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Among the standouts from this collection of classics are the positively inspiring "New Kind of Kick," the obnoxiously entertaining "She Said," and the seriously un-PC "Drug Train." The first is a sneering, sleaze-ride through a forest of heavily distorted guitars and pounding percussion. On the second, Nick Knox's drumming pummels along while Interior sings lyrics best heard for yourself (oddly enough, the song is a cover!) with his mouth full of cotton wool. And "Drug Train" features clapping, call-and-response vocals, and a guitar line designed especially for air guitarists the world over. Listening to the Cramps, it is possible to imagine why our parent's parents thought rock & roll was a dangerous influence.
BAD MUSIC FOR BAD PEOPLE is a compilation of songs from the first two Cramps albums--SONGS THE LORD TAUGHT US and PSYCHEDELIC JUNGLE--as well as some tracks from concurrent singles. It consists of five originals and six impeccably chosen covers, and it demonstrates everything that made the Cramps such a brilliant band. Their grasp of early rock & roll is second to none and the guitar playing of Poison Ivy, Brian Gregory, and Kid Congo Powers provides the perfect background for Lux Interior's vocal swaggering.
The Cramps: Lux Interior (vocals); Ivy Rorshach [Poison Ivy], Congo Powers, Bryan Gregory (guitar); Nick Knox (drums).
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$26.09 Recorded in Cuba with producer Jerry Boys---who has worked with, among others, R.E.M., Billy Bragg, and the Buena Vista Social Club--TWO SHOES is the sophomore album from Australian sextet Cat Empire.
Two Shoes, the second studio album from Melbourne, Australia's Cat Empire, was cut at the legendary Egrem Studio in Havava, Cuba -- the site of landmark recordings by the Buena Vista Social Club and countless other Cuban artists -- in just under a month in late 2004. Like their self-titled studio debut, Two Shoes was a massive success in the sextet's homeland, debuting at number one, and its word-of-mouth stoked an already expanding fan base in Europe and North America -- enough of one to nab the band a booking at Tennessee's prestigious Bonnaroo music festival in 2006 -- despite the lack of an American release. The fuss was justified: the Cat Empire is a wholly engaging, genre-splicing band that exudes equal parts musical intelligence and no-frills party-down exuberance. The Cuban influence is never far from the surface on Two Shoes, but neither is it the point of the Havana excursion. Primarily, the Latin brass blasts and percussion serve to accent rather than define the direction, and the well-crafted jazz piano runs that light up tracks ...
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