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This reissue includes a prologue featuring Orson Welles that was not used on the original release, as well as newly recorded drums, guitar and synthesizer parts.
The maiden voyage of the Alan Parsons Project, 1976's TALES OF MYSTERY & IMAGINATION, finds Parsons paying homage to the thrilling work of suspense legend Edgar Allan Poe. Although such an ambitious undertaking would likely be a disaster for most debuting artists, Parsons had engineered albums by the Beatles and Pink Floyd, making the British musician more than familiar with adventurous, highly textured records.
TALES opens with no less than film legend Orson Welles providing narration over Parsons's mesmerizing melody for "A Dream Within a Dream," while "The Raven" and "(The System of) Doctor Tarr and Professor Fether" prove to be the most pop-oriented tracks on the album, employing electronically treated vocals and prog-rock pomp and circumstance to convey the arch strangeness of these stories. Much of TALES consists of keyboard-driven instrumentals that capture the suspenseful nature of Poe's work, most notably the haunting "Intermezzo" and the spine-chilling "Fall," both part of the "Fall of the House of Usher" suite. To listen to TALES OF MYSTERY & IMAGINATION is to hear a young artist challenging himself from his creative outset and crafting an intriguing set of songs in the process.
TALES opens with no less than film legend Orson Welles providing narration over Parsons's mesmerizing melody for "A Dream Within a Dream," while "The Raven" and "(The System of) Doctor Tarr and Professor Fether" prove to be the most pop-oriented tracks on the album, employing electronically treated vocals and prog-rock pomp and circumstance to convey the arch strangeness of these stories. Much of TALES consists of keyboard-driven instrumentals that capture the suspenseful nature of Poe's work, most notably the haunting "Intermezzo" and the spine-chilling "Fall," both part of the "Fall of the House of Usher" suite. To listen to TALES OF MYSTERY & IMAGINATION is to hear a young artist challenging
Includes liner notes by Alan Parsons.
All tracks have been digitally remastered.
Recorded at Abbey Road Studios, London, England between July 1975 and January 1976.
Personnel: Alan Parsons (vocals, keyboards); John Miles, Leonard Whiting, Arthur Brown (vocals); Orson Welles (spoken vocals); David Paton (guitar, bass, background vocals); Laurence Juber, Kevin Peek, Ian Bairnson, David Pack (guitar); Hugo D'Alton (mandolin); David Snell (harp); Billy Lyall (recorder, keyboards); Eric Woolfson (harpsichord, keyboards, background vocals); Francis Monkman (harpsichord); Christopher North (keyboards); Joe Puerta, Darryl Runswick, Les Hurdle (bass); John Leach, Burleigh Drummond, Stuart Tosh (drums, percussion); The Westminster City School Boys Choir, Jack Harris, Terry Sylvester, Jane Powell, Bob Howes and The English Chorale (background vocals).
Personnel includes: Alan Parsons (vocals, guitar, keyboards); John Miles, Leonard Whiting, Arthur Brown (vocals); David Paton (guitar, bass, background vocals); Laurence Juber, Kevin Peek, Ian Bairnson, David Pack (guitar); Hugo D'Alton (mandolin); David Snell (harp); Billy Lyall (recorder, keyboards); Eric Woolfson (harpsichord, keyboards, background vocals); Francis Monkman (harpsichord); Christopher North (keyboards); Joe Puerta, Darryl Runswick, Les Hurdle (bass); Burleigh Drummond, Stuart Tosh (drums); The Westminster City School Boys Choir, Jack Harris, Terry Sylvester, Jane Powell, Bob Howes, The English Chorale (background vocals). Tales Of Mystery & Imagination Music Alan Parsons Tales Of Mystery & Imagination Songs Tales Of Mystery & Imagination Music Tales Of Mystery & Imagination Music Review Average Rating: (4.6 out of 5 stars)    List All Reviews Masterpiece from Parsons and Woolfson This album really is a masterpiece from " the Project." So dark and powerful lyrics and Parsons incredible production makes this album to a must for prog rock fans. Submitted by joedega2 (Norway)  Was This Review Helpful? Yes No
Still a Classic I purchased the album in 1976 and nearly wore it out. I got the cassette version in the 80's, and recently decided this was a must own for my CD collection. For Alans Parsons Project fans, I rate this as one of their best albums. Fans of Edgar Allan Poe will appreciate Woolfson and Parsons rich musical interpretation of his classic poems. The instrumentals tracks are haunting, and tracks titled "The Raven" and "The System of Doctor Tar and Professor Fether" are nothing short of classics. Submitted by rfayette (Greensburg, IN, USA)  Was This Review Helpful? Yes No
Alan's very master piece "It's absolutly impossible to adapt to language" the incredible feelings you get when you listen to what I call: the highest point a composer can achieve on music! Submitted by donatopsiquiatria (Belo Horizonte, MG, Brasil) Was This Review Helpful? Yes No
Their first, greatest masterpiece What is interesting to note up front is that Alan Parsons engineered Pink Floyd's "Dark Side Of The Moon", so it's no wonder that he does such a good job with Eric Woolfson's songs. The stories and poems of Poe provide the lyrical power of the songs, and the stories come through in chilling realization. No other album of theirs was so conceptually coherent, or so powerful in its scope and grandeur. What is also amazing is that the original album released in 1976 was created entirely without the use of synthesizers (although they were used extremely sparingly in this remastered version). These guys had talent, and they came through in creative spades on this album, and established themselves for years to come. Submitted by Galen (Anchorage, Alaska) Was This Review Helpful? Yes No
Still the best one. This is the only CD I have from The Alan Parsons Project. Definitly this is their best album of all times. Of course, I like more the LP version wich is the original version (No Orson Welles narration there). Never released as CD. A Masterpiece. Submitted by Eduardo Nava (Mexico City) Was This Review Helpful? Yes No
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