| | ABBA Oro CD ABBA Discography of CDs
(3 Customer Reviews)
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Our Price: $12.19 CDFor Sale Usually ships in 1-2 days
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Includes reissue liner notes in Spanish and English by John Tobler. This unusual collection has a somewhat convoluted history, growing out of ABBA's distinctly international appeal. Originally released at ten songs and then expanded to 15, ABBA Oro was a repackaging of Gracias Por La Musica, a ten-song LP that, in turn, grew out of the group's long-delayed cracking of the South American market in 1979, with a Spanish-language version of "Chiquitita." The latter song was recut in Spanish two months after the January 1979 release of the English-language version, and became a huge hit throughout South America, topping most of the national charts there and leading to a television special in Madrid and the release of a Spanish version of "I Have a Dream" ("Estoy Sonando") that also sold extremely well. In January 1980, the latter's success resulted in the preparation of the Gracias Por La Musica LP (released on Atlantic in America), a collection of the group's biggest hits with re-recorded vocals, done with pronunciation help from journalist Ana Martinez. Although Benny Andersson and Bjorn Ulvaeus had little interest in the project beyond its commercial aspects, to judge from the results here, Agnetha Faltskog and Frida Lyngstad both evidently enjoyed singing in Spanish, as well as getting a second crack at several older songs from their repertory, and Michael Tretow did an excellent remixing job, both at the time and on the 1999 digital remix, in 24-bit sound. As opposed to the 1992 CD version, the 1999 remastering features a rich, wide sound profile that brings out the elegance of the group's sound and arrangements, not just for the voices but the instruments as well. For the 1999 remastering, the ten songs off of Gracias Por La Musica and the original ABBA Oro have been augmented by five more tracks: "Felicidad" (aka "Happy New Year") and "Andante Andante" from the next official album, Super Trouper, and "Se Me Esta Escapando" (aka "Slipping Through My Fingers") and "No Hay A Quien Culpar" (aka "When All Is Said and Done") from The Visitors, plus "Ring Ring." As for the music, Spanish-speaking listeners obviously will have a special appreciation of the material, but Lyngstad and Faltskog sing so stunningly, and perhaps with more emotion here than on some of the original lyrics, that these variant takes will also prove attractive to non-Spanish speakers. ~ Bruce Eder Like many European pop stars, ABBA often remade their hits in languages other than English for further penetration into foreign markets. (Remember the Beatles' "Sie Liebt Dich"?) Throughout their eight-year career, ABBA remade many of their biggest hits in Spanish for the enormous Latin music community, and the results were collected in 1994 on ORO and MAS ORO (Spanish for Gold and More Gold), Spanish-language equivalents of the similarly-titled English-language compilations. ORO begins with the Spanish-language versions of ABBA's two most overtly Latin tunes, "Chiquitita" and "Fernando," and goes on to eight of ABBA's other biggest hits, including "Gracias Por La Musica (Thank You for the Music)," "Dame, Dame, Dame (Money Money Money)," and "Conociendome, Conociendote (Knowing Me, Knowing You)." The translations and performances are excellent, and ORO is of interest even to those who don't speak the language.
3 New Trks
Purchase Oro CD To buy, Click on price to add to cart | Paul Butterfield Blues Band CD (1965)
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| | Devendra Banhart Nino Rojo CD (2004) Enhanced CD
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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. As was promised upon the release of Rejoicing in the Hands in the spring of 2004, Niño Rojo is a companion piece. It was assembled from the same recording sessions at Lynn Bridges' Atlanta home that produced 57 tracks. Thirty-two were chosen for the two albums. Some were overdubbed minimally in New York by Young God label boss Michael Gira and Devendra Banhart adding a nip of keyboard or harmonica here, and tucked in horn, backing vocal, or electric guitar there. What these songs showcase is that Banhart is a songwriter of guileless vision. His unaffected aesthetic is etched in the ether of mysterious traditional and psychedelic folk musics from the British Isle and in an America that disappeared the first time in the '30s with the Dust Bowl and for the second time in the grimness of mid-'70s determinism in the shadows of post-Vietnam shame and malaise. Banhart's songs don't hearken back so much as remind us of what we no longer possess as a culture. His songs are spiritual, terminally unhip, with labyrinthine grown-up melodies and the keen unsullied wisdom of children. These 16 songs include the mysterious minor key cipher that is "A Ribbon," with its eerie guitars, a beautifully etched chorus, and an all but hidden keyboard underscoring the quietly insistent vocal. His cover of Ella Jenkins' "Little Sparrow," opens the album; accompanied only by his acoustic guitar, Banhart transfers the song from the universe of its origin as childhood ballad to a bluesy exhortation to spiritual awakening. A slow, easy major chord stroll, "We All Know," with its delightfully ridiculous lyric ("...we belong to the floating hand that was made by animals/we dance so, we let go/we'll remove clothes and we'll trade lobes...."). ...
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