| | Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al CD Boulez / Ravel / Zimerman CDS
CD Single Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al Music | List Price | $16.98 (You save $6.29) | | Label | Deutsche Grammophon | | Orig Year | 2/9/1999 | | All Time Sales Rank | 1498  | | CD Universe Part number | 1057656 | | Catalog number | 449213 | | Discs | 1 | | Release Date | Feb 09, 1999 | | Recording Time | 1 1 |
Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al Review
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Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al Music Composers on Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al CD : Maurice Ravel Conductors on Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al CD : Pierre Boulez Performers on Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al CD : Krystian Zimerman
Purchase Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al
$38.09 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing the group's musical evolution from hippie blues band to kings of Southern rock. And, while the unreleased studio version of "Statesboro Blues" included here isn't definitive, it's still mighty good-as are the set's other rarities. Start your Allman Brothers collection with THE FILLMORE CONCERTS; if that grabs you, DREAMS should also find a welcome place on your CD shelf.
Personnel includes: Gregg Allman, Dickey Betts (vocals, guitar); Duane Allman (guitar, dobro, background vocals); Paul Hornsby, Scott Boyer, Elvin Bishop, Tommy Talton, Steve Beckmeier, Rickey Hirsch, John Hug, Dan Toler (guitar); John Hughley (steel guitar); Tom Doucette (harmonica); Steve Madaio, Pat Rizzo, Dave Luell (horns); Steve Miller, Chuck Leavell (piano); Dale Betts, Neil Larson (keyboards); Reese Wynans (organ); Bob Keller, Pete Carr, David Brown, Berry Oakley, Lamar Williams, Willie Weeks, Ken Tibbets, David Goldflies (bass
| | Ted Brown Free Spirit CD (1989)
Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al
$14.55 A veteran tenor saxophonist who gained early recognition for his work with the Lennie Tristano school, Ted Brown has remained fairly obscure despite his consistent creativity. This superior trio set with the great bebop pianist Hod O'Brien and bassist Jacques Schols, features Brown at the top of his form. Other than his own "Smog Eyes" and the lesser-known "Trane's Slo Blues," all of the tunes are familiar bebop standards, but Brown, O'Brien, and Schols uplift and infuse them with fresh ideas. Among the more memorable selections are "Trane's Slo Blues," "Lester Leaps In" and "Lover Come Back to Me." Quite possibly this is the definitive Ted Brown set to acquire; certainly it is highly recommended to lovers of straight-ahead jazz. ~ Scott Yanow
tenor saxophonist's trio w. Hod O'Brien on piano and Jacques Schols on bass, recorded Oct. 4 & 10, 1987
Recorded live at Cristofori, Amsterdam, Holland on October 4, 1987 and at Studio 44, Monster, Holland on October 10, 1987. Includes liner notes by Mark Gardner.
Personnel: Ted Brown (tenor saxophone); Hod O'Brien (piano).
Liner Note Author: Mark Gardner.
Recording information: Cristofori, Amsterdam, The Netherlands (10/10/1987); Studio 44, Monster (10/10/1987).
Photographer: Frans Schellekens.
Personnel: Ted Brown (tenor saxophone); Hod O'Brien (piano); Jacques Schols (bass).
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al
$6.29 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis of calm throughout the childish blues "Freddie Freeloader." Often credited to Davis, "Blue In Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on muted horn. The waltzing "All Blues" is one of the smoothest, most swinging grooves in the history of jazz, while "Flamenco Sketches" reflects Miles fascination with the earthy melodies and brooding metaphors of the Iberian peninsula...a harbinger of his next masterpiece, SKETCHES OF SPAIN. KIND OF BLUE remains M
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Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al
$14.29 Live Recording
Recorded at Estudios Infinity, Madrid, Spain in March-May 1999.
Personnel: Martirio (vocals); Raul Rodriguez (guitar, tres, percussion); Paco De Amparo (guitar); Jorge Pozas (cello) Chano Dominguez (piano); Javier Colina (bass); Guillermo McGuill (drums, cajon); Rogerio De Souza (percussion); Pepe Torres (feet, compas); Luis Torres (compas).
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Ravel: Piano Concertos, Etc / Zimerman, Boulez, Et Al
$14.49 Recording information: Hirsch Hall, Elias Cohn Institute, New York, NY (06/1987).
Personnel: Armen Guzelimian (piano).
Liner Note Author: Gordon Getty.
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