| | 20th Century Masters - The Millennium Collection: The Best Of The Commodores CD Commodores Discography of CDs
 (1 Customer Review)
Digitally remastered by Suha Gur (Universal Music Studios East).
This is part of MCA's 20th Century Masters: The Millennium Collection series.
Includes liner notes by A. Scott Galloway.
20th Century Masters
The Commodores: Thomas McClary (vocals, guitar); Lionel Richie (vocals, saxophone, piano); William King (vocals, trumpet, percussion); Milan Williams (vocals, keyboards); Ronald LaPread (vocals, bass); Walter "Clyde" Orange (vocals, drums).
Liner Note Author: A. Scott Galloway.
Arrangers: James Anthony Carmichael; The Commodores; Peter Wolf .
The Millennium Collection: The Best of the Commodores collects 11 of their Motown hits, including their first hit, the instrumental "Machine Gun," as well as classics like "Brick House," "Three Times a Lady," "Easy," and "Nightshift." A concise journey through the group's brand of Southern funk and romantic ballads. ~ Heather Phares
Commodores. 20th Century Masters - The Millennium Collection: The Best Of The Commodores Music | List Price | $9.95 (You save $2.50) | | Category | Rock/Pop Albums, R&B CDs, Rap, Urban Soundtrack, Pop, Soul/R&B, Funk, Greatest Hits Collections | | Label | Motown | | Orig Year | 1999 | | All Time Sales Rank |  10735  | | CD Universe Part number | 1050960 | | Discs | 1 | | Release Date | Nov 23, 1999 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | James Anthony Carmichael; Dennis Lambert; The Commodores; Harry Weinger (Compilation) | | Recording Time | 53 minutes | | Personnel | Lionel Richie - vocals, saxophone, piano
Walter "Clyde" Orange - vocals, drums
William "WAK" King - vocals, trumpet, percussion
Milan Williams - vocals, keyboards
Ronald LaPread - vocals, bass
Thomas Mcclary - vocals, guitar
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The 2001 edition of MY AIM IS TRUE comes with a bonus disc of rare material including demos and alternative versions of songs.
When MY AIM IS TRUE was released in 1977, no one knew that the character on the cover, with coke-bottle glasses, ill-fitting clothes, and Jerry Lewis posture would become a pop-culture icon. Elvis Costello arrived as the uber-geek, hell-bent on blowing away years of macho rock posturing with his revenge-of-the-nerds image and sharp, snappy sound, instantly defining New Wave. In retrospect, the songs--with echoes of everything from the Band ("Blame It on Cain") to the Byrds ("[The Angels Wanna Wear My] Red Shoes")--owed more to rootsy pub-rock than it did to punk, but it was still miles beyond the hairy-chested blues-rock theatrics bogging down the airwaves in the mid-'70s.
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