| | Franz Lehar: The Merry Widow CD Gardiner / Lehar / Studer / Vpo CDS
Franz Lehar: The Merry Widow Music | List Price | $16.98 (You save $6.09) | | Label | Deutsche Grammophon | | Orig Year | 2/14/1995 | | All Time Sales Rank | 7354  | | CD Universe Part number | 1057429 | | Catalog number | 439911 | | Discs | 1 | | Release Date | Feb 14, 1995 |
Franz Lehar: The Merry Widow Review
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Franz Lehar: The Merry Widow Songs Franz Lehar: The Merry Widow Music Composers on Franz Lehar: The Merry Widow CD : Franz Lehar Conductors on Franz Lehar: The Merry Widow CD : John Eliot Gardiner Genres on Franz Lehar: The Merry Widow CD : Operetta Performers on Franz Lehar: The Merry Widow CD : Angela Kazimierczuk, Bo Skovhus, Barbara Bonney, Constanze Backes, Donna Deam, Heinz Zednik, Karl Magnus Fredriksson, Lucinda Houghton, Nicola Jenkin, Rainer Trost, Cheryl Studer, Suzanne Flowers, Bryn Terfel, Uwe Peper
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CROUCHING TIGER, HIDDEN DRAGON won the 2002 Grammy Award for Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media.
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$6.39 During the post-Van Halen shred eruption of the '80s, only a few guitarists made anything that resembled a unique musical statement. For every Steve Vai and Joe Satriani, there were a dozen Joey Tafollas. Perhaps the most groundbreaking musician of this era was Yngwie Malmsteen. The Swedish virtuoso had many imitators, and Vinnie Moore was chief among them. After a successful debut on shred-specialty label Shrapnel Records, Moore landed a deal with Mercury and released Time Odyssey at the height of solo rock guitar excess in 1988. On the disc's first two tracks, "Morning Star" and "Prelude/Into the Future," Moore tosses off some guitar harmonies that bear a huge resemblance to Deep Purple ...
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$17.09 Other Stories [Three Suites] is the debut CD from trumpeter/composer Taylor Ho Bynum's SpiderMonkey Strings. Named after two mythic tricksters, Anansi the Spider of West Africa and the Monkey King of China, this all-star ensemble brings a genre-defying spirit and sense of humor to its eclectic extended suites."With SpiderMonkey Strings, I am blessed to work with many of the finest musicians and improvisers on the East Coast," Bynum writes. "In 2002, I received a commission for the recording of a film score ("The First Three Lives of Stuart Hornsley," directed by Leigh Dana Jackson) for string quartet. I was so excited by the personalities and musicianship of that string quartet, that I combined it with the guitar, tuba, and drums I had been performing with to to create a working band, and my focus for composing and bandleading. Along with composing in the Ellington tradition of writing with specific musicians in mind, I have also been particularly influenced by the concepts of Charles Ives and Anthony Braxton for musically independent sub-ensembles coexisting in one sonic space. The instrumentation gives me a wealth of different compositional possibilities."Bynum has been called "a cutting edge trumpet phenom" (Boston Phoenix), "a creative force" (Boston Globe), "a distinct voice that never succumbs to simple paths" (Cadence) and "a marvelous cornetist with an outwardly directed post-bop sensibility (AllAboutJazz ). The Village Voice's Francis Davis adds, "Bynum is one of the savviest trumpeters to come along in recent years, a growling sound-and-space man in the tradition of Lester Bowie." In addition to sideman work with legends including Braxton and Cecil Taylor, he has appeared on more than 30 recordings and performs regularly with the Fully Celebrated Orchestra, the Jason Kao Hwang Quartet, the Matana Roberts Quartet, Ghanaian master drummer Kwaku Kwaakye Obeng's band and the avant-salsa group, Zemog el Gallo Bueno. He has also recently toured Europe and North America with Braxton's Sextet, Twelvetet, and Trio, with more performances coming this fall. Along with SpiderMonkey Strings, Bynum leads his own sextet and has an ongoing duo collaboration with dancer/choreographer Rachel Bernsen.*"I have had different projects called SpiderMonkey for many years. I have a fascination with trickster myths and trickster mythology and so SpiderMonkey, of course, being named after the two great trickster spirits: Anansi the Spider and the Monkey King, from Africa and Asia respectively. For me, the trickster embodies a lot of the attributes that are necessary to be a creative artist, a sense of humor, a sense of reverence, a type of spirituality, a willingness to play in the ambiguous areas. It is not all black and white. It is not all good and evil. It is the unknown and we should celebrate that. So I have always had this fixation with that and so often, when I have a project of unusual instrumentation, I named it SpiderMonkey... It is a totally different place to be, an incredible challenge for me because there are certain things that I know how to do when I am in front of a bass player and drummer that I just can't do in this context. It is a whole different way for me to blend as a cornet. I don't want it to be me with strings. I want it to be a band that has a sound that has strings and a cornet in an organic way, as opposed to a featured soloist with ...
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Franz Lehar: The Merry Widow
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