mission was formed by Karen and Don with Brown and Mike Bitts while they were attending high school in Lancaster, Pennsylvania. Don and Karen started dating the first summer they met and often played their guitars together. As Don says, "it's romantic and inexpensive." Even in their earliest years, the band's sound was centered ...
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