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Live Recording
Devil In A Woodpile: Rick "Cookin" Sherry (vocals, harmonica, washboard, jug, bass drum); Paul K. (National & steel guitars); Tom Ray (ukelele, upright bass).
Additional personnel: Gary Elvis (tuba).
CMJ (1/3/99, p.3) - "...rustic mixture of country-blues and jazz played on harmonica, washboard, jug, guitar and upright bass taps into the sound of early America..."
Dirty Linen (4-5/99, p.83) - "...the perfect album if you plan to raise the dead or at least get the very tired to dance."
Living Blues (5-6/99, p.100) - "...delightful cover for a delightful band....tasteful instrumental interplay..." Devil In A Woodpile Music Devil In A Woodpile Songs Devil In A Woodpile Review
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Purchase Devil In A Woodpile CD To buy, Click on price to add to cart | Handsome Family Through The Trees CD (1998)
Devil In A Woodpile
 $10.49   
THROUGH THE TREES, the group's third album, is full of beautiful, hummable songs one imagines being performed ...
| | Ry Cooder Borderline CD (1980)
Devil In A Woodpile
$10.89 
With 1980's Borderline, Ry Cooder followed the foray into R&B and soul of his previous effort, Bop Till You Drop, but this time out with a little shot of the Southwest thrown in. At the same time, he also continues the primarily electric sound of that record. As far as his selection of material goes, Borderline may sometimes lack the surprising, esoteric charm of his earlier recordings, but there are still some terrific finds, including the Tex-Mex-flavored "The Girls from Texas," which may be the album's finest moment. Other highlights include one of John Hiatt's best, the written-to-order "The Way We Make a Broken Heart," as ...
| | Delaney & Bonnie Best Of Delaney & Bonnie CD (1990)
Devil In A Woodpile
$9.09  
Husband-and-wife duo Delaney and Bonnie Bramlett were among the foremost proponents of blue-eyed soul in the 1960s and '70s. They're famous for luring Eric Clapton into their midst and influencing the direction of his solo work, but their own legacy stands up well beyond that. BEST OF DELANEY & BONNIE culls the best tracks from the pair's key releases, including their effervescent signature song, "Get Ourselves Together"; the New Orleans parade-band number "Free the People"; and the propulsive, Stax-indebted "Soul Shake." Delaney & Bonnie operated in a time when the boundaries ...
| | Elton John Greatest Hits CD (1974)
Devil In A Woodpile
$7.79
This Gold Disc includes one track, "Candle In The Wind," that isn't on the standard CD release.
After Elton released 9 records in a four year span and undertook massive tours as well, GREATEST HITS was the second album he put out in 1974. The unprecedented success John had with lyricist Bernie Taupin resulted in a compilation of ten songs of which nine easily landed in Billboard's Top 20 at one point. John's enormous talents enabled him to shift gears from tender balladry ("Your Song") to raucous rock'n'roll ("Saturday Night's Alright For Fighting"), all the while pumping each song with abundant enthusiasm.
Such was the widespread appeal of these compositions that when "Bennie And The Jets" was initially released, many black radio stations added it to their playlists, ...
| | Devil In A Woodpile In Your Lonesome Town CD (2005)
Devil In A Woodpile
$12.39
There's a photo inside Devil in a Woodpile's In Your Lonesome Town, taken from the point of view of a light fixture far above. It depicts a makeshift recording studio set up on the tile floor and Oriental rug below. An acoustic bass lies on its side near a big piano; washboards, jugs, and a lone kick drum are spread across the far side of the rug. Microphone cords snake here and there, and the surfaces of two National steel-bodied guitars gleam in the camera's flash. The shot captures the casual hominess of Devil in a Woodpile's music, the music that takes a toothy-grin approach to blues, bluegrass, hot jazz, and hillbilly sounds, throwing them all into a big hat and using the result to buy beers for the room. (That room is usually a rollicking Chicago tavern called the Hideout, where Woodpile has a regular and unamplified Tuesday night gig.) Bandleader Rick "Cookin'" Sherry is his usual self here, his vocals somewhere between hoedown rap and impromptu Saturday night singer. He plays that washboard, jug, and kick drum throughout Lonesome Town, as well as clarinet (to great effect ...
| | Led Zeppelin Song Remains The Same CDs (1976) Bonus Tracks; Remastered; Deluxe Edition
Devil In A Woodpile
$16.35
Back in the seventies, it seemed that every rock band needed to have a live concert film to commemorate their triumphant treks across America. Led Zeppelin were no exception and THE SONG REMAINS THE SAME is a chronicle of Led Zeppelin on tour. Although the ...
| | Knocky Parker Complete Works Of Jelly Roll Morton CD (1995)
Devil In A Woodpile
$24.15
| | Grand Funk Railroad Good Singin' Good Playin' CD (1976)
Devil In A Woodpile
$6.49
| | Classic Blues V.3 CD (2000) (Import) Netherlands
Devil In A Woodpile
$10.49
| | Joe Tex Show Me The Hits CD (2001)
Devil In A Woodpile
$8.85
| | Roy Harvey, Vol. 3: 1929-1930 CD (2000) Import
Devil In A Woodpile
$13.25
| | Childs Garden Of Grass CD (1971)
Devil In A Woodpile
$19.85
Can a '70s comedy album that is themed about marijuana possibly still be funny? In this case, yes. The audio companion to the book A Child's Garden of Grass, by Jack S. Margolis, has plenty of funny ...
| | 8 Ball Presents The Slab CD (2001)
Devil In A Woodpile
$13.69
| | Thurston Moore Psychic Hearts CD (1995) Reissue
Devil In A Woodpile
$6.39
It was inevitable that Thurston Moore's first solo offering would sound a bit like Sonic Youth, considering how integral his guitar playing and singing are to the band's sound. What ...
| | Renaissance Turn Of The Cards CD (1974) (Import) Germany
Devil In A Woodpile
$12.87 
The third album by this incarnation of Renaissance was a match for their previous success, Ashes Are Burning, with equally impressive performances and songwriting and a few new musical twists added. The songs here fit more easily into a rock vein, and the prior album's folk influences are gone. Turn of the Cards rocks a bit harder, albeit always in a progressive rock manner, and Jon Camp's bass and Terence Sullivan's drums are both harder and heavier here, the bass (the group's only amplified instrument) in particular much more forward in the mix. This change works in giving the band a harder sound that leaves room for Jimmy Horowitz's orchestral accompaniments, which are somewhat more prominent than those of Richard Hewson on the prior album, with the horns and strings, in particular, more exposed. Annie Haslam is in excellent voice throughout, and finds ideal accompaniment in Michael Dunford's acoustic guitar and John Tout's piano. The writing team of Dunford and Betty Thatcher also adds some new wrinkles to the group's range -- in addition to progressive rock ballads like "I Think of You," they delivered "Black Flame," a great dramatic canvas for Haslam and Tout, in particular; and "Mother Russia" is a surprising (and effective) move into topical songwriting, dealing with the plight of Alexander Solzhenitsyn and other victims of Soviet repression (you had to be there in the 1970s ...
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