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After 1970's Looking In album, Peverett, Roger Earl, and Tony Stevens left to form Foghat, leaving Kim Simmonds with yet another dilemma. But for Simmonds, things went a little smoother than he might have imagined, picking up piano player Paul Raymond, bassman Andy Silvester, and drummer Dave Bidwell, all from Chicken Shack. He also hired singer Dave Walker, who was the former frontman with the Idle Race, and together the new lineup recorded Street Corner Talking, one of Savoy Brown's finest moments. Gelling almost instantaneously, Walker's cozy yet fervent voice countered with Simmonds' strong, sturdy guitar playing, and an exuberant mixture of British blues and boogie rock prevailed. All of Street Corner Talking's efforts are solid examples of the group's blues-rock power, from the slick cover of Willie Dixon's "Wang Dang Doodle" to the deep feel of "All I Can Do" to the subtle strength of "Tell Mama," Walker's best-sung tune. The album's blend of sultry guitar blues and upfront rock & roll flavor give it a multi-faceted appeal, with every musician contributing his talents uniformly, which is something that's rather difficult to achieve after there's been a wholesale change to the personnel. Although they stayed together for the Hellbound Train album, Silvester was replaced by Andy Pyle for 1972's Lion's Share release, and a year after that Walker left to join Fleetwood Mac. ~ Mike DeGagneRolling Stone (10/28/71, p.49) - "...STREET CORNER TALKING is the group's most comprehensively enjoyable record in ages. It lives and breathes as none of Savoy Brown's recent releases have done..." Savoy Brown Street Corner Talking Songs Street Corner Talking Music Review Average Rating: (5 out of 5 stars)    List All Reviews english r & b / pop at its best Arguably, Savoy Brown's most listenable &
best album, with solid performances by the
entire band.
Kim Simmonds must surely be one of the most underated guitarists to emerge from this particular era - just listen to the opening notes of his blistering slide stylings on Tell Mama to some very tasty jazz nuances on the long and brilliant All I Can Do. Solid rythym section, great keyboards and marvelous vocals from Dave Walker. The original songs beat anything on the radio today, and the covers of Wang Dang Doodle and Cant Get Next To You would make any white group envious. A STELLER & TIMELESS ALBUM. Submitted by DON J. (Victoria, Canada)  Was This Review Helpful? Yes No
One of my favorite all time albums It has been thirty somewhat years since I last listened to this music.I owned both the album and 8 track years ago. Both seemed to have vanished into thin air. Close friends either borrowed them and didn't return them for whatever reason.I've listened to this cd over and over and still cannot get enough of it. Submitted by dsmith68 (Patterson, Louisiana,USA)  Was This Review Helpful? Yes No
It Should Be Ten Stars There's no way around it. This cd is truly a time-piece masterpiece. One of the all time best British blues-rock bands(not to exclude early 70's Fleetwood Mac etc., but ABSOLUTELY long before Buckingham & Nicks) to come from across the big pond.
Kim Simmonds(lead guitar), lead vocalist Dave Walker and the rest, take you on the finest blues journey bar-none, hands down, and etc., using their impeccable talents.
The first track, Tell Mama( a great slide tune) should get you tuned up, then go to track 3, and listen to undoubtably, the best version(probably the only), of The Temptations "I Can't Get Next To You(Babe)". A mind blower for sure.
This cd is a must for anyone's cd collection.
Now personally, to enjoy Street Corner Talking, you should crank up the stereo(of course this being after a hard week at the 'ol mill), then venture out onto the front or back porch with either a fine bottle(ok then, make it two), of wine or a big tub of iced down brewskies and proceed to get ready, to start to begin,(as the 7th track states)to pitch a wang dang doodle. To the non-understanding readers, that's PARTY-TIME!!!!! Dig it. Submitted by Rhino The First (Okieland, USA) Was This Review Helpful? Yes No
easily the most accessible Savoy Brown album when I bought this back when it came out, I opened it up and saw three chicken shack members in this new lineupand some singer i had never heard of {i found out later that he had had a hit in South Africa with In The Summertime by the Idle Race which was a cover of the huge Mungo Jerry hit..} I listened to this one over and over, I even like the long cut All I can Do Is Cry, and I generally hate long cuts. Tell Mama towered over everything they had done to date and even got a little airplay on the top 40 station in Boston. This is easily the best of the three albums with Dave Walker singing , and a strong case can be made that it is the most consistent album they did in terms of no filler. I am also partial to Blue Matter , Raw Sienna, and Looking In,and I like Shakedown, Getting To The Point, and A step Further as well, but I would have to say that SCT would be the most accessible of the lot to the uninitiated. Submitted by Bill Broderick (Nashua NH) Was This Review Helpful? Yes No
Amazing One of my all time favorite albums, I can't beleive these guys aren't played on the radio more or even talked about more. "Tell Mama" is one of the strongest openings to any rock album ever. Kim Simmons rocks! Submitted by Sean (WA, USA) Was This Review Helpful? Yes No
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Purchase Street Corner Talking CD To buy, Click on price to add to cart | Savoy Brown Blue Matter CD (1990)
Street Corner Talking
$6.49
| | Savoy Brown Raw Sienna CD (1969)
Street Corner Talking
$6.59
| | Savoy Brown Looking In CD (1970)
Street Corner Talking
$6.49
| | Savoy Brown Hellbound Train CD (1972)
Street Corner Talking
$6.39 Savoy Brown: Dave Walker (vocals); Kim Simmonds (guitar); Paul Raymond (keyboards); Andy Silvester (bass); Dave Bidwell (drums). Recorded live in Canada between 1969 & 1972. Includes liner notes by Neil "Mr. Blues" Slaven. Hellbound Train Live: 1969-1972 is one retrospective set that's way overdue: Savoy Brown live during their glory years. Here are two CDs worth of the mightiest, sludgiest blues-rock band on the planet during those years -- well, the possible exception of Cream -- featuring, on a decent -- and best -- portion of it, the greatest white blues singer in history: Chris Youlden. Youlden was everything to Savoy Brown because not only could he sing, but ...
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Street Corner Talking
$6.75 Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield ...
| | John Hammond Big City Blues CD (1964)
Street Corner Talking
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| | Peter Kern Young And Restless CD (2001)
Street Corner Talking
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| | Charlie Singers Shavers Charlie Shavers And The Blues Singers CD (1995) (Import) United Kingdom
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| | Mr 3-2 Bad Azz Mix Tape V CD (2005)
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| | Lionel Hampton Flying Home CD (2007) (Import)
Street Corner Talking
$29.99 Includes 10 CDs.
| | Terry Clark This Christmas CD (2008)
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| | Reuben D Ferguson Electron Man-Love In The Electronic Age CD (2009)
Street Corner Talking
$11.49 Electron Man - Love in the Electronic Age is an eclectic collection of pop/rock songs that goes from 12-tone instrumentals to progressive rock to blues. Consequently, the album itself is hard to characterize. Laundry Ladies 1 and 3 are really only the lead in and the lead out for the album; they’re not supposed to be stand-alone songs. Rough It! is only 33 seconds long, so if you listen to the preview, you’ll have heard almost all of it. Silly Spider is a 12-tone piece (look up Arnold Schoenberg) for solo keyboard and percussion. The rest of the tunes are more traditional in length, although not necessarily in composition. Tyrannosaurus Rex really defies technical description - it’s not rap, but it doesn’t employ traditional singing, either. It’s not really a tone poem, although I think it comes closest to that definition than any other. It is rock, though. Ridin’ is a part of a series of instrumental pieces I’ve done for another project (Twelve Scientists/Antipodes) that I’ll be posting on CD Baby soon; keep an eye out for it. It’s 12-tone also, but very much progressive rock as well. It’s quite possible that you’ve never heard anything quite like it. Some songs feature unusual tonalities and/or compound or shifting time signatures; if you don’t know what that means, don’t worry about it. It just means that this music is not the same-old commercial offering. I like to think it’s got a bit more to it than most commercial music; at least, that’s my opinion.A little about the artist - me. I played keyboards and sang in rock bands for many years, traveling around the U.S. playing gigs in a number of different bands. ...
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