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Morse, Neal - Neal Morse CD Cover Art
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Neal Morse CD

 Neal Morse Discography of CDs
4.7 stars (3 Customer Reviews)

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 Our Price: $12.59  CD
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Solo Debut From Spock's Beard Founder/Vocalist

Personnel includes: Neal Morse (vocals, various instruments); Chris Carmichael (strings); Nick D'Virgilio (drums); Glen Caruba (percussion).
Engineers include: Nick D'Virgilio.
Spocks Beard fans may be dissapointed with this one. There's no intricate compositions laced with complex lyrics on this Neil Morse solo effort. Instead, Neil opts to deliver a mellow, almost punchless, release. At times, on such tracks as "Living Out loud," "Nowhere Fast" and "The Man Who Would Be King," the "Spock" in Neil shines through. Unfortunately, this is a good example of the whole missing the sum of its parts. ~ Joseph Scotti

Mojo (Publisher) (2/00, pp.94-5) - "...a set of discrete songs leading to prog-style medley....Morse slips dextrously from heavy metal to flamenco to Beach Boys harmonies and still manages to find his way home. Overblown and inspired."
Neal Morse Music


Detailed Neal Morse Music Information



List Price $16.98 (You save $4.39)
Category Rock Albums, Heavy Metal CDs, Rock/Pop, Progressive
Label Metal Blade
Orig Year 1999
All Time Sales Rank   17731  
CD Universe Part number 1053987
Catalog number 14278
Discs 1
Release Date Oct 05, 1999
Studio/Live Studio
Mono/Stereo Stereo
Producer Neal Morse
Recording Time 55 minutes
Personnel Chris Carmichael - strings
Neal Morse - vocals, various instruments
Nick D'Virgilio - drums
Glen Caruba - percussion
Neal Morse Songs


Neal Morse Album Track Listing



1.Living Out Loud
2.Lost Cause
3.Landslide
4.That Which Doesn't Kill Me
5.Everything Is Wrong
6.Nowhere Fast
7.Emma
8.Bomb That Can't Explode I
9.Mr. Upside Down II
10.Man Who Would Be King, The III
11.It's Alright IV
Neal Morse Music Review


Customer Neal Morse Reviews 




Average Rating: (4.7 out of 5 stars) 4.5 stars

5 stars Inredible!
Neal is simply amazing. His voice is so incredible and the man has changed my life with his Testimony cd. This is great highly recommended. Very poppy compared to Spocks, much shorter songs. But the quality isnt the furthest thing possible from being shorted.
Submitted by jasoncamerlengo69 (Masury, Ohio) Verified Buyer
Was This Review Helpful? Yes No

5 stars It is a shame he doesn't write or play anymore!
I am a fan of Spock's Beard and this CD is just like anything you have heard by them. Lets face it Neal Morse was the driving force of that band and his solo work is a continuation of that style. I personally enjoy the way he can sound like the beatles in one breath and Kansas or Rush the next. To me there isn't a bad song on the CD so I highly recommend it.
Submitted by a reviewer (Easthampton, MA, USA) Verified Buyer
Was This Review Helpful? Yes No

4 stars GOOD WORK
This album is nice, more songs are direct and simple to understand (nice melody, too catchy. In the first parts of this album, Neal Morse is like a Pop-star... but in the final there are more "Rock-Progressive standards" like a Transatlantic Albums.
Submitted by a reviewer (Florence, Tuscany, Italy) Verified Buyer
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Smpte
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Transatlantic Smpte CD  (2000)

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2000 release from progressive super group featuring members of Spock's Beard & Dream Theater. Metal Blade. Transatlantic: Neal Morse (vocals, acoustic & electric guitars, keyboards); Roine Stolt (acoustic, electric & 12-string guitars, Mellotron, percussion, background vocals); Pete Trewavas (electric bass, Moog bass pedals, background vocals); Mike Portnoy (drums, background vocals).
Recorded at Millbrook Studios, Millbrook, New York; The Morse House, Tennessee; Cosmic Lodge, Sweden; Racket Club, United Kingdom.
Personnel: Roine Stolt (vocals, guitar, acoustic 12-string guitar, electric guitar, Mellotron, percussion); Neal Morse (vocals, acoustic guitar, electric guitar, keyboards); Pete Trewavas (vocals, Moog synthesizer); Mike Portnoy (vocals, drums).
Audio Mixer: Richard Mouser.
Recording information: Millbrook Studios-Millbrook, NE (06/1999-07/1999).
Photographer: Michael Hoerner.
Arrangers: Pete Trewavas; Neal Morse; Roine Stolt; Mike Portnoy .
The obvious label to put on this band is "supergroup," because it consists Roine Stolt of The Flower Kings, Neal Morse of Spock's Beard, Mike Portnoy of Dream Theater, ...

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Contains 21 tracks.
Personnel includes: Neal Morse (vocals, guitar); Mike Portnoy (drums); Kerry Livgren.
This is where it all opens up and changes. Neal Morse is the former frontman of Spock's Beard, the California prog rock monolith. While not his first solo effort, Testimony it is easily his most compelling and provocative. Testimony is a concept album based around Morse's personal testimonial of his life before and after encountering his center, Jesus Christ. Before any of you reach for the mouse button to click off, it might be worth reading a little further to find out why this is musically one of the more engaging progressive rock records in particular and rock & roll albums in general this year. Morse's vision is still one that is sophisticated and sprawling. His attention to detail is even greater and he brings so many elements into his mix that it will make the punters' heads spin. Here, folk, prog, classical, and beautiful singing and arrangements entwine with a challenging, moving, and provocative story. Conceptually, Testimony is divided into five parts over two CDs. Disc one features a gorgeous overture and elements of Laurel Canyon rock that are contrasted with gargantuan tracks loaded with keyboards and strings as the story moves from looking ...

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Additional Tracks; Special Edition Spock's Beard: Neal Morse (vocals, acoustic & electric guitars, Hammond organ, Mellotron, keyboards); Alan Morse (electric guitar, cello, Mellotron, background vocals); Dave Meros (French horn, bass); Nick D'Virgilio (drums, percussion, background vocals).
Additional personnel: Molly Pasutti, Wanda Houston.
Recorded at Moving Hands Studios, Sherman Oaks, California.
This 2003 Special Edition of THE LIGHT includes bonus tracks and expanded packaging.
Spock's Beard: Neal Morse (vocals, acoustic & electric guitars, Hammond organ, Mellotron, keyboards); Alan Morse (electric guitar, cello, Mellotron, background vocals); Dave Meros (French horn, bass); Nick D'Virgilio (drums, percussion, background vocals).
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Additional personnel: Jordan Rudess, Alan Morse, Roine Stolt, Steve Hackett, Mike Portnoy , Randy George.
On the continuation of 2003's Testimony Neal Morse further explores his spirituality and pushes his musical abilities ...

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Well's On Fire
Procol Harum Well's On Fire CD  (2003)

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Procol Harum: Gary Brooker (vocals, piano); Geoff Whitehorn (guitar); Matthew Fisher (Hammond organ); Matt Pegg (bass); Mark Brzezicki (drums, percussion).
Additional personnel: Roger Taylor (background vocals).
On their first album of new material since 1991, The Well's on Fire is a return to form for Procol Harum. The band has shed most of the production gloss that dated The Prodigal Stranger and gets back to a beefier rock-based sound, resulting in their finest album in nearly 30 years. By the time you get to the chorus of "An Old English Dream" (the album's first track), you know you've locked onto the classic Procol arsenal -- capable of packing plenty of keyboard, drums, and guitar punch. The band is comfortable and unashamed to be working within the classic rock idiom, and their unique blend of progressive and R&B influences is still evident. The playing is tight and lively. "Every Dog Will Have His Day" shows they haven't lost their sense of playful humor, while truly revelling in bouncy R&B rock. Some songs -- like the regal "A Robe of Silk" and "The Emperor's New Clothes" -- are more than respectable throwbacks to Shine on Brightly and Home-era material. Matthew Fisher's unmistakable rock organ will undoubtedly have listeners experiencing nostalgic flashbacks. The album isn't merely a nostalgia trip, however. "The Blink of an Eye," a message song about September 11, adopts a more modern R&B-laced adult contemporary groove, as does the "The Question." "Shadow Boxed" breaks the mold a bit with a strong up-tempo staccato pulse (it's almost danceable), and "The Wall Street Blues" rocks out over a clever blues piano riff. "So Far Behind" makes a grab for modern rock pop grooviness, but is still at heart a typical Procol rocker. On tunes like "This World Is Rich," a stately, emotionally powerful Brooker piano ballad, instead of trying to sound too commercial or go for a carbon copy of their classic sound, the band is adept at blending the new with the old. Knowing nods to the past do abound, from Fisher's organ to the "Repent Walpurgis"-style prog rock instrumental that closes the album, "Weisselklenzenacht." It seems as if Procol is finally acknowledging its "elder statesmen" status among the pantheon of classic prog rockers, and is comfortable with the role. ...

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BIOGRAFIA Juanky "Skai" Penalva (Guitarra/Vocal), Isaac Sierra (Bajo), Jeffrey Penalva "Acidmunky" (Programador/Bateria). Flipside es una banda de rock compuesta por tres integrantes originarios de Tegucigalpa, Honduras. Su estilo alterno de rock, al cual ellos llaman Post-Metal, fusiona el Rock y el jazz con melodias y bases de Hip Hop aýadiendo un toque electronico. Arriesgandonos a sonar 'Cliche', como toda banda buscamos un sonido original y logramos un sonido que aparenta estar un paso adelante de el Nu Metal. Queremos alcanzar desde el mas rockero hasta aficionados a la musica Pop, sin perder nuestra identidad como musicos. Buscamos un punto intermedio en el cual gente de todos los gustos pueda disfrutar de nuestra musica y escuchar lo que tenemos que decir, Comenta Skai Penalva (Vocal), cuya personalidad bipolar en el escenario refleja emotividad pura y la energia que la banda entera transmite. La combinacion de acordes y armonias melodicas de Skai, como en 'For What It's Worth...', con las guitarras fuertes con figuras de Jazz de Henry Fonseca, como en 'Let Me Go', hacen una quimica singular con los riffs veloces y armonias creativas que aporta en el bajo Isaac Sierra. Acidmunky (Programador) le da la energia adecuada en vivo al igual que en estudio, activando las secuencias y samples previamente producidos por el mismo al igual que tocando el teclado y otros instrumentos electronicos. En tracks como 'Unparalleled' y 'Surreal' ,grabadas en un 'DEMO' previo, se nota el trabajo de produccion electronica de Acidmunky al igual que las demas canciones del disco. En sus tres anios de trayectoria, Flipside ha participado en festivales musicales nacionales como el Urbe Rock 2002, junto a bandas nacionales como Delirium y Sueýo Digviana; Feria Para La Merienda Escolar 2002, con ADN y Kuarzo; Festival de Verano UNITEC 2002, en el cual se les otorgý el segundo lugar; Congreso Jovenes de Impacto 2002 de Iglesia Central Evangýlica de Santidad (ICES); Congreso de Jovenes de Iglesia Vida Abundante 2003 junto a Asarela; Congreso de Jovenes 2004 de Centro Cristiano Internacional (CCI) junto a Ataque Al Corazon; Batalla de Bandas Nacional 2004, en el cual se les otorgo el segundo lugar de 11 bandas participantes; entrevistas, presentaciones y reportajes en radios nacionales y canales televisivos como, Canal 5; Versus y Zona Joven, Canal 54; Hondured Canal 13; Enlace Juvenil, Canal 57;Radicales, Canal 11; Vox FM 101.9; Rock & Pop 92.3; Alternativa 103.1; Dee Jay FM 100.7; Energy FM 95.3. El lanzamiento de su album debut 'Alleged Genius'' se realizo con exito reuniendo un fanbase de aproximadamente quinientas (500) personas, igualmente en varios conciertos previos. Su estilo melodico/agresivo unico esta plasmado en este album que fue grabado indepentientemente en el estudio IHER, y mezclado en Chimp Studios en el anio 2004. Su discografia reciente incluye colaboraciones con bandas nacionales como Antivirus y Sueýo Digviana entre otros. Sus sensibles letras transmiten la vision y mensaje positivo de esperanza atraves de mostrar experiencias reales y luego mostrar la alternativa, Dios. La cancion 'Alleged Genius' trata de mostrar como nos apoyamos en nuestra propia ...
Daddio
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CD $10.15
This CD was hatched over a 3 year period between the hours of 8:30pm and 12:00am. It is a record of experiments and inspirations that melds sonic territory from genres like ambient, down-tempo, trip-hop and jazz. The effect is cinematic, dreamy, lush and occasionally spooky. The songs are mostly instrumental with an occasional clip of dialog or vocal flourish, while song structures defy traditional models. The instrumentation is a mix of live recorded drums, bass, trumpets and guitar with electronic beats, synths and turntables.:: REVIEW ::"I am reminded of the first Dj Dan Cd I ever heard (loose caboose)... then the melodic, hypnotic beat of something much more exciting starts in... I knew I was in for a treat, instantly relaxed by the sound of electronica music. This Cd is outstanding, the production quality very good, crisp & warm with hints of old vinyl running through songs. "Dear Jesus" has a great vocal poetry rocking all over it, I couldn't put my finger on what exactly what struck my interest as I was taken through a journey of chilled out break beat ...
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