Johnny Burnette & the Rock 'n' Roll Trio - Rockbilly Boogie CD

Rockbilly Boogie CD music Remastered reissue of 1969 album, suitable for standard & 'Super Audio' CD players. Audio Remasterers: Jon Astley; Teri Landi; Steve Rosenthal; Paschal Byrne. The Rolling Stones: Mick Taylor (guitars); Keith Richards (acoustic guitar); Mick Jagger (harp); Bill Wyman (autoharp); Charlie Watts (drums); Brian Jones (percussion). Additional personnel: Nanette Newman, Merry Clayton (vocals); Ry Cooder (mandolin); Byron Berline (fiddle); Bobby Keys (tenor saxophone); Al Kooper (French horn); Ian Stewart , Leon Russell (piano); Nicky Hopkins (organ); Jimmy Miller , Rocky Dijon (percussion); Doris Troy, London Bach Choir, Madeline Bell (background vocals).

Rockbilly Boogie album for sale The '60s were a very productive time for Junior Wells, but if any Wells album deserves to be exalted as his most triumphant recording of the '60s, it is Hoodoo Man Blues. This superb 1965 session is not only widely regarded as one of Wells' finest achievements, it is also Delmark's best-selling release of all time. Delmark has reissued Hoodoo Man Blues more than once over the years; the album first appeared on CD in the early '90s, and in 2011, Delmark came out with this 63-minute expanded edition. On top of offering an abundance of previously unreleased alternate takes, Delmark's 2011 version of Hoodoo Man Blues offers a new cardboard fold-out cover and new liner notes from Bob Koester (along with Koester's original liner notes from 1965). It isn't hard to see why Hoodoo Man Blues is held in such high regard; joined by Buddy Guy on guitar, Jack Myers on bass, and Billy Warren on drums, Wells soars as both a singer and a harmonica player. This is the same working group that Wells had been leading at Theresa's on Chicago's West Side, and Koester (who produced the album) vividly captures the type of grit that Wells brought to the stage. This is a studio recording, but when Wells and his colleagues dig into "Good Morning, Schoolgirl," "Yonder Wall," or "We're Ready," they sound as raw, gutsy, and uninhibited as one would expect them to sound in a club setting. And while Guy leaves the singing to Wells, he really shines on guitar. Guy, it should be noted, was listed as "Friendly Chap" on Delmark's original LP version of Hoodoo Man Blues; Delmark thought Guy was under contract to Chess, and so, they gave him a pseudonym. But by the early '70s, Guy's real name was being listed on pressings of this classic album. And make no mistake: Hoodoo Man Blues is a classic. This is essential listening for lovers of electric Chicago blues. ~ Alex Henderson With his Chicago Blues Band including Buddy Guy. Recorded in Chicago, Illinois on September 22 & 23, 1965. Includes liner notes by Bob Koester. Personnel: Junior Wells (vocals, harmonica); Buddy Guy (vocals, guitar); Bill Warren (drums). Liner Note Author: Bob Koester. Recording information: 1965. Photographer: Greg Roberts. Personnel: Junior Wells (vocals, harmonica); Buddy Guy (guitar); Jack Myers (bass); Billy Warren (drums).

Rockbilly Boogie buy CD music RUMBLE! THE BEST OF LINK WRAY contains 20 tracks recorded between 1958 and 1976 including one live track. This anthology includes an 11-page booklet with historic black and white photographs, a discography and recording information as well as liner notes containing both biographical and track annotations. Probably the most high-profile of all the available Link Wray compilations, Rhino's 1993 anthology RUMBLE: THE BEST OF LINK WRAY is also likely the best available single-disc set devoted to this largely underrated artist. Many of the guitar greats of earlier decades sound kind of, well, wimpy when heard after the more sonically aggressive--if often much less imaginative--guitarists who followed. This is not the case with Link Wray; although his fuzztone, feedback and controlled distortion were extremely influential--Dave Davies and Pete Townshend in particular owe much to Wray--his playing has enough grit and noise to still sound remarkable today. This collection, kicking off with the original 1958 version of his signature song and continuing through 19 other instrumental classics like "The Swag" and "Run Chicken Run," is as exciting as any instrumental rock disc out there. Includes liner notes by Cub Koda. Digitally remastered by Bob Fisher. Producers: Vernon Wray, Chuck Sagle, Richard Gottehrer, Link Wray. Compilation producers: James Austin, Cub Koda. Personnel: Link Wray (guitar, vocals); Shorty Horton (bass); Doug Wray (drums). Additional personnel: Vernon Wray (rhythm guitar, piano); Jack Van Horn, Billy Cross (rhythm guitar); Richard Gottehrer (piano); Chuck Bennett (organ); Bobby Howard (organ, vocals); Ed Cynar, Rob Stoner, John Greaves (bass); Howie Wyeth, Charlie Charles (drums); Evelyn Wray (tambourine).

Rockbilly Boogie songs Track Listing of songs: Baby Loves Him; Mean Mean Man; Fujiyama Mama; Cool Love; Honey Bop; I Gotta Know; Let's Have a Party; Money Honey; Long Tall Sally; Hot Dog! That Made Him Mad; Searchin'; Savin' My Love; Kansas City; Hard Headed Woman; Tunnel of Love; My Baby Left Me; Sticks and Stones; Who Shot Sam?; There's a Party Goin' On; Brown Eyed Handsome Man; You Don't Know Baby; Tongue Tied; Riot in Cell Block #9; Slippin' and Slidin'; Fallin'; Rip It Up; Rock Your Baby; Whole Lotta Shakin' Goin' On; Honey Don't; Man We Had a Party;

Rockbilly Boogie album for sale Thirty songs, and not a loser in the bunch. This little lady rocks -- hard -- and she doesn't start to slow down until 21 songs in. The best is sort of like Elvis' early RCA sides, only better, mixed with some wildness that makes one wonder if Sun Records wouldn't have been a better home for her. As it happens, Martin is a good enough singer that even the slow ballads like "Cry Guitar" and "One More Year to Go" come off well -- she had a rich, strong, slightly throaty voice that would have allowed her to make it in country music, or even pop (check out the Duke Ellington-authored "Squeeze Me") as easily as rock & roll, if that was what she wanted. What's more, she could write songs as well, and that was pretty rare for female performers of the time; her originals here compare pretty favorably with standards like "Ooby Dooby." "Blues Keep Calling" is a hot number in any discography. ~ Bruce Eder Here's the original wild woman of rock 'n' roll! She signed with RCA two months after Elvis and cut unvarnished rockabilly and rock 'n' roll for the next two years. RCA wasn't kidding when they dubbed her 'The Female Elvis'. Backed by the crack Nashville and New York session men, she cut 26 stellar cuts like Drugstore Rock 'n' Roll, Will You Willyum, My Boy Elvis, Bang Bang, Love Me To Pieces, Ooby Dooby, and Let's Elope Baby. All 26 RCA cuts are here together with a 1960 Palette session that included Teen Street and the honky tonk classic Cry Guitar. One of the Bear Family label's first CDs--and still one of the best! Digitally remastered by Bob Jones. Recorded at RCA Victor Studios and Owen Bradley Recording Studio, Nashville, Tennessee; RCA Victor Studio 1 and RCA Victor Studio 3, New York, New York. Includes liner notes by Bob Allen. Producers: Steve Sholes, Jeff Kluger, Chet Atkins. Personnel includes: Janis Martin (vocals, guitar); Thomas Grady Martin (guitar, bass); George Barnes, Al Chernet, Tony Mottola, Danny Peri, Hank Garland, Jimmy Atkins, Dave Rich, Chet Atkins (guitar); George Berg (tenor saxophone); Andy Ackers, Joe Harnell, Floyd Cramer, Shorty Long (piano); Boyce Hawkins (organ); Sam Bruno, Arnold Fishkin, Bob Moore, Charles Grean (bass); Bunny Shawker, Murray M. "Buddy" Harman (drums); Jala Divigard, Jim Farmer, Bettye McCormick, Melvin Little Ryan, Jerry Duane, Marge Murphy, Dot Evans, Lew Anderson, Bob Miller (background vocals). The Jordanaires: Neal Matthews, Jr., Hoyt H. Hawkins, Raymond C. Walker, Hugh Gordon Stoker.

Rockbilly Boogie CD music KING ROCKABILLY contains tracks recorded for the King and Federal labels between 1954 and 1962. While King had many facets of American country- and blues-derived popular music covered from the 1940s to the 1960s, it was far weaker in rockabilly than it was in blues, hillbilly country, R&B, and early soul. Still, it did record more rockabilly in the 1950s than many have realized, although Charlie Feathers's releases in the style tend to be the only King ones that are remembered. A couple dozen rockabilly items from the mid-'50s to the early '60s are here, and only a few names will be recognized even by rock scholars. There's Feathers (with an alternate take of "Bottle to the Baby"); Moon Mullican (with his 1956 single "Seven Nights to Rock," an attempt by the middle-aged former hillbilly star to jump on the rockabilly bandwagon); Boyd Bennett; and, most surprisingly, Dave Dudley, who did his rather mild "Rock'n'Roll Nursery Rhyme" in 1956, long before making his mark with truck-driving country anthems. And there's also Hank Mizell, whose "Jungle Rock" wasn't a hit in 1958, but unexpectedly made the British Top Ten in 1976 as a reissue; Mac Curtis is also here, and also got some belated acclaim on the European rockabilly revival circuit. On the whole, it's just average derivative rockabilly, sometimes with the hillbilly roots of the performers showing, though the production is better than those of many independent labels, as you'll notice when playing this next to other label-centric '50s rockabilly collections on Ace itself. Charlie Gore and Louis Innis's "(You Ain't Nothin' But a Female) Hound Dog," an answer record to Big Mama Thornton's "Hound Dog," is of above-average interest as far as this thing goes, though it's closer to hillbilly than rockabilly. ~ Richie Unterberger 24 track compilation contains raw rockabilly recorded for the King & Federal labels from 1954-62; feat. Hank Mizell, Bluetones, Moon Mullican, Donnie White, Cecil McNabb, Joe Penny, Bill Beach, Bing Day, Rusty York, Mac Curtis, Charlie Feathers, Delbert Includes liner notes by Rob Finnis. Digitally remastered by Duncan Cowell (Sound Mastering LTD). Compilation producers: Rob Finnis, Ian Saddler. Liner Note Author: Rob Finnis. Recording information: Cincinnati, OH.