| | Berio: Sequenzas CD Berio / Ensemble Intercontemporain CDS
Berio: Sequenzas Music | List Price | $50.97 (You save $10.08) | | Label | Deutsche Grammophon | | Orig Year | 3/9/1999 | | All Time Sales Rank |  4022  | | CD Universe Part number | 1057788 | | Catalog number | 457038 | | Discs | 3 | | Release Date | Mar 09, 1999 |
Berio: Sequenzas Review
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Berio: Sequenzas Songs | 1. Sequenza I, for flute (6:08) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Sophie Cherrier (Flute) | | Date Written | 1958 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 2. Sequenza II, for harp (8:22) | | Common Name | Sequenza Ii For Harp | | Composer | Luciano Berio (1925 - 2003) | | Performer | Frederique Cambreling (Harp) | | Date Written | 1963 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 3. Sequenza III, for voice (8:21) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Luisa Castellani | | Date Written | 1965-1966 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 4. Sequenza IV, for piano (11:11) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Florent Boffard (Piano) | | Date Written | 1965-1966 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 5. Sequenza V, for trombone (7:07) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Benny Sluchin (Trombone) | | Date Written | 1966 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 6. Sequenza VI, for viola (12:13) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Christophe Desjardins (Viola) | | Date Written | 1967 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 7. Sequenza VII, for oboe (7:01) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Laszlo Hadady (Oboe) | | Date Written | 1969 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 8. Sequenza VIII, for violin (13:00) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Jeannne Marie Conquer (Violin) | | Date Written | 1976-1977 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 9. Sequenza IXa, for clarinet (13:40) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Alain Damiens (Clarinet) | | Date Written | 1980 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 10. Sequenza X, for trumpet in C & piano resonance (14:03) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Gabriele Cassone (Trumpet) | | Date Written | 1984 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 11. Sequenza XI, for guitar (15:26) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Eliot Fisk (Guitar) | | Date Written | 1987-1988 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 12. Sequenza XII, for bassoon (18:37) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Pascal Gallois (Bassoon) | | Date Written | 1995-1996 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 13. Sequenza XIII, for accordion (8:24) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Teodoro Anzellotti (Accordion) | | Date Written | 1995 | | Country | Italy | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 | | 14. Sequenza IXb, for alto saxophone (14:19) | | Composer | Luciano Berio (1925 - 2003) | | Performer | Christian Wirth | | Date Written | 1981 | | Venue | IRCAM Studio-Espro, Paris, France | | Recording Date | 10/1994-07/1997 |
Berio: Sequenzas Music Composers on Berio: Sequenzas CD : Luciano Berio Performers on Berio: Sequenzas CD : Alain Damiens, Teodoro Anzellotti, Benny Sluchin, Christian Wirth, Christophe Desjardins, Eliot Fisk, Florent Boffard, Frederique Cambreling, Gabriele Cassone, Jeannne Marie Conquer, Laszlo Hadady, Luisa Castellani, Pascal Gallois, Sophie Cherrier Purchase Berio: Sequenzas To buy, Click on price to add to cart | Knussen Takemitsu: Quotation Of Dream CD (1999)
Berio: Sequenzas
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After 1997's IF YOU'RE FEELING SINISTER made them critics' darlings, Scottish octet Belle And Sebastian ran straight into a series of label woes, and into the inevitable feeding frenzy that surrounds a free agent with their prodigious talents. Their experience with one label exec is detailed in "Seymour Stein" on THE BOY WITH THE ARAB STRAP, which finds the band building on the pastoral pop charms of SINISTER, adding a palpable layer of anger and an increasingly rich sonic palette to their painfully shy tales of despair.
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This live recording captures Caetano Veloso during the New York leg of his Circuladô tour in 1992. Naturally, several of the tracks here are from Veloso's strong 1991 release, Circuladô. But the two main highlights of this CD are the absolutely stunning version of Bob Dylan's "Jokerman" and the equally superb version of Djavan's romantic hit "Oceano." On the latter, Veloso is backed solely by his own acoustic guitar, and the result is nothing else than sheer musical perfection and beauty. These two tracks alone make the album more than worthwhile, but there is a lot more to it -- for example the beautiful "Queixa," which gains a completely new and dramatic string introduction. Veloso also sings the pretty "Debaixo Dos Caracóis Dos Seus Cabelos," written by Erasmo Carlos and Roberto Carlos for Veloso during his exile in London, and "Mano a Mano," a nice tango by Argentine superstar Carlos Gardel. "Um Indio" gains a more robust and direct musical frame, and many people find this version even better than the classic album recording from 1977. "O Leaozinho," from the same 1977 album, does not come off very well, but without a doubt the real low point of this CD is the horrible electric guitar solo that concludes an otherwise nice "A Filha da Chiquita Bacana." Why Veloso permitted his guitarist to solo in this way is something of a mystery, but this misstep is also a very small detail toward the end of ...
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