| | Merrill Moore Boogie My Blues Away CD - Import Merrill Moore Discography of CDs
 (1 Customer Review)
44 tracks from `Father of Rockabilly Piano' 2-CD Boogie My Blues Away Music Merrill Moore Boogie My Blues Away Songs | | Boogie My Blues Away CD DISC 1: |
| 1. | Rock-Rock Ola / House Of Blue Lights |
| 2. | Big Bug Boogie |
| 3. | Saddle Boogie |
| 4. | Corrine, Corrina |
| 5. | Red Light |
| 6. | Bartender's Blues |
| 7. | Hard Top Race |
| 8. | Nola Boogie |
| 9. | Bell Bottom Boogie |
| 10. | Doggie House Boogie |
| 11. | Sweet Jenny Lee |
| 12. | Fly Right Boogie |
| 13. | One Way Door |
| 14. | Snatchin' and Grabbin |
| 15. | I Think I Love You Too |
| 16. | Ten, Ten A.M. |
| 17. | Nola Boogie - (EP version) |
| 18. | Yes Indeed |
| 19. | Five Foot Two, Eyes of Blue |
| 20. | Cow Cow Boogie |
| 21. | Boogie My Blues Away |
| | Boogie My Blues Away Songs DISC 2: |
| 1. | Rock Island Line |
| 2. | King Porter Stomp |
| 3. | Cooing to the Wrong Pigeon |
| 4. | She's Gone |
| 5. | Down the Road a Piece |
| 6. | Gotta Gimme What'cha Got |
| 7. | Nursery Rhyme Blues |
| 8. | Buttermilk Baby |
| 9. | Barrel House Bessie |
| 10. | Tuck Me to Sleep in My Old 'Tucky Home |
| 11. | Music, Music, Music |
| 12. | Sun Valley Walk |
| 13. | Lazy River |
| 14. | Back Home Indiana |
| 15. | South |
| 16. | Shanty in Old Shanty Town |
| 17. | Sweet Georgia Brown |
| 18. | Nobody's Sweetheart |
| 19. | Jumpin' at the Woodside |
| 20. | Somebody Stole My Gal |
| 21. | Moore Blues |
| 22. | Sentimental Journey |
|
Boogie My Blues Away Music Review Purchase Boogie My Blues Away CD To buy, Click on price to add to cart | Golden Age Of American Popular Music: The Jazz Hits From The Hot 100 1958-1966 CD (2008)
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| | Moon Mullican Moonshine Jamboree CD (1993)
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The "king of the hillbilly piano players" shows up at his best on these 24 tracks, cut during his prime years, 1946 through 1954, when he was associated principally with King Records. It's easy to hear the roots of Jerry Lee Lewis's (as well as elements of Carl Perkins') sound in early cuts like "Cherokee Boogie", on which Moon Mullican and his band find room for a rippling, pounding performance on piano as well as a short, hot guitar solo around a jaunty, funny honky tonk core, and most of the rest of what's here is as good as that. Indeed, 90 percent of this collection would have passed as rock & roll a few years later, with "Rocket to the Moon" so suggestive as to have had the potential to be banned -- the latter also features one of the rare sax solos heard on this collection, which mostly features hot ...
| | Honky Tonk! CD (2000) (Import) United Kingdom
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| | That'll Flat Git It!, Vol. 20 CD (2004) (Import) Import; Germany
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Bear Family's ongoing series of rockabilly and early rock & roll compilations continues with this 37-track overview of the archives of Event Records, a label based out of Portland, ME, that documented the rockin' action in New England in the 1950s. If you weren't aware that the Land of the Lobster was a haven for rockabilly, you're surely not alone, but Event's bosses had the good sense to import a few acts from south of the Mason-Dixon line as well as searching out worthy local talent, and if this isn't near the top of the heap in the That'll Flat Git It! series, it offers up plenty of solid (and hard to find) twang-infused rock. Highlighting the proceedings are a dozen tracks from Curtis Johnson, a strong rockabilly belter whose Elvis covers suggest he'd spent plenty of time studying the King's early Sun sides, and whose other tunes find him in even more impressive form. (Jazz fans take note: guitarist Lenny Breau ...
| | John Entwistle Anthology CD (1996) (Import) Germany
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1996 compilation on ...
| | Primitive Piano CD (2003)
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The reissue of Primitive Piano, a blues piano anthology originally recorded in 1956 and 1957 and released by the long-defunct Tone label, proves to be a treasure trove for blues fans. Not only are ...
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| | Peder Af Ugglas Autumn Shuffle (2005) Super Audio CD
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| | Anibal Rojas Ah Knee Ball CD (2007)
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Anibal Rojas is a saxophonist with indigenous roots in a modern world. His is the music of the immigrant, the sound of integration and assimilation, the blending of cultures, classes, and musical traditions. His debut CD, “ah knee ball,” is the musical interpretation of his life’s journey so far – from Chile to the United States, (“Los Andes, Part I,” “Los Andes Part II,” and “The Midnight Zone,” respectively pay homage to Chile’s mountains and it’s coast); from child to adult (“Walking”). And what a life it has been.Born in Chile, Rojas emigrated to the U.S. in his early teens. His parents, fleeing political persecution, rented him a saxophone and signed him up for music lessons to keep him out of trouble. To supplement the family’s income – his father’s modest doctoral student stipend – Rojas spent his summers as a migrant worker in Iowa’s cornfields. All the while, he was learning too – English and music. He scored a full music scholarship auditioning on a horn that was held together with rubber bands and four years later scored a degree in music performance from the University of Iowa. A classically trained jazz lover, Rojas moved to the East Coast and found work with R&B and funk bands, who appreciated his screaming altissimo and big, colorful sound. He spent a few years touring with oldies R&B groups like Cuba Gooding and the Main Ingredient as well as with funk bands like Skintight and the New York Horns. The gigs took him from across the country (The track “Le Montrose” recalls his first trip to L.A.) and halfway around the world, to Morocco where he played for the king. But all the while, the soundtrack playing in his head was the music of the Andes, voiced on saxophone and on indigenous instruments like the quena, quenacho, and zampona. And while valuing his career as a sideman, he wanted to make music that was his own. ...
| | Miller Carr Passage Through Wilderness, Vol. 2 CD (2008)
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