| | Greg Brown One More Goodnight Kiss CD Greg Brown Discography of CDs
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GOODNIGHT KISS proved to be a transitional album for Brown. It marks his move from nostalgia for a romanticized, pastoral youth to a more hard-edged, mature view of the world around him. Similarly, one can hear his music begin to turn from its earlier folkie leanings towards elements of blues and rock. The title cut is the best example of this progression; a Tom Waits-ish piano-based ballad that bears traces of Brown's Gospel roots while unsentimentally surveying the screwed-up state of modern life. He still hangs onto his past with the poignant look at his childhood on "Canned Goods," but he'd clearly seen the light at the end of the artistic tunnel and begun moving inexorably towards it.
"The greatest living songwriter you've never heard of...these tunes are as engrossing for their musical structures as for their penetrating and unforgettable lyrics." - Miami New Times
Audio Mixer: Tom Mudge.
Photographer: Radoslav Lorkovic.
Personnel: Greg Brown (vocals, guitar); Marcia Bjerke (vocals); Pat Donohue (acoustic guitar); Dan Lund (electric guitar); Peter Osroushko (violin); Steve Pikal (trombone); Radoslzav Lorkovic (keyboards); John Angus Foster (bass); Marc Anderson (percussion).
Personnel: Greg Brown (vocals, guitar); Pat Donohue (acoustic guitar); Dan Lund (electric guitar); Peter Ostroushko (violin); Steve Pikal (trombone); Radoslav Lorkovic (keyboards); Marc Anderson (percussion).
One More Goodnight Kiss Music Greg Brown One More Goodnight Kiss Songs One More Goodnight Kiss Review
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When Take That disbanded in 1996, they left many young girls in floods of tears. They had arguably been the most popular band in Britain during the early '90s, and many of their fans had never known what it was like to have their favorite band split and move on. Two surprises then occurred, first when Gary Barlow, the main singer and songwriter for the band, failed to set the charts alight with his solo projects. Despite hitting number one with two singles ("Forever Love" and "Love Won't Wait") and the accompanying album Open Road, Barlow's solo career was seen as a disappointment and he quickly faded from the affections of young girls who either grew up or turned their attention to Boyzone or Westlife. The second surprise occurred when the cheekiest former member of the band, Robbie Williams, whom many had seen as precipitating the breakup in the first place, went on to become one of the biggest solo stars of the late '90s and early 2000s with eight number one albums. In fact, he was so big that when the other four invited him to rejoin them for a reunion world tour, he said no, intending to remain solo and promote his recently released album, Rudebox.
So Take That re-formed, went on the road without Williams, and recorded a new album without him, too. Doomed to failure? Not a bit, for the album Beautiful World was filled with great new contemporary songs, virtually all written by the bandmembers, who had grown up and matured in the intervening years. There was a sense of professionalism surrounding the whole project (produced by John Shanks) and imbuing every song, whether a ballad like "I'd Wait for Life" or "What You Believe In" (on which Mark Owen took vocal lead), or an uptempo track like "Reach Out" or "Shine," the latter of which was a masterpiece of 21st century pop. The bandmembers shared ...
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