| | Rod Stewart Never A Dull Moment CD Rod Stewart Discography of CDs
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Personnel: Rod Stewart (vocals); Rod Stewart; Brian, Brian (piano); Spike Heatley (upright bass, acoustic bass guitar); Ronnie Lane (bass guitar); Kenny Jones , Kenney Jones , Kenny Jones (drums); Speedy, Speedy (congas); Ron Wood (guitar, acoustic guitar, electric guitar); Martin Quittenton (guitar, acoustic guitar); Gordon Huntley (steel guitar); Dick Powell (violin); Ian McLagan (piano, organ); Pete Sears (piano); Mickey Waller (drums). Photographers: Joel Brodsky; Ed Caraeff; Joseph Sia. Unknown Contributor Role: Brian . Arranger: Jimmy Horovidtzz. Essentially a harder-rocking reprise of Every Picture Tells a Story, Never a Dull Moment never quite reaches the heights of its predecessor, but it's a wonderful, multi-faceted record in its own right. Opening with the touching, autobiographical rocker "True Blue," which finds Rod Stewart trying to come to grips with his newfound stardom but concluding that he'd "rather be back home," the record is the last of Stewart's series of epic fusions of hard rock and folk. It's possible to hear Stewart go for superstardom with the hard-rocking kick and fat electric guitars of the album, but the songs still cut to the core. "You Wear It Well" is a "Maggie May" rewrite on the surface, but it develops into a touching song about being emotionally inarticulate. Similarly, "Lost Paraguayos" is funny, driving folk-rock, and it's hard not to be swept away when the Stonesy hard rocker "Italian Girls" soars into a mandolin-driven coda. The covers -- whether a soulful reading of Jimi Hendrix's "Angel," an empathetic version of Dylan's "Mama, You Been on My Mind," or a stunning interpretation of Etta James' "I'd Rather Go Blind" -- are equally effective, making Never a Dull Moment a masterful record. He never got quite this good ever again. ~ Stephen Thomas Erlewine NEVER A DULL MOMENT picks up where EVERY PICTURE TELLS A STORY left off. Here we have more raucous rock & roll with healthy dollops of soul and twang thrown in for good measure. Always looking for a good songwriter to cover, Stewart's honorees here include Jimi Hendrix ("Angel"), Dylan ("Mama You Been On My Mind"), and Rod's personal hero, Sam Cooke ("Twistin' The Night Away"). Sidling up nicely next to these heartfelt interpretations are some of Stewart's finest original songs. Teaming with spiritual brother Ron Wood, Stewart offers up the cheeky "Italian Girls" and "True Blue," a track that goes along at a mid-tempo clip before exploding into a heartfelt rave-up. Most notable is a collaboration with Martin Quittenton on "You Wear It Well," an irresistible addition to the Stewart canon. Although the Sam Cooke cover is the one spot where the soulful Scot would be expected to indulge his R&B jones, Etta James's "I'd Rather Go Blind" is where Rod brings it all back home with a slow-burning vocal that wraps itself around the strolling tempo of the song. While not quite up to the perfection of EVERY PICTURE TELLS A STORY, NEVER A DULL MOMENT follows closely in its footsteps, and weighs in as Stewart's last classic album of the early '70s.
Remastered
Never A Dull Moment Music Rod Stewart Never A Dull Moment Songs Never A Dull Moment Music Never A Dull Moment Music Review Average Rating: (5 out of 5 stars)   Never A Dull Moment -- Definitely His Best!!! I have to agree with London, UK -- I also feel this was Rod Stewart's best, and he has many great ones. But this one just seems to have something extra special. Submitted by Stephen Jenkins (Knoxville, TN, USA) Was This Review Helpful? Yes No
Best Rod Stewart album EVER For me, this is the BEST Rod Stewart album EVER, it takes me right back to Rods hey day in the early 70's, my teenage years.Every song on this album has a special meaning for me, I LOVE IT!!
Submitted by DSTIRLO1 (London, UK.) Was This Review Helpful? Yes No
great buy this album now Submitted by chris.c (ohio) Was This Review Helpful? Yes No
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| | Meat Loaf Bat Out Of Hell III: The Monster Is Loose CD (2006)
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$11.29 Personnel: Meat Loaf (vocals); Marion Raven (vocals); Corky James, Eric Bazilian, Steve Vai, Brian May, John 5 (guitar); Matt Rollings (piano); Mark Alexander (organ); Kasim Sulton (bass guitar); Victor Indrizzo (drums); Kenny Aronoff (percussion); Desmond Child, Todd Rundgren (background vocals). Nearly three decades after 1977's BAT OUT OF HELL, and 13 years after its sequel, BACK INTO HELL, Meat Loaf unleashed BAT OUT OF HELL III: THE MONSTER IS LOOSE. While the album was reportedly bogged down in legal disputes between the drama-loving rock performer (aka Marvin "Michael" Aday) and songwriter Jim Steinman, the longtime collaborators apparently patched things up in time for its release on Halloween of 2006. Also assisting Meat Loaf on this typically bold and wonderfully bombastic outing are Todd Rundgren (on vocal arrangements only) and producer Desmond Child, along with a slew of guests including Rob Zombie guitarist John 5 (the uncharacteristically heavy title track) and virtuoso hard-rock six-stringer Steve Vai (the fierce "In the Land of the Pig, the Butcher Is King"). This being a BAT OUT OF HELL installment, of course, there's room for a heart-wrenching duet (with newcomer Marion Raven) on "It's All Coming Back to Me Now" (famously recorded by Celine Dion first) and grandiose pop-tinged rock on "Bad for Good," which benefits from the unmistakable guitar riffs of Queen's Brian May. If it seems like a lot stuffed into one album, it is, and that's exactly what makes THE MONSTER IS LOOSE a top-notch Meat Loaf record. Truth be told, once Meat Loaf had a blockbuster with Bat Out of Hell in 1977, he never really left the bombastic sound of that Todd Rundgren-produced, Jim Steinman-written classic behind. He went through a long stretch where he didn't have any hits -- it's popularly known as the '80s -- but he kept reworking the album, never quite getting it right until he reteamed with Steinman for 1993's Bat Out of Hell II: Back into Hell, which became a surprise international hit, re-establishing Meat Loaf as a major star. After that record, he never went away, continuing to record, tour, and act, but nothing ...
| | Smiths Strangeways, Here We Come CD (1987) (Import) Japan; Mini LP Sleeve
Never A Dull Moment
$32.99 Exclusive Japanese limited edition reissue of this 1987 release, their final studio album, packaged in a miniature LP sleeve. 10 tracks featuring 'Girlfriend In A Coma', 'Stop Me If You Think You've Heard This One Before', 'Death Of A Disco Dancer' and more. Warner. 2006.
The Smiths: Morrissey (vocals, piano); Johnny Marr (guitar, piano); Andy Rourke (bass); Mike Joyce (drums). Recorded at The Wool Hall, Bath, England in the spring of 1987. Recorded as the relationship between Morrissey and Johnny Marr was beginning to splinter, Strangeways, Here We Come is the most carefully considered and elaborately produced album in the group's catalog. Though it aspires greatly to better The Queen Is Dead, it falls just short of its goals. With producer Stephen Street, the Smiths created a subtly shaded and skilled album, one boasting a fuller production than before. Morrissey and Marr also labored hard over the songs, working to expand the Smiths' sound within their ...
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