| | Schumann: Piano Concerto, Etc / Sviatoslav Richter CD Richter / Schumann CDS
Award Winner Schumann: Piano Concerto, Etc / Sviatoslav Richter Music | List Price | $11.98 (You save $3.93) | | Label | DG The Originals | | Orig Year | 4/9/1996 | | All Time Sales Rank |  7188  | | CD Universe Part number | 1057548 | | Catalog number | 447440 | | Discs | 1 | | Release Date | Apr 09, 1996 | | Recording Time | 1 18 |
Schumann: Piano Concerto, Etc / Sviatoslav Richter Review
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Schumann: Piano Concerto, Etc / Sviatoslav Richter Music Composers on Schumann: Piano Concerto, Etc / Sviatoslav Richter CD : Robert Schumann Conductors on Schumann: Piano Concerto, Etc / Sviatoslav Richter CD : Stanislaw Wislocki, Witold Rowicki Performers on Schumann: Piano Concerto, Etc / Sviatoslav Richter CD : Sviatoslav Richter Purchase Schumann: Piano Concerto, Etc / Sviatoslav Richter To buy, Click on price to add to cart | Vivaldi: La Stravaganza / Rachel Podger, Arte Dei Suonatori CDs (2003) SACD Hybrid
Schumann: Piano Concerto, Etc / Sviatoslav Richter
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Although this Blue Note session (reissued on CD in 1996) is led by trumpeter Johnny Coles, pianist Duke Pearson (who contributed the arrangements and five of the six compositions) really functioned as leader. The typically impressive Blue Note lineup (which includes Leo Wright on alto and flute, tenor saxophonist Joe Henderson, bassist Bob Cranshaw, ...
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Art Blakey & The Jazz Messengers: Art Blakey (drums); Bobby Watson (alto saxophone); David Schnitter (tenor saxophone); Valery Ponomarev (trumpet); James Williams (piano); Dennis Irwin (bass).
Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor saxophone); Lee Morgan (trumpet); Bobby Timmons (piano); Jymie Merritt (bass).
Art Blakey Quintet/The Jazz Messengers/Art Blakey/Art Blakey & the Jazz Messengers: Art Blakey; Lee Morgan (trumpet); Jymie Merritt (double bass); Wayne Shorter, Bobby Timmons.
Art Blakey and the Jazz Messengers met their artistic peak with the powerful A NIGHT IN TUNISIA. This incarnation of the group included Lee Morgan, Wayne Shorter, Bobby Timmons and Jymie Merritt with their leader Blakey. As the Messengers entered their most fruitful period for Blue Note, Blakey drove his men relentlessly with powerful grooves, heavy swinging and shouts of encouragement. This session documents the full power of his assertive leadership and the masterful playing of his sidemen, each rising to legendary status under his tutelage.
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Schumann: Piano Concerto, Etc / Sviatoslav Richter
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Shorter's Blue Note debut, NIGHT DREAMER, is a stunning statement from one of the premiere saxophonists and composers in the history of jazz. In 1964, after a long period as musical director for Art Blakey's Jazz Messengers and newly joining Miles Davis' quintet, Shorter was primed to enter the field as a major solo artist. His guests include Lee Morgan (trumpet), renewing the outstanding frontline the two formed in Blakey's band, and McCoy Tyner (piano) and Elvin Jones (drums) from Coltrane's legendary quartet. The musical vision here, however, is Shorter's alone.
Shorter's distinctive compositional style begins to take shape with the opening title track, a bouncing waltz with a dusky, modal flavor and a subtle rhythmic drive. Likewise, his arrangement of an "Oriental Folk Song" has a similar burnished tone with beautifully executed harmonies between Shorter and Morgan. Interestingly, the swinging "Black Nile" and "Armageddon" are very reflective of Shorter's previous tenure with Blakey while perpetuating the range of his newfound freedom with Davis' group. "Charcoal Blues" is the most traditional piece in the set but nevertheless gives us a sense of his more ...
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The historic live Town Hall sessions by Dizzy Gillespie and Charlie Parker from 1945 have been discovered on an acetate pressing, and are transferred with digital enhancement to CD. Why this concert was not issued initially is understandable, but Ira Gitler's informative and insightful liner notes suggest they likely were misplaced. What Gitler's essential writing also reveals is that these dates were approximate by only weeks to the original studio recordings of these classics, and there was no small amount of controversy surrounding this revolutionary bebop. Clearly bop was a vehicle for intricate melodic invention followed by lengthy soloing, aspects of which Parker with Gillespie were perfectly suited for. Fact is, the situation surrounding the sonic capture and extended neglected shelf life of this performance was far from optimal. Symphony Sid Torin is the M.C., rambling as always, making repeated references to Dizzy "Jillespie" and misidentifying Max Roach as Sid Catlett on "Salt Peanuts." (Catlett does sit in on "Hot House" in a more supportive than demonstrative role.) The tracks with the brilliant Roach are on fire, particularly the super-hot "Salt Peanuts," with pianist Al Haig flying beside him. Haig is perhaps the most impressive musician. ...
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Schumann: Piano Concerto, Etc / Sviatoslav Richter
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Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest). The latter is especially true on the two opening Hutcherson pieces, the sweetly lilting "'Til Then" and the innocent, childlike theme of "My Joy," which is reminiscent of "Little B's Poem" (save for its multi-sectioned structure). Meanwhile, Chambers' experiments with counterpoint in the context of group improvisation keep getting more evocative. ...
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Founded in 1971 by video artists Woody and Steina Vasulka, The Kitchen is world renowned as a leading centre in the contemporary performing arts. Focussing exclusively on the cutting edge, this institution continues to be a powerful force in shaping contemporary culture. Over the past 30 years, The Kitchen has recorded all performances staged there. In 1999 an initiative was undertaken to catalogue and re-master the entire archive. During this process, an additional trove of recordings from the seventies was discovered featuring the likes of Cage, Laurie Anderson and David Tudor. A collaborative partnership with the ...
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Founded in 1996, Musica Royale is a six member early music ensemble, specializing in exploring the fascinating roots of today’s music. From the raucous sounds of 16th century dances to the poignant harmonies of Renaissance love songs, the group brings this wonderful music to life. The musicians of Musica Royale are multi-instrumentalists and the ensemble performs on everything from the familiar family of recorders (in a variety of sizes), harps and percussion, to more exotic ...
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